Frankie Goes To Hollywood - Two Tribes 12" VINYL EP (Extended Play)

- A Cold War soundtrack of power politics, Eurodisco innovation, and iconic 1980s visuals

Frankie Goes to Hollywood's "Two Tribes" 12" Vinyl EP is a musical and visual statement. With an iconic cover featuring a photo of Ronald Reagan and Margaret Thatcher on the back, it encapsulates the era's geopolitical tension. The record's extended mixes of the hit single "Two Tribes" add depth to this essential collector's piece

"Two Tribes" Album Description:

Setting the Stage: The Early 1980s

By 1984, the world was locked in the icy grip of the Cold War. Nuclear tensions between the United States and the Soviet Union hovered like a thundercloud over everyday life. The year before, U.S. President Ronald Reagan had famously branded the USSR the "Evil Empire," while nuclear arsenals were stockpiled to apocalyptic levels. In Britain, Prime Minister Margaret Thatcher stood firmly alongside Reagan, reinforcing NATO’s posture. It was an age when music was not just entertainment, but a vessel of political protest and cultural commentary. Into this volatile atmosphere marched Frankie Goes to Hollywood with their thunderous single "Two Tribes," and the release of its 12" Vinyl EP became both a soundtrack and a statement of its time.

The Sound of Eurodisco and Beyond

While Frankie Goes to Hollywood emerged from Liverpool’s post-punk landscape, the sound of Two Tribes sat at the intersection of Eurodisco, synth-pop, and New Wave. Eurodisco, thriving in the late ’70s and early ’80s, fused the melodic simplicity of disco with the colder textures of electronic production. Groups such as Kraftwerk, Giorgio Moroder’s productions, and the Italo Disco movement paved the way for its rise. Alongside Frankie, bands like Depeche Mode, Yazoo, and Ultravox were blending pop structures with experimental electronics. The genre’s hypnotic repetition and pulsing beats gave artists a palette with which to capture both escapist joy and apocalyptic dread — the duality at the heart of "Two Tribes."

Musical Exploration and Sonic Innovation

"Two Tribes" was no ordinary pop record. Its annihilating basslines, relentless percussion, and sharp synthesizer layers reflected the technological obsessions of the age. Produced by Trevor Horn, one of the most meticulous and inventive studio figures of the 1980s, the track was sculpted with precision. Horn’s use of digital sampling, Fairlight synthesizers, and multilayered arrangements created a sound that was both monumental and unsettling. The extended mixes found on this EP allowed the band to stretch its sonic canvas, transforming a three-minute pop single into an immersive experience — at once hypnotic, terrifying, and irresistibly danceable.

Key Figures Behind the Record

Trevor Horn’s fingerprints were all over this release. By the mid-1980s, Horn had already reinvented the pop landscape through his work with The Buggles, Yes, and Grace Jones. For Frankie Goes to Hollywood, he functioned not just as a producer but as an architect of their sonic identity. He was joined by his so-called "Building Team": Steve Lipson, J.J. Jeczalik, and Andy Richards, each bringing technological and musical wizardry to the table. Together, they embodied the cutting edge of ZTT Records’ ethos — to push pop music into uncharted territory. Art direction by XLZTT and the iconic imagery captured by Anton Corbijn further emphasized the EP’s fusion of sound, politics, and visual impact.

The Band: Origins and Evolution

Frankie Goes to Hollywood formed in Liverpool in 1980, rising from the city’s fertile music scene. The lineup that broke through internationally featured Holly Johnson on vocals, Paul Rutherford on backing vocals and keyboards, Brian Nash on guitar, Mark O’Toole on bass, and Peter Gill on drums. Their explosive debut single, "Relax," had already made headlines with its provocative lyrics and controversial ban from the BBC. By the time "Two Tribes" was released in 1984, the band was no longer just a local curiosity — they were a cultural lightning rod, embodying rebellion, excess, and sexuality in an age of conservatism. Though the group’s trajectory was meteoric, internal tensions and creative differences would eventually fracture the lineup before the end of the decade.

Shockwaves and Controversy

Few singles carried as much political weight as "Two Tribes." The song’s central metaphor — two opposing forces locked in an endless struggle — mirrored the geopolitical brinkmanship of Reagan and Thatcher’s era. The accompanying artwork, featuring political leaders caricatured in confrontational poses, left no ambiguity about the band’s target. Its promotional campaign leaned into nuclear paranoia, and radio stations debated whether the single was a chilling warning or a sensationalist gimmick. In truth, it was both, and that duality fueled its power. The BBC, having already clashed with the band over "Relax," found itself once again in the uncomfortable position of platforming a group that thrived on provocation. Controversy only fueled sales, and "Two Tribes" would dominate charts across Europe, cementing Frankie Goes to Hollywood’s status as one of the most incendiary bands of the decade.

Production & Recording Information:

Music Genre:

Eurodisco Music

Label & Catalognr:

Island ZTT 601 325
Zang Tuum Tumb Perfect Songs

Media Format:

12" 45rpm Maxi Single

Year & Country:

1984 – Made in EEC

Producers:
  • Trevor Horn – Producer
Trevor Horn — Record Producer, Musician

Trevor Horn is often hailed as “the man who invented the ’80s sound.” Emerging with The Buggles and their prophetic hit Video Killed the Radio Star, he soon shifted to production, redefining how records were made. His meticulous, technology-driven style shaped the sound of Grace Jones, Frankie Goes to Hollywood, Propaganda, and Art of Noise, leaving an indelible mark on New Wave and beyond.

  • Primary Role – Record Producer, Musician
  • Country – United Kingdom
  • Years Active – 1970s–present
  • Bands – The Buggles, Yes (briefly), Art of Noise
  • Associated Acts – Grace Jones, Frankie Goes to Hollywood, Propaganda, Seal, Pet Shop Boys
Selected Discography
  • The Buggles – “The Age of Plastic” (1980)
  • Grace Jones – “Nightclubbing” (1981)
  • Frankie Goes to Hollywood – “Welcome to the Pleasuredome” (1984)
  • Propaganda – “A Secret Wish” (1985)
Sound & Recording Engineers:
  • Steve Lipson – Assistant (Building Team)
  • J.J. Jeczalik – Assistant (Building Team)
  • Andy Richards – Assistant (Building Team)
Album Cover Design & Artwork:
  • XLZTT – Art Direction
Photography:
  • Anton Corbijn – Photographer (V.I. Lenin photo)

Band Members / Musicians:

Band Line-up:
  • Holly Johnson – Lead Vocals
  • Paul Rutherford – Backing Vocals, Keyboards
  • Brian Nash – Guitar
  • Mark O'Toole – Bass Guitar
  • Peter Gill – Drums
Pete Gill — Drummer

Pete Gill is a powerhouse drummer who carved an unlikely path through both heavy metal and New Wave. As a founding member of Saxon, he laid down the thunderous rhythms that defined early NWOBHM classics. After leaving Saxon due to a hand injury, Gill re-emerged behind the kit for Frankie Goes to Hollywood, adding muscular drive to the spectacle of “Relax.” He later joined Motörhead, hammering through albums like Orgasmatron with the same relentless intensity. From denim and leather to synth-pop excess, Gill’s career is a rare crossover through the extremes of the 1980s.

  • Primary Role – Drummer
  • Country – United Kingdom
  • Years Active – 1970s–1990s
  • Bands – Saxon, Frankie Goes to Hollywood, Motörhead
  • Associated Acts – NWOBHM, New Wave, Heavy Metal
Selected Discography
  • Saxon – “Wheels of Steel” (1980)
  • Saxon – “Denim and Leather” (1981)
  • Frankie Goes to Hollywood – “Welcome to the Pleasuredome” (1984)
  • Motörhead – “Orgasmatron” (1986)

Complete Track-listing:

Tracklisting Side One:
  1. Two Tribes (Annihilation)
Video: Frankie Goes To Hollywood - Two Tribes (Annihilation Mix) (1984 12" Single)
Trivia

The ominous male voice heard in the extended mixes of “Two Tribes” sounds uncannily like U.S. President Ronald Reagan. In reality, it was a voice actor hired to impersonate him. Producer Trevor Horn and ZTT Records used this satirical voiceover to emphasize the Cold War tension and heighten the sense of looming nuclear conflict on the dancefloor.

Tracklisting Side Two:
  1. War (Hide Yourself)
  2. Two Tribes (Surrender)
Album Front Cover Photo
Front cover of the Frankie Goes To Hollywood Two Tribes 12 inch vinyl EP. The design features a bold black border framing a striking mural-like artwork. On the left, a painted image of Vladimir Lenin dominates, holding his cap aloft in one hand while the other is clenched in a commanding gesture. He is dressed in a dark suit with a red carnation pinned to his lapel. To the right, a panel of stylized Soviet-inspired figures, including workers, soldiers, and scientists, stand against a backdrop of industrial motifs, ships, and satellite dishes, all painted in vivid reds, greys, and whites. Above the artwork, the band name appears in large white block letters with the title Two Tribes in red beneath it, while the words MAXI-SINGLE 45t are placed at the very top. At the bottom margin of the artwork is the phrase 'WE DON'T WANT TO DIE,' and the ZTT Records logo appears in the lower right corner.

The front cover of the Two Tribes 12" EP by Frankie Goes To Hollywood is framed in solid black with bold white and red typography that commands attention. Across the top, the text reads MAXI-SINGLE 45t, while just below in large white block capitals is the band’s name. The album title, Two Tribes, appears in striking red beneath.

At the center is a powerful mural-style illustration. On the left, Vladimir Lenin is depicted in a dark three-piece suit, arm raised and cap in hand, as if leading a rally. A bright red carnation adorns his lapel, adding a vivid touch of symbolism. His pose is authoritative, projecting both revolutionary zeal and commanding presence.

To the right of Lenin is a stylized group portrait painted in sharp reds, whites, and greys. It shows workers, soldiers, and professionals — men and women standing shoulder to shoulder against a background of factories, ships, and communication towers. The design echoes propaganda art, emphasizing solidarity and collective strength in the nuclear age.

Beneath the illustration is the slogan "WE DON'T WANT TO DIE" in white against the black frame, a stark reminder of the record’s anti-war theme. The iconic ZTT Records logo is placed discreetly in the bottom right corner, completing the design with a signature of its origin.

Album Back Cover Photo
Back cover of the Frankie Goes To Hollywood Two Tribes 12 inch vinyl EP. The design features a large central photograph of U.S. President Ronald Reagan with First Lady Nancy Reagan standing beside him during an outdoor public ceremony, both with solemn expressions. Reagan is shown in mid-speech at a podium with the Presidential Seal, surrounded by political figures, military personnel, and spectators. Around the photograph are blocks of text and graphics printed on a white background. These include quotes, song titles, nuclear missile statistics comparing America and Russia, and a colored chart showing explosive megaton totals. A boxed chart on the right details where new U.S. missiles would be stationed in Europe, listing West Germany, Britain, Italy, Belgium, and the Netherlands. The top right features a yellow code box labeled CODE 40, while the bottom indicates distribution details by Ariola Group of Companies. The back cover combines political imagery, factual statistics, and provocative commentary reflecting the album’s Cold War themes.

The back cover of the Two Tribes 12" EP is dominated by a striking photograph of U.S. President Ronald Reagan at a public ceremony. Standing at a podium adorned with the Presidential Seal, Reagan gestures mid-speech while First Lady Nancy Reagan stands to his side, hands clasped and expression solemn. They are flanked by officials, military personnel, and a watchful crowd, all underscoring the gravity of the moment.

Surrounding the photo is a carefully arranged mix of text, statistics, and graphics printed on a stark white background. A series of quotes address nuclear fear and censorship, while a central song list highlights tracks like Two Tribes (Annihilation), War, and Two Tribes (Surrender). Just below, a colorful table compares America’s and Russia’s nuclear arsenals in chilling numbers, emphasizing total megaton explosive power.

To the right, a boxed chart titled Where New U.S. Missiles Would Go lists NATO deployment sites — West Germany, Britain, Italy, Belgium, and the Netherlands — alongside missile numbers. A bold yellow CODE 40 label hovers in the upper right corner, while the lower section provides credits and distribution notes by Ariola. The design merges photography, propaganda-style data, and satirical commentary, making the political weight of the album inescapably clear.

Close up of Side One record’s label
Close-up of Side One record label for Frankie Goes To Hollywood's Two Tribes 12 inch vinyl EP. The circular label is printed in a gradient of purple and light blue with the Island Records logo at the bottom: a stylized palm tree and orange sun within a white outline box. Text at the top states Frankie Goes To Hollywood Annihilation followed by the track title Two Tribes »Lovers And Haters« with credits to Gill, Johnson, and O'Toole. Production credits are also printed, listing Produced by Trevor Horn and Engineer: Steve Lipson. Copyright details include © 1984 Zang Tuum Tumb Perfect Songs. The left side contains the GEMA STEMRA BIEM rights society box, catalog number S 601 325 A, and notation Seite 1. The right side features the catalog number 601 325, Stereo designation, and LC 0407 label code. Around the edge of the label runs a white legal disclaimer prohibiting unauthorized duplication, lending, or broadcasting.

This is a close-up of the Side One record label from Frankie Goes To Hollywood’s Two Tribes 12" EP. The label is designed in a purple-to-blue gradient and prominently features the Island Records logo: a vibrant orange sun setting behind a green palm tree framed in white.

Printed text identifies the release as Annihilation, with the track title Two Tribes »Lovers And Haters« running 9:07 minutes, credited to Gill, Johnson, and O’Toole. Beneath it are production credits, naming Trevor Horn as producer and Steve Lipson as engineer, followed by copyright © 1984 Zang Tuum Tumb Perfect Songs.

On the left, the catalog number S 601 325 A is shown along with the GEMA STEMRA BIEM rights society box and Seite 1 marking. On the right, the catalog number is repeated with Stereo and the LC 0407 label code. The outer rim carries the standard legal warning against unauthorized duplication, lending, or public broadcast.

Index of FGTH Frankie Goes to Hollywood Album Cover Gallery & 12" Vinyl LP Discography Information

FGTH Frankie Goes To Hollywood - Power Of Love

Frankie Goes To Hollywood – “The Power of Love” 7" vinyl single captures the band at their most dramatic and heartfelt. Released in 1984, this emotional anthem blends soaring vocals from Holly Johnson with Trevor Horn’s lush production. A song of devotion and intensity, it stood apart from their provocative hits, becoming a timeless ballad and a cherished collectible on vinyl.

Visit: Power Of Love 7" Vinyl Single
FGTH Frankie Goes to Hollywood - Relax Uncensored Sex Mix

Frankie Goes To Hollywood – “Relax” Uncensored Sex Mix 12" vinyl maxi single is a bold and provocative statement from 1984. Pushing boundaries with extended grooves and daring themes, it transformed the original hit into a pulsating dancefloor experience. With Trevor Horn’s groundbreaking production, this release became a controversial yet iconic collectible in vinyl culture.

Visit: Relax Uncensored Sex Mix 12" Vinyl Maxi
FGTH Frankie Goes To Hollywood - Two Tribes

Frankie Goes To Hollywood – “Two Tribes” 12" vinyl maxi single from 1984 is a fierce anthem of Cold War tension and dancefloor power. Featuring extended mixes driven by Trevor Horn’s production, it fuses pounding basslines with urgent political imagery. A definitive New Wave statement, this record remains both a cultural flashpoint and a prized collector’s item on vinyl.

Visit: Two Tribes 12" Vinyl Maxi-Single