CONCRETE BLONDE - S/T SELF-TITLED 12" LP Vinyl Album

- Incl. Insert

Concrete Blonde's 1986 self-titled debut album is a raw and poetic exploration of life's darker edges. With Johnette Napolitano's powerful vocals, James Mankey's guitar, and Harry Rushakoff's drums, the album weaves a tapestry of love, loss, and disillusionment. Tracks like "True" and "Still in Hollywood" capture the band's unique blend of post-punk, folk, and blues influences.

This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.

 

CONCRETE BLONDE - Self-Titled + Insert 12" LP Vinyl Album front cover https://vinyl-records.nl

Concrete Blonde's Debut Album: A Dark, Poetic Journey in 1986
Album Description:

In the vibrant and diverse music scene of 1986, Concrete Blonde emerged from the Los Angeles underground with their self-titled debut album. This wasn't your typical hair metal or synth-pop fare; it was a raw, emotional, and poetic exploration of life's darker corners.

While the charts were dominated by flashy pop and overproduced rock, Concrete Blonde carved their own path. They drew inspiration from punk, folk, and blues, creating a sound that was both haunting and beautiful. Their music wasn't about catchy hooks or danceable beats; it was about raw emotion, unflinching honesty, and a deep connection to the human experience.

The album is a sonic tapestry woven with Johnette Napolitano's powerful, evocative vocals, James Mankey's intricate guitar work, and Harry Rushakoff's driving percussion. Tracks like "True" and "Still in Hollywood" delve into themes of love, loss, and disillusionment, while "Dance Along the Edge" and "Little Sister" explore darker themes of addiction and despair.

This wasn't music for the faint of heart. Concrete Blonde's raw intensity and unflinching honesty sparked controversy and divided opinions. Some critics praised their unique sound and poetic lyrics, while others found their music too dark and depressing. But for those who connected with the band's emotional depth, "Concrete Blonde" became a lifeline, a soundtrack to their own struggles and triumphs.

The album was produced by Earle Mankey, a veteran of the Los Angeles punk scene known for his work with the band The Sparks. Mankey's production style, characterized by its raw energy and lo-fi aesthetic, perfectly complemented Concrete Blonde's unpolished sound. The recording took place at various studios, including Radio Tokyo Studios in Venice, California.

One remarkable thing about "Concrete Blonde" is the inclusion of an insert featuring lyrics and artwork. This added a visual dimension to the album, further immersing listeners in the band's poetic world. The artwork, created by Napolitano herself, perfectly complemented the music's dark and introspective themes.

Music Genre:

  Alternative Rock, New Wave 

Album Production Information:

The album: "CONCRETE BLONDE - S/T Self-Titled" was produced by: Earle Mankey

Record Label Information:

  IRS 5835

Media Format:

12" LP Vinyl Stereo Gramophone Record

Total Album (Cover+Record) weight: 230 gram

Year & Country:

  1984 / 1987
Complete Track-listing of the album "CONCRETE BLONDE - S/T Self-Titled"

The detailed tracklist of this record "CONCRETE BLONDE - S/T Self-Titled" is:

    Track-listing :
  1. "True" (James Mankey, Napolitano) - 2:59
  2. "Your Haunted Head" - 2:46
  3. "Dance Along the Edge" - 5:29
  4. "Still in Hollywood" - 3:42
  5. "Song for Kim (She Said)" (Mankey, Napolitano) - 4:07
  6. "Beware of Darkness" (George Harrison) - 3:43
  7. "Over Your Shoulder" (Mankey, Napolitano) - 3:22
  8. "Little Sister" - 3:52
  9. "(You're the Only One) Can Make Me Cry" - 2:16
  10. "Cold Part of Town" - 3:10
  11. "True" (instrumental) (Mankey) - 2:22

 

Front Cover Photo Of CONCRETE BLONDE - Self-Titled + Insert 12" LP Vinyl Album

 

CONCRETE BLONDE - Self-Titled + Insert 12" LP Vinyl Album front cover https://vinyl-records.nl

 Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Photo Of The Back Cover CONCRETE BLONDE - Self-Titled + Insert 12" LP Vinyl Album

 

CONCRETE BLONDE - Self-Titled + Insert 12" LP Vinyl Album back cover

Photo Side One Vinyl LP CONCRETE BLONDE - Self-Titled + Insert 12" LP Vinyl Album

 

CONCRETE BLONDE - Self-Titled + Insert 12" LP Vinyl Album vinyl lp record
 
Index of CONCRETE BLONDE (Band) Featured Album Cover Gallery & 12" Vinyl LP Discography Information
Concrete Blonde's Musical Ascent in the Mid-1980s: A Look at Their Self-Titled and "Dance Along the Edge" Albums
Album Description:

Concrete Blonde, the Los Angeles-based trio, emerged in the mid-1980s as a unique and compelling voice in the alternative rock scene. Their music, a captivating blend of post-punk, gothic rock, and folk influences, resonated with audiences and critics alike. Their self-titled debut album and the subsequent "Dance Along the Edge" solidified their position as a band to watch.

Self-Titled Debut: A Promising Start

Released in 1986, Concrete Blonde's self-titled album introduced the world to the band's signature sound: Johnette Napolitano's haunting vocals, Jim Mankey's intricate guitar work, and Harry Rushakoff's driving drumming. The album showcased their eclecticism with songs ranging from the darkly romantic "Still in Hollywood" to the raucous "True." While not a commercial blockbuster, the album garnered critical acclaim and established a devoted fan base.

The self-titled album served as a launching pad for Concrete Blonde, highlighting their potential and paving the way for future success. It was a raw and honest exploration of themes like love, loss, and the darker side of life, resonating with those who sought music that delved beneath the surface.

Dance Along the Edge: A Leap Forward

In 1987, Concrete Blonde released their sophomore album, "Dance Along the Edge." This album saw the band further refine their sound, incorporating more atmospheric elements and expanding their musical palette. Songs like "Dance Along the Edge" and "Tomorrow Wendy" showcased Napolitano's poetic lyrics and her ability to convey deep emotions through her vocals.

"Dance Along the Edge" was a critical and commercial success, propelling Concrete Blonde into the spotlight. The album's title track became a college radio hit, and the band embarked on extensive tours, gaining wider recognition. Their music found its way into film and television soundtracks, further exposing them to a broader audience.

Legacy and Influence

Concrete Blonde's mid-1980s output, particularly their self-titled and "Dance Along the Edge" albums, left an indelible mark on the alternative rock landscape. Their willingness to explore unconventional themes and their distinctive sound set them apart from their contemporaries. Their music continues to resonate with listeners today, and their influence can be heard in the work of countless artists who followed in their footsteps.

Concrete Blonde's mid-1980s era was a time of artistic growth and expanding recognition. Their music, characterized by its emotional depth and sonic diversity, captivated audiences and laid the groundwork for a lasting legacy in the world of alternative rock.

CONCRETE BLONDE - Dance Along The Edge 12" Vinyl LP
CONCRETE BLONDE - Dance Along The Edge album front cover vinyl record

The vinyl maxi-single "Dance Along the Edge" by Concrete Blonde stands as a unique and sought-after release in the band's discography. Released as a "White Label Promo", this record holds a special place among collectors and fans alike

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CONCRETE BLONDE - S/T Self-Titled 12" Vinyl LP
CONCRETE BLONDE - S/T Self-Titled album front cover vinyl record

In the vibrant and diverse music scene of 1986, Concrete Blonde emerged from the Los Angeles underground with their self-titled debut album. This wasn't your typical hair metal or synth-pop fare; it was a raw, emotional, and poetic exploration of life's darker corners.

Learn more