: "Simple Man" is the second album by German countertenor Klaus Nomi, released in 1982. It was also the last album of original material to be released during Nomi's lifetime. The album consists of a mix of opera and pop music, songs by Renaissance composer John Dowland and several excerpts from Henry Purcell's Dido and Aeneas juxtaposed with Ding Dong and Falling in Love Again.
In 1982, as the New Wave scene was in full swing and synth-pop ruled the airwaves, Klaus Nomi, the enigmatic German countertenor, released his second album, "Simple Man." But don't let the title fool you; this album was anything but simple. It was a bizarre and beautiful concoction of opera, pop, camp, and cosmic weirdness, a testament to Nomi's singular vision and boundless creativity.
Nomi was a true original, a musical mad scientist who fused high art and low culture, ancient melodies and modern beats, into a sound that was both timeless and utterly unique. With his shaved head, kabuki-inspired makeup, and outlandish costumes, he looked like a visitor from another planet, a space-age troubadour who had come to Earth to spread his gospel of musical mayhem.
"Simple Man" was a reflection of Nomi's eclectic tastes and fearless experimentation. It featured a mix of original compositions, covers of pop standards, and adaptations of classical pieces. From the soaring falsetto of "The Twist," a campy reimagining of the Chubby Checker classic, to the haunting beauty of "Death," a Nomi original that explored the darker side of the human condition, Nomi's voice was a force of nature, capable of both tender vulnerability and operatic power.
Fans were also drawn to the album's more unconventional tracks. "Ding-Dong! The Witch Is Dead" was a jubilant celebration of the Wicked Witch of the West's demise, reimagined as a synth-pop anthem. "Nomi Chant" was a hypnotic mantra that showcased Nomi's vocal range and theatrical flair. And "ICUROK," a cover of a Japanese pop song, demonstrated Nomi's willingness to embrace musical influences from around the world.
The album's production was a collaborative effort between Nomi and a team of talented individuals, including Ron Johnsen, Lawrence M. Rosenthal, and C.J. Ellis, who helped to shape and refine Nomi's unique sound.
The album was recorded at various studios in New York City, including the legendary Electric Lady Studios, a haven for musical experimentation and a fitting setting for Nomi's sonic adventures.
While "Simple Man" was a critical and commercial success, it also sparked controversy. Some critics dismissed Nomi as a novelty act, a mere curiosity, while others hailed him as a visionary genius. His flamboyant stage persona and unconventional musical approach earned him both ardent fans and fierce detractors.
But regardless of where one stood on the Nomi spectrum, there was no denying the impact he had on the music world. "Simple Man" was a bold statement of intent, a declaration of independence from the musical status quo. It was a record that dared to be different, a record that challenged listeners to expand their horizons and embrace the strange and wonderful.
Music Genre: New Wave Music |
Production Information: Produced by Ron Johnsen, Klaus Nomi, Lawrence M. Rosenthal, C.J. Ellis. Sound engineers: Carl Casella, Paul Silvestro. Photographer Maxine St. Clair |
Record Label & Catalognr: RCA Victor PL 37702 |
Album Packaging: Gatefold/FOC (Fold Open Cover) Album Cover Design.
Original custom inner sleeve with album details, and artwork. |
Media Format: 12" Vinyl LP Gramophone Record |
Year & Country: 1982 Made in Germany |
Complete Track Listing of: Klaus Nomi - Simple Man |
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Simple Man" Black Colour RCA Victor Record Label Details: RCA Victor PL 37702 ℗ 1982 RCA Sound Copyright
Klaus Nomi mini-biography:
Klaus Sperber (January 24, 1944 – August 6, 1983), better known by his stage name Klaus Nomi, was a German countertenor known for his eclectic music and unusual stage performances. He was active in the New York City music scene in the late 1970s and early 1980s, and became known for his operatic vocal style and elaborate, otherworldly stage persona. Nomi's music combined elements of opera, rock, and electronic music, and he was known for his use of make-up, costumes, and futuristic imagery in his performances. Nomi's career was cut short when he died of complications from AIDS in 1983.