This is the complete guide for CAN with Holger Czuka
This section of the Vinyl Record Collectors guide lists the complete gramophone aka vinyl LP record discography of the German Krautrock band: CAN. On this summary page you will find album/record catalognrs, album titles, year of issue and country in which the record was issued.
Label & Catalogno | Band/Performers - Album Title | Year | Country |
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Spoon Records 009 ![]() |
Future Days is the last album to feature Japanese vocalist Damo Suzuki. On Future Days, the band employs more of an ambient sound than on their previous efforts, especially on the title track and the twenty minute "Bel Air". |
1973 | Germany |
Spoon Records 009![]() |
"Future Days" is the fifth studio album by the German experimental rock band Can, released in 1973. The album features the title track "Future Days" as well as other songs such as "Bel Air" and "Spray". It is considered one of the band's most experimental and minimalistic albums and is known for its use of unconventional instruments, electronic sounds, and extended instrumental passages. The album received critical acclaim upon its release and is considered a classic of the krautrock genre. It has been cited as an influence by a number of bands and musicians in various genres. |
1973 | Germany |
United Artists UAS 29505![]() |
CAN - Future Days ( 1973 , England ) | ||
United Artists Records![]() |
CAN - Limited Edition | ||
White Spoon Records Spoon 004 / 66.22.237-01
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Monster Movie is the debut album by the German krautrock band Can, recorded and released in 1969. After the release of their first two singles in 1968, Can produced an album that was to be their full-length debut, entitled Prepared to Meet Thy Pnoom, but no record company was willing to release it. Monster Movie was Can's attempt to make a more accessible record for commercial release. |
1989 | Germany |
"Out of Reach" is a collection of 1968–1974 rare recordings. |
1999-2001 | Germany | |
Tago Mago Records Salem TM-2215![]() |
"Prehistoric Future is supposed to be Can's first-ever jam, "spontaneously composed by Can at Scholss Nörvenich, West Germany, June 1968". The core lineup of Karoli / Czukay / Schmidt / Liebezeit are joined by David Johnson (flute, tapes) and Manni Löhe (vocals, percussion, flute) |
France | |
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Radio Waves is a collection of rare CAN live and studio recordings recorded between 1969-1972 |
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United Artists UAG 29673![]() |
CAN - Soon Over Babaluma ( 1973 , England ) SOON OVER BABALUMA was Can's last album which was recorded straight onto stereo without a multi-tracking machine. An era came to an end |
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SPOON Records 010![]() |
CAN - Soon Over Babaluma ( 1974 , Germany ) SOON OVER BABALUMA was Can's last album which was recorded straight onto stereo without a multi-tracking machine. An era came to an end |
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Liberty LBS 83 437![]() |
Soundtracks is a soundtrack album by the Krautrock group Can. It was first released in 1970 and consists of tracks written for various films. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, to be replaced by new member Damo Suzuki. |
1970 | Germany |
United Artists 35 304![]() |
CAN - Spoon / Shikako Maru Ten 7" Single | ||
Spoon Records 006/7![]() |
TAGO MAGO was CAN's official second album and was an attempt in achieving a mystery musical world from light to darkness and return. The album consisted not only out of regularly recorded music, but for the first time CAN combined 'in-between-recordings', that means the musicians were secretly recorded in the pauses when a new microphone and recording set up was being established. In that time the rest of the group just played in order to make the time pass by instead of waiting till the technical problems were solved. And there was always one microphone and one recorder on standby position for such cases. Altogether certainly a psychedelic experience, and the studio itself even turned into something new e.g. by changing dramatically the whole illumination. |
1971 | Germany |
Spoon 023/024![]() |
Unlimited Edition is a compilation album by the band Can. Released in 1976 as a double album, it was an expanded version of the 1974 LP Limited Edition on United Artists Records which, as the name suggests, was a limited release of 15,000 copies (tracks 14-19 were added). The album collects unreleased music from throughout the band's history from 1968 until 1976, and both the band's major singers (Damo Suzuki and Malcolm Mooney) are featured. The cover photos are taken in Pantheon room of The British Museum. |
1976 | Germany |