- A Raucous Debut Sparking a Punk Revolution
Nina Hagen's solo debut "NunSexMonkRock" is a bombastic explosion of punk attitude, new wave energy, and wild experimentation. With provocative lyrics and Hagen's iconic, operatically-infused vocals, the album defies genres and challenges norms. Get ready for a raw, electrifying ride that ignited Hagen's legacy as a fearless musical innovator.
In 1982, Nina Hagen, the "Godmother of Punk," unleashed her electrifying debut solo album, "NunSexMonkRock." This audacious 12" vinyl LP wasn't just music; it was a sonic explosion that challenged conventions and ignited a punk firestorm.
A Fierce Voice Emerges
Hagen, already known for her explosive vocals with the Nina Hagen Band, broke free with "NunSexMonkRock." She traded German lyrics for English, further amplifying her message for a global audience.
Beyond Punk: A Genre-Bending Masterpiece
The album defied categorization. Sure, the raw energy and rebellious spirit were pure punk. But "NunSexMonkRock" incorporated elements of new wave, electronic experimentation, and even operatic flourishes. This genre-bending fusion perfectly mirrored Hagen's untamed artistic spirit.
Tracks That Challenge and Captivate (With German Titles)
Each song on "NunSexMonkRock" was a statement. The European edition often featured German titles:
A Legacy of Unwavering Individuality
"NunSexMonkRock" was a critical and commercial success. It cemented Hagen's status as a fearless innovator who refused to be confined by genre or societal expectations. Her influence on punk and alternative music continues to resonate today, inspiring artists who dare to push boundaries and express themselves authentically.
Music Genre: Punk, New Wave, Neue Welle |
| Album Production information:
The album: "Nina Hagen - Nun Sex Monk Rock" was produced by: Mike Thorne Sound/Recording Engineer(s): Mike Ewasko This album cover was designed by: Nicolaj Llieff, photography by: Juliana Grigorova Recorded at: Blue Rock Studios, New York, Mastered by Jack Skinner at Sterling Sound, New York City New York Jack Skinner, a revered mastering engineer, has made significant contributions to the music industry through his work at Sterling Sound Studio in New York City. Sterling Sound, established in 1968, is one of the most prestigious mastering facilities globally, known for its state-of-the-art equipment and top-tier engineers. Skinner's career at Sterling Sound spans several decades, during which he has mastered albums for a wide range of artists. His portfolio includes work with iconic names such as Metallica, who benefited from his mastering expertise on their groundbreaking debut album "Kill 'Em All" (1983) . This album, often credited with helping to define the thrash metal genre, features seminal tracks like "Seek & Destroy" and "Whiplash." Skinner's mastering played a crucial role in its raw and powerful sound, contributing to its lasting impact on the metal scene. Another notable project in Skinner's illustrious career is Raven's "Live at the Inferno" (1984). This live album captures the raw energy and intensity of the band's performance, and Skinner's mastering work ensured that the live recording translated effectively to the final product. His expertise helped to achieve a powerful and dynamic sound that captured the essence of Raven's live shows, further cementing their place in heavy metal history. In addition to his work with metal legends, Skinner has also mastered albums for diverse artists across various genres, demonstrating his versatility and broad appeal. His ability to enhance the sonic quality of recordings, ensuring they sound their best on all playback systems, is highly regarded in the industry. Skinner's approach to mastering involves a blend of technical skill and artistic sensitivity. He uses a combination of analog and digital equipment to achieve the desired sound, often employing tools such as equalizers, compressors, and limiters to shape the audio. His keen ear for detail allows him to make precise adjustments that bring out the best in each track. Beyond his individual projects, Jack Skinner has also contributed to the legacy of Sterling Sound by mentoring up-and-coming engineers. His guidance has helped to nurture the next generation of mastering talent, ensuring the continued excellence of the studio.
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Record Label Information: CBS 85774 |
| Album Packaging:This album "Nina Hagen - Nun Sex Monk Rock" includes the original custom inner sleeve with album details, complete lyrics of all songs by and artwork/photos |
Media Format: 12" LP Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1982 Made in Holland |
Personnel/Band Members and Musicians on: Nina Hagen - Nun Sex Monk Rock |
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Complete Track-listing of the album "Nina Hagen - Nun Sex Monk Rock" |
The detailed tracklist of this record "Nina Hagen - Nun Sex Monk Rock" is:
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High Quality Photo of Album Front Cover "Nina Hagen - Nun Sex Monk Rock" |
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Album Back Cover Photo of "Nina Hagen - Nun Sex Monk Rock" |
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Inner Sleeve of "Nina Hagen - Nun Sex Monk Rock" Album |
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Photo of "Nina Hagen - Nun Sex Monk Rock" Album's Inner Sleeve |
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Close-up Photo of "Nina Hagen - Nun Sex Monk Rock" Record Label |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
Angstlos is the fourth (second solo) studio album from the artist Nina Hagen, released in 1983, with an English version in 1984, Fearless. It was released on CBS Records, and features a song co-written with Flea and Anthony Kiedis of The Red Hot Chili Peppers, who were signed to EMI/Capitol a year later.
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The Nina Hagen Band's self-titled debut album is a groundbreaking and influential work of German rock music. Released in 1978, the album features the band's signature mix of punk, new wave, and experimental sounds. Nina Hagen's powerful vocals are front and center, backed by the band's tight musicianship.
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In 1982, Nina Hagen, the "Godmother of Punk," unleashed her electrifying debut solo album, "NunSexMonkRock." This audacious 12" vinyl LP wasn't just music; it was a sonic explosion that challenged conventions and ignited a punk firestorm.
Learn more
Unbehagen is the second and last album by the Nina Hagen Band before the solo career of singer Nina Hagen. The German title translates to Discomfort but can be seen as a pun on the band name. "Wenn ich ein Junge wär" was recorded live in April 1979 at the Saarbrücken Congress Hall.
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