- European Release including a 8-page 12" booklet
This particular release of "Live After Death" (so called EU release) can be identified by the "Right Society" text "Gema/Stemra" is printed at the bottom of label (above 6 o'clock. Other "EU" releases of this album have the "Right Society Gema/Stemra" printed on the label just below the catalog at 3 o'clock position.
"Live After Death" is a live album by the English heavy metal band Iron Maiden, released in 1985. It was recorded during the World Slavery Tour in 1984 and features performances of songs from their first five studio albums. The album was released as a 2LP (double LP) set, showcasing the energy and power of the band's live performances. "Live After Death" is widely regarded as one of the best live heavy metal albums of all time and has become a classic in Iron Maiden's discography. The album features hit songs such as "Wrathchild," "Hallowed Be Thy Name," and "Run to the Hills," and is considered an essential listening experience for fans of the band and the heavy metal genre.
For legions of metalheads, Iron Maiden's 1985 live album "Live After Death" stands as a monument to the electrifying power of their live performances. This double LP captured the band at their ferocious peak during the World Slavery Tour, showcasing a blistering setlist culled from their first five studio albums.
This particular European pressing boasts a special feature for collectors: an 8-page, 12-inch booklet. Inside, fans will find a treasure trove of live photos depicting the band in all their onstage glory, along with a potential itinerary chronicling the tour's European dates.
Double Dose of Maiden Mania
The heart of this release lies within the heavyweight vinyl itself. Spread across four sides, "Live After Death" delivers a potent dose of Iron Maiden's signature brand of heavy metal. Steve Harris' galloping basslines thunder through the speakers, twin guitar harmonies from Adrian Smith and Dave Murray scorch the soundscape, and Bruce Dickinson's soaring vocals command attention. Classic tracks like "Run to the Hills," "Hallowed Be Thy Name," and "The Trooper" are delivered with an unmatched intensity, transporting listeners back to the sweat-soaked mosh pits of the 1980s.
More Than Just Music: A Collector's Item
The inclusion of the 8-page booklet elevates this European pressing beyond a standard audio experience. For die-hard Iron Maiden fans, it becomes a collectible, offering a visual window into the band's touring world and a tangible reminder of their musical dominance during that era.
The first live album I ever recorded was Deep Purple's 'Made in Japan' in 1972. The first thing you decide is, naturally, which concerts to record. To be cost-effective, it's often best to record in major cities where there is good access to top-class mobile studios. This saves very expensive travel and accommodation costs. Also, major city venues are usually more experienced with live recordings, so the staff are generally more amenable and helpful. Also, it helps if the band are able to play multiple dates at the hall, so then you can set up the first day and leave everything - and even make slight adjustments day to day to enhance the sound as you go on, as the sound in the hall is more or less the same every day. Therefore, Maiden's tour-night engagements at both Hammersmith and Long Beach were ideal.
Next, you choose the recording facility. I've used the Rolling Stones Mobile on many occasions before and have found it very well designed and gets great sound. Also, I know the mobile unit well so that also makes life easier and leads to better results. Although I've used Record Plant Studios on a number of occasions, I've never used a mobile in. On checking the technical data, I found the Record Plant Mobile to be of excellent technical quality, for example, it has an API Custom Board, one of the best there is, and one of only three in the world. Also, I know a couple of the engineers, so again that helped.
Next, you order all the microphones. Recording mikes are far more sensitive than mikes used on the road as they don't need to stand up to the rigors of touring. I usually select a wide range and try out different combinations at the sound check to get the best overall effect.
Then you wait for the big day. The mobile arrives early, and the crew starts wiring. It's usually parked near the backstage door where access to the stage is best. The band puts their equipment in very early in the morning, usually about 6 am, so we can have a good, long sound check from about 1 pm to make sure everything is perfect. Come showtime, it's heads down and we go. We record onto two multi-tracks, so nothing is missed when there are tape changes, and also do a simultaneous mix onto 1/4 tape for a reference.
I decided to mix at Record Plant because I know the studio and its sound well, and the equipment is top-notch with all mod cons, especially the desk - a Solid State Logic St 4000E, made in Oxford, England. Once the tracks to go on the album are selected by the band and myself, we start mixing. I usually start about 1 pm and work through to one or two in the morning depending on how far I've got, existing on junk food imported from various seedy Hollywood joints.
When the mixing is finished and approved by the band, we master it, checking the EQs and making final slight sound adjustments. Cutting Maiden albums is often difficult, as they tend to give you great value by putting about 25 minutes of music on each side, whereas an album side normally runs between 16 and 20 minutes. This gives the cutting engineer great problems in getting all the grooves in without losing volume and clarity. However, the best can do it, and we only use the best. The cut then goes to the factory, and we get test pressings of the album a few days later. The band and myself check these, and then the real is on its way.
Hope you enjoy it.
Martin Birch
Music Genre: British Heavy Metal / NWOBHM |
Album Production information: The album: "IRON MAIDEN Live After Death 2LP (incl. Booklet) (EU) " was produced by: Martin "Live Animal" Birch Martin Birch Martin Birch was an English music producer and engineer who was active from the late 1960s to the early 2000s. He was born on 26th June 1948 in East Molesey, England, and began his career as a producer and engineer in the late 1960s, working with several notable British bands of the time, including Deep Purple , Iron Maiden , Rainbow and others.
Birch's biggest contributions to music came in the 1970s and 1980s, when he worked as a producer and engineer for several of the most influential and popular heavy metal bands of the era, including Black Sabbath, Rainbow, and most notably, Iron Maiden. He was an important figure in the development of the heavy metal genre, and is widely regarded as one of the most influential and important producers of heavy metal music. Birch's approach to production was characterized by his use of powerful and dynamic sound, which helped to define the sound of heavy metal in the 1970s and 1980s. He was known for his ability to bring out the best in the musicians he worked with, and for his willingness to experiment and take risks in the studio. He was also known for his commitment to quality and his attention to detail, which helped to ensure that the albums he produced had a timeless quality and still sound great decades after their original release. Birch worked with Iron Maiden for over two decades, producing several of the band's most iconic and enduring albums, including "The Number of the Beast," "Powerslave," and "Somewhere in Time." He was an important part of the band's creative process, and helped to shape the band's sound and style. Martin Birch retired from music production in the early 2000s, but his legacy lives on through the music he produced and the countless musicians he inspired and influenced. He is widely regarded as one of the most important figures in the history of heavy metal music, and his contributions to the genre continue to be celebrated and revered. Martin Birch's production style was known for its clarity, power and dynamic sound. He was an early adopter of using multi-track recording and employed innovative recording techniques, such as creating layered soundscapes by recording and re-recording guitar parts multiple times, to achieve his desired sound. He was also known for his use of echo and reverb to create a sense of depth and space in his recordings. Birch was known for his ability to bring out the best in the musicians he worked with and his hands-on approach to production. He was often involved in the arrangements and would often suggest changes to the songs to enhance their impact. He was also known for his attention to detail, taking the time to get the sound just right, and his dedication to quality, always striving to make each album sound as good as it could. Aside from his work with Iron Maiden, Birch also produced albums for several other influential heavy metal bands, including Judas Priest , Black Sabbath and Rainbow . He was also sought after by other musicians from outside of the heavy metal genre, and worked with artists such as Fleetwood Mac , The Move, and Deep Purple . Birch was awarded with several gold and platinum records for his work, and was recognized for his contributions to the heavy metal genre with induction into the Heavy Metal Hall of Fame in 2006. Although Martin Birch retired from music production in the early 2000s, his legacy continues to inspire and influence musicians and producers today. He is widely regarded as one of the most important and influential figures in the history of heavy metal music, and his work continues to be celebrated and enjoyed by fans of the genre around the world. Sound/Recording Engineer(s): Ricky Delena, Charlie McPherson, Mick McKenna, Wally Traugott, Nick Basich This album was recorded live at: Hammersmith Odeon, Long Beach Arena Album cover design: Derek "R.I.P." Riggs Derek Riggs an English artist best known for creating the iconic artwork "Eddy" for the heavy metal band Iron Maiden. Born in 1958 in Portsmouth, England, Riggs showed an early talent for drawing and went on to study illustration and design.
In the late 1970s, Riggs was approached by Iron Maiden to create artwork for the band's first album, "Iron Maiden." The album's cover, which featured a zombie-like figure known as "Eddie the Head," became a defining image for the band and helped to establish their visual style. Riggs continued to create artwork for Iron Maiden throughout the 1980s and 1990s, and his distinctive and often macabre illustrations have become synonymous with the band. In addition to his work with Iron Maiden, Riggs has also created artwork for other musicians and bands, as well as for books, comics, and other media. He is widely regarded as one of the most important and influential artists in the heavy metal genre, and his work has helped to shape the visual style of the genre as a whole. Today, Derek Riggs continues to create new artwork, and his legacy as one of the great heavy metal artists of all time remains intact. His influence can be seen in the work of countless other artists and musicians, and his iconic images continue to inspire fans and artists alike. Derek Riggs was raised in a creative environment, with his father working as an artist and his mother as a fashion designer. This artistic background helped to lay the foundation for his later success as an artist. After completing his studies in illustration and design, Riggs worked as a freelance artist, creating illustrations and designs for various clients. Riggs's work with Iron Maiden was groundbreaking, and he quickly became one of the most important and influential artists in the heavy metal genre. He was responsible for creating some of the most iconic images associated with the band, including Eddie the Head, who has appeared on almost every Iron Maiden album cover. Eddie has become one of the most recognizable mascots in the heavy metal genre, and is a beloved figure among fans of the band. In addition to his work with Iron Maiden, Riggs has created artwork for a variety of other clients, including other musicians and bands, comic books, and book covers. He has also collaborated with other artists on various projects, and has continued to push the boundaries of what is possible in the world of heavy metal art. Derek Riggs is regarded as a true innovator in the field of heavy metal art, and his impact on the genre cannot be overstated. His work continues to inspire new generations of artists and musicians, and his legacy as one of the greatest heavy metal artists of all time is secure. Album cover photography: Ross "Mr. Manners" Halfin. Ross Halfin Ross Halfin is a British rock and roll photographer who has been active in the music industry since the 1970s. He is best known for his work capturing iconic images of some of the biggest and most influential rock and heavy metal bands of all time, including Metallica, Led Zeppelin, The Who, and many others. Halfin was born in London, England and got his start in photography as a young man, working as an assistant to legendary rock photographer Jorgen Angel. He quickly developed a style of his own and became known for his ability to capture the energy and excitement of live rock performances in his images. Throughout his career, Halfin has worked with many of the biggest and most influential bands in the history of rock and heavy metal music, and has published several books of his work. He is widely regarded as one of the top rock photographers of his generation, and his images have been featured in numerous magazines, books, and exhibitions. In addition to his photography work, Halfin is also known for his close relationships with many of the musicians he has worked with over the years, and he has been able to capture behind-the-scenes images and candid moments that provide unique insights into the lives of some of the most famous musicians in the world. Overall, Ross Halfin is a talented and accomplished rock and roll photographer who has made a significant impact on the music industry through his iconic images of some of the biggest and most influential bands of all time. |
Record Label Information: EMI 1C 2LP 162 24 0426 3 At center of label right: 1C 164 - 24 0426 1 Below the center hole:
LC 0542 Produced. Engineerd, and Mixed by: Martin "Live Animal" Birch
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Album Packaging:
Gatefold (FOC) album cover includes a 8-page (12") booklet with tour dates and photos of Iron Maiden on Stage. This album also includes original (custom) inner sleeves with many photos of Iron Maiden on-stage and off-stage , as well as lyrics of the songs .
The album has two inner sleeves. The first inner sleeve has photos, lyrics of the songs and a writing by Martin Birch explaining the technicalities of making this live recording. Transcript of the liner notes on the first inner sleeve RECORDING INFORMATION PRODUCED, ENGINEERED AND MIXED BY: MARTIN "LIVE ANIMAL" BIRCH the album was molded over 4 nights at Hammersmith Odeon, London. England (October 8, 9. 10 and 12 1984) and 4 nights at long Beach Arena. los Angeles, USA (Match 14, 15, 16 and 11 1985) Sides 1, 2, and 3 were worded at long Beach Side 4 was recorded at Hammersmith Recording Credits Hammersmith Recording facility Rolling Stones Mobile Assistant Engineers Mick McKenna, Charlie McPherson long Beach Recording facility: Record Plant Mobile No .3 Engineer Ricky Delano Second Engineer Nick (Deemer) Bach Crew Craig Engel, Robert Winder, Mark Eshelman Reed at Record Plant Studio A, los Angeles, July 8 August 3. 1985 Second Engineer. Nick (Still Beaming) Basich All recordings on Ampex 456 tape Mastered at. Capital Records. Hollywood. CA Mastering Engineer Wally Iraugon Transcript of the liner notes on the second inner sleeve:
Sleeve Illustration: Derek "R.I.P." Riggs
Iron Maiden are managed by Rod "The Raiders" Smallwood for Sanctuary Music (Overseas) Ltd. and Andy "L.B.C." Taylor for Sanctuary Music Ltd. All toles published by /omba MUSIC Publishers lid except' published by Chadwick banns ltd Used by kind permission Special thanks to: A Special Thanks to you fans around the world for making "The World Slavery Tour' and the recording of this album so special.
IRON MAIDEN INFORMATION Send stamped addressed envelope or international reply coupon to
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Media Format: 2x 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 460 gram |
Year & Country: 1985 EU |
Personnel/Band Members and Musicians on: IRON MAIDEN Live After Death 2LP (incl. Booklet) (EU) |
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Complete Track-listing of the album "IRON MAIDEN Live After Death 2LP (incl. Booklet) (EU) " |
The detailed tracklist of this record "IRON MAIDEN Live After Death 2LP (incl. Booklet) (EU) " is:
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
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Record Label Details: © Copyright ℗ Sound Copyright