Released in 1988 on Enigma Records, the US pressing of Barren Cross's sophomore album, "Atomic Arena" (D11G-73311), is a powerful and dynamic testament to the band's evolution within the Christian metal scene. Building upon the success of their debut album, "Rock for the King," "Atomic Arena" showcases a more refined sound while maintaining their signature blend of heavy metal and faith-based lyrics.
Historical Context and Genre
By 1988, Christian metal was gaining momentum and recognition, with bands like Stryper achieving mainstream success. Barren Cross, however, remained firmly rooted in their unique style, blending elements of classic heavy metal, thrash metal, and power metal to create a sound that appealed to both Christian and secular metal fans. "Atomic Arena" reflected this evolution, featuring a more polished production and a wider range of musical influences.
Musical Exploration
"Atomic Arena" showcases Barren Cross's growth as songwriters and musicians. The album features a more diverse range of tempos and moods, from the fast-paced "Imaginary Music" and "Killers of the Unborn" to the more melodic and atmospheric "In the Eye of the Fire" and "King of Kings." The band's songwriting is more mature and sophisticated, with complex arrangements and thought-provoking lyrics.
Production Team and Recording Studio
The album was recorded at Pakaderm Studios in Los Angeles and produced by Dino and John Elefante, known for their work with Kansas and Petra. The Elefante brothers brought a more polished and commercial sound to "Atomic Arena," while still maintaining the band's raw energy and intensity.
