- A 1987 Power Metal Classic with Blazing Riffs & Speed
"Burn to My Touch" by Liege Lord blazes onto a 12" Vinyl LP Album, featuring the exceptional guitar prowess of Paul Nelson, later known for his role in Johnny Winter's band . This release marks a pivotal moment for Liege Lord, showcasing their mastery of power metal. With Nelson's distinct guitar work, the album becomes a sonic journey, solidifying Liege Lord's presence in the metal landscape during the era of its release.
Collector Notes: This Holland pressing of 'Burn to My Touch' features the Metal Blade Records Bloody Axe label design, unlike other international editions with different label artwork.
Summary:
"Burn to My Touch" is the debut album by American heavy metal band Liege Lord, released in 1987 by Metal Blade Records. The album was produced by Brian Slagel and features Mark Shelton on vocals, Tony Dolan on guitars, Randy Archer on bass, and Rick Storch on drums. The album is a classic example of American power metal, with a strong emphasis on melody and speed. The songs are characterized by Shelton's soaring vocals, Dolan's blistering guitar solos, and Archer's driving bass lines. "Burn to My Touch" was a critical and commercial success, helping to establish Liege Lord as one of the leading bands in the American power metal scene. The album has been praised by critics for its strong songwriting, musicianship, and production.
About Paul Nelson Nelson is a skilled guitarist, and he is known for his melodic playing style. He has been praised by critics for his contributions to Liege Lord, and he is considered to be one of the most important guitarists in the American power metal scene. In addition to his work with Liege Lord, Nelson has also played with a number of other bands, including Tytan, Riot, and Over Under Through. He has also released a solo album, Instrumental Prayers: Hymns of the Cross (2004).
Nelson is a talented guitarist and songwriter, and he has made significant contributions to the American heavy metal scene. He is a respected figure in the genre, and his work with Liege Lord is considered to be a classic.
Paul Nelson and Johnny Winter Nelson helped Winter to clean up his act and get sober. He also helped him to book shows and record new music. As a result of Nelson's efforts, Winter enjoyed a resurgence in popularity in the early 2000s. Nelson also played guitar on several of Winter's albums, including "I'm a Blues Man" (2004), "Roots" (2007), and "Step Back" (2011). He also appeared in the documentary "Johnny Winter: Down & Dirty" (2014). Nelson was a close friend and confidant of Winter, and he was deeply saddened by his death. He said that Winter was "one of the greatest blues guitarists of all time" and that he was "a true inspiration to me and to so many others". Nelson's role in helping Winter to revive his career and regain his health was significant. He was a talented musician and a dedicated friend, and he played a major role in ensuring that Winter's legacy will live on. |
Music Genre: Power / Speed Metal |
Album Production information:
Produced by Joe Bouchard and Liege Lord Engineered by Peter Hodgson Assistent Sound Engineer: Blaise Sires Sound Mix: Joe Bouchard and Liege Lord Photos Pat Prince Sleeve Concept and Artwork Ioannis for Third Image
Ioannis Vassilopoulos is a renowned graphic artist from Athens, Greece, known for his iconic heavy metal album covers in the 1980s. He illustrated artwork for bands like
Hallows Eve
and Fates Warning, among others. His striking and detailed designs became a hallmark of the era, blending fantasy and realism to define the visual identity of many classic metal albums.
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Record Label & Catalognr: Metal Blade Records RR 9625 ( Metal Blade Records with the Bloody Axe ) |
Packaging: This album includes the original custom inner sleeve with album details, complete lyrics of all songs by Liege Lord and band-photos. |
Media Format: 12" Vinyl LP Gramophone |
Year & Country: 1987 Made in Holland |
Band Members and Musicians on: Liege Lord Burn to my Touch |
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Complete Track Listing of: Liege Lord Burn to my Touch |
The Song/tracks on "Liege Lord Burn to my Touch" are
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The album cover of Liege Lord's "Burn to My Touch" (1987) is a vivid, fantasy-inspired artwork filled with dark mysticism and power metal aesthetics.
At the forefront, a menacing hooded figure clad in black metallic armor stands ominously, with glowing red eyes peering from behind a sinister mask. The figure clutches a censer, from which fiery magical energy spills out, illuminating the surrounding darkness.
To the left, a woman in a shimmering, floor-length blue gown stands under an archway. Her dark hair cascades over her shoulders, and her expression conveys fear and uncertainty. The flowing fabric of her gown reflects the eerie light of the enchanted scene.
The background is a dreamlike landscape bathed in an ethereal purple haze. Jagged castle ruins stretch toward the horizon, silhouetted against a sky dominated by a massive blood-red moon. The stars sparkle faintly in the sky, adding to the mysterious atmosphere.
The floor beneath the figures is composed of a checkered pattern, polished and reflective, creating an illusion of depth. The reflections of the moonlight and magical flames dance on the surface, enhancing the surreal and dramatic mood of the artwork.
The album title, "Burn to My Touch", appears in striking red font at the bottom, while the band's name, "Liege Lord", is emblazoned at the top in bold, fiery lettering.
The back cover of Liege Lord's "Burn to My Touch" (1987) presents a detailed layout featuring band photos, track listings, and production credits, encapsulating the energy of this power metal masterpiece.
At the top, production details credit Joe Bouchard & Liege Lord as producers, with engineering by Peter Hodgson and photography by Pat Prince.
The middle section showcases five dynamic live-action photos of the band members:
The track listing is divided into two sections:
Side One: "Transgressor," "Birds of Prey," "Cast Out," and "Portrait of Despair."
Side Two: "Black Lit Knights," "The Manic's Mask," "Legend," "Walking Fire," and "Speed of Sound."
The lower section contains a special thanks message from the band, acknowledging friends, family, and key figures who contributed to their journey.
The Metal Blade Records logo and catalog number RR 9625 confirm this pressing as part of the label’s legacy of heavy metal releases.
The custom inner sleeve of Liege Lord's "Burn to My Touch" (1987) is a striking black-and-white collage capturing the band's raw energy and behind-the-scenes moments.
This chaotic yet visually engaging layout is packed with overlapping cutout photos featuring the band members in various settings—on stage, in candid moments with fans, and during backstage celebrations.
Prominent images include:
This inner sleeve design reflects the raw spirit of 1980s power metal, embodying the essence of Liege Lord’s legacy within the scene.
The Side One record label of Liege Lord's "Burn to My Touch" (1987) features the distinctive Metal Blade Records design, characterized by the infamous Bloody Axe logo.
This label layout includes:
This label design is an iconic marker of 1980s heavy metal vinyl releases, making this pressing a sought-after collector's item.
Metal Blade Records RR 9625 , 1987 , Netherlands
This release marks a pivotal moment for Liege Lord, showcasing their mastery of power metal. With Nelson's distinct guitar work, the album becomes a sonic journey
Learn moreBlack Dragon Records BD 004 , 1985 , France
"Freedom's Rise," the debut album by American power metal band Liege Lord. Released on Black Dragon Records, this 12" vinyl LP marked the band's arrival on the scene and cemented their place
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