CAN - Out Of Reach 12" Vinyl LP Album

- Semi-transparent Sleeves

CAN's "Out Of Reach" 12" Vinyl LP Album, featuring an ultra-rare pressing in semi-transparent silver vinyl housed within equally rare semi-transparent sleeves, stands as a coveted gem among collectors. The unique combination of the distinctive semi-transparent silver vinyl and sleeves adds an exclusive touch to this already iconic album, making it a must-have for enthusiasts of both CAN's experimental sound and vinyl aficionados.

CAN - Out Of Reach 12" Vinyl LP Album  front cover https://vinyl-records.nl

Album Description:

In the vast expanse of musical evolution, few bands have left as indelible a mark as the avant-garde rock pioneers known simply as CAN. With their distinctive blend of experimentalism, improvisation, and genre-defying creativity, CAN redefined the boundaries of sound, captivating listeners with sonic tapestries that dared to explore uncharted realms. Among their impressive discography, the "Out Of Reach" album, housed within its enigmatic semi-transparent sleeves, stands as a testament to the band's fearless pursuit of musical innovation.

A Sonic Odyssey Recorded in Inner Space:

"Out Of Reach" emerged from the creative womb of Inner Space Studio, where the genius of CAN's musicians was captured and immortalized. The album marked yet another chapter in the band's storied history, showcasing their ability to weave intricate compositions through spontaneous jam sessions. Guided by the skilled hands of producer Rene Tinner, the album became a sonic odyssey that traversed uncharted musical territories.

Mastering the Sound: Conny's Studio and the Magic of Conny Planck:

The mastery of sound engineering was entrusted to the legendary Conny Planck, who was renowned for his ability to sculpt and shape soundscapes. CAN's collaboration with Conny's Studio added an extra layer of depth to their sonic explorations. Through meticulous sound mixing and post-production, Conny Planck breathed life into the tracks, allowing each instrument's unique voice to shine while contributing to the overall harmonious cacophony.

Unveiling the Enigma: Album Cover and Design:

True to the mystique surrounding CAN's music, the album cover of "Out Of Reach" was crafted by TKO Magnum Music, drawing listeners into a visual representation of the auditory journey that awaited them. Just as the music defied conventions, the album artwork offered an enigmatic glimpse into the sonic realm contained within.

Talent Twentytwo and the Birth of "Out Of Reach":

"Out Of Reach" found its home under the Talent Twentytwo record label, adding yet another layer of intrigue to its existence. The album, designated with the catalog number EFA 12618, marked a significant release for both CAN and the label, cementing their shared commitment to pushing the boundaries of music and challenging the status quo.

The Sonic Architects: Band Members and Performers:

At the heart of "Out Of Reach" were the musical talents of CAN's visionary members:

- Michael Karoli: A guitar virtuoso known for his innovative playing style, Karoli's contributions to the album added a rich and varied palette of sonic textures.

- Jaki Liebezeit: As the rhythmic backbone of CAN, Liebezeit's drumming prowess provided the pulsating heartbeat that propelled the album forward.

- Irmin Schmidt: A keyboard maestro, Schmidt's experimental use of synthesizers and other electronic instruments helped shape the album's otherworldly atmosphere.

- Rosko Gee: The addition of bassist Rosko Gee brought a new layer of funk and groove to CAN's sound, adding depth and complexity to the compositions.

- Reebop Kwaku Bah: With his percussion wizardry, Reebop Kwaku Bah contributed a mesmerizing array of rhythms and textures that enriched the album's sonic landscape.

Music Genre:

Kraut Rock, German Acid Psychedelic 

Album Production Information:

Recorded at Inner Space Studio by Rene Tinner
Sound mix at Conny's Studio by Conny Planck and CAN
Album cover by TKO Magnum Music

Record Label Information:

Talent Twentytwo EFA 12618

Media Format:

12" Transparent Silver Vinyl LP  Gramophone Record
Album weight: 220 gram  

Year & Country:

1999-2001 Made in Germany  
Band Members and Musicians on: CAN Out Of Reach Transparent Silver Vinyl
Track Listing of: Out Of Reach

The Song/tracks on "Out Of Reach" are


 

Front Cover Photo Of CAN - Out Of Reach 12" Vinyl LP Album

 

CAN - Out Of Reach 12" Vinyl LP Album  front cover https://vinyl-records.nl

 Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Photo Of The Back Cover CAN - Out Of Reach 12" Vinyl LP Album

 

CAN - Out Of Reach 12" Vinyl LP Album  back cover

First Photo Of Custom Inner Sleeve CAN - Out Of Reach 12" Vinyl LP Album

Description

CAN - Out Of Reach 12" Vinyl LP Album  custom inner sleeve

Second Photo Of Custom Inner Sleeve CAN - Out Of Reach 12" Vinyl LP Album

Description

CAN - Out Of Reach 12" Vinyl LP Album  custom inner sleeve

Close up of Side One record's label CAN - Out Of Reach 12" Vinyl LP Album

"Out of Reach" Record Label Details: Talent Twentytwo EFA 12618 MT 518

"Out of Reach" Record Label Details: Talent Twentytwo EFA 12618 MT 518

Side Two Close up of record's label CAN - Out Of Reach 12" Vinyl LP Album

Record Label Details: Description © Copyright ℗ Sound Copyright

Side Two Close up of record's label CAN - Out Of Reach 12" Vinyl LP Album
 

Index of CAN Band with Holger Czukay Vinyl Album Discography & Album Cover Gallery

Mini-biographies of CAN's band-members

  Holger Czukay was a German musician and co-founder of the experimental rock band Can. He was born in 1938 and passed away in 2017. He was a bassist, guitarist, and multi-instrumentalist, and was known for his use of tape loops and electronic techniques in his music. He was also a pioneer in the use of sampling in music.

  Czukay was one of the main songwriters and producers in Can and played a crucial role in the band's development of the krautrock genre. He also released several solo albums, which often featured collaborations with other artists and showcased his unique experimental approach to music.

  Czukay's work with Can and his solo albums have been cited as major influences by many musicians and bands in various genres, including electronic, experimental, industrial, and alternative.

  was a German musician, and guitarist for the experimental rock band Can. He was born in 1948 and passed away in 2001. He was a versatile musician and was known for his use of unconventional guitar techniques and electronic sounds in his music.

  Karoli was a founding member of Can, and played a major role in the band's development of the krautrock genre. Along with Holger Czukay and Irmin Schmidt, he was one of the band's main songwriters, and his guitar playing was a key part of Can's sound. He also played violin, bass guitar and sang on some of the band's songs.

  Karoli's work with Can has been cited as a major influence by many musicians and bands in various genres, including electronic, experimental, industrial, and alternative. His guitar playing was kno

  Jaki Liebezeit was a German drummer and percussionist, and the drummer for the experimental rock band Can. He was born in 1938 and passed away in 2017. He was known for his precise, minimalistic drumming style and his use of electronic drums.

  Liebezeit was a founding member of Can and played a major role in the band's development of the krautrock genre. He was known for his unique drumming style, which often involved using a minimalistic approach to create a hypnotic, repetitive rhythm. His style was heavily influenced by African and Middle Eastern rhythms and he was considered one of the most innovative drummers of his time.

  Liebezeit's work with Can has been cited as a major influence by many musicians and bands in various genres, including electronic, experimental, industrial, and alternative. He was known for his precise, minimalistic drumming style and his use of electronic drums. His drumming technique and style was considered as one of the most original in rock history.

  Irmin Schmidt a German musician and composer, keyboardist and founding member of the experimental rock band Can. He was born in 1937. He is also known for his work as a solo artist and composer for film and theater.

 Schmidt was one of the main songwriters and producers in Can, and his keyboard playing was a key part of the band's sound. He was also known for his use of electronic sounds and unconventional techniques in his music. He was heavily influenced by avant-garde, classical, and world music. He formed Can with Holger Czukay and Michael Karoli in 1968, and the band went on to become one of the leading bands in the genre of krautrock.

 After the band's dissolved, Schmidt has released several solo albums, collaborated with various artists and composed music for films and theater. He has also been involved in various other musical projects. His work with Can and his solo albums have been cited as major influences by many musicians and bands in various genres, including electronic, experimental, industrial, and alternative.

  Damo Suzuki a Japanese musician, the vocalist for the experimental rock band Can during their most productive period in the 1970s. Suzuki joined the band in 1970, after the departure of the band's original vocalist Malcolm Mooney. He sang on several of the band's most well-known albums, including "Tago Mago," "Ege Bamyasi," and "Future Days".

  Suzuki's style of singing was characterized by his use of free-form, improvisational vocals, often in a falsetto register, and was considered as one of the most original and avant-garde in rock music. His live performances with Can were known for their intensity and unpredictability, and he was a major contributor to the band's development of the krautrock genre.

  After leaving Can in 1973, Suzuki went on to perform with various other bands and musicians, and he continues to perform and record to this day. His work with Can has been cited as a major influence by many musicians and bands in various genres, including electronic, experimental, industrial, and alternative. He is also known for his unique approach to live performances, often singing without a microphone and using the audience's space to create a unique atmosphere.