Hold onto your toques, hosers! Helix is back and sharper than a beaver's tooth with "Walkin' the Razor's Blade." This ain't your grandma's Celine Dion, eh? This is pure Canadian steel, forged in the fires of the bar scene and sharpened on stages coast to coast. So crack a Molson, crank up the volume, and get ready to rock like a lumberjack on a Saturday night. This album's so hot, it'll melt the ice off your double-double.
In the heart of the hair metal hurricane that was the mid-80s, amidst a whirlwind of Aqua Net and leather pants, a band named Helix emerged from the Great White North, brandishing an album that was as sharp and dangerous as its title suggested: "Walkin' the Razor's Blade" .
This wasn't your run-of-the-mill hairspray-soaked rock 'n' roll. Helix, led by the enigmatic frontman Brian Vollmer, was a band forged in the fires of the Canadian bar scene, a band that had honed their chops on stages where the beer flowed freely and the crowd demanded nothing less than a full-throttle assault on the senses. "Walkin' the Razor's Blade" was the culmination of that experience, a sonic distillation of a decade's worth of sweat, grit, and unwavering dedication to the rock 'n' roll dream.
Produced by the legendary Tom Treumuth, known for his work with Triumph and Aerosmith, and recorded at the hallowed Phase One Studios in Toronto, the album was a masterclass in hair metal bombast. From the opening chords of the title track, a ferocious anthem that declared Helix's intent to walk their own path, no matter how dangerous, to the soaring power ballad "Young and Wreckless," a song that captured the bittersweet essence of youthful rebellion, "Walkin' the Razor's Blade" was a non-stop adrenaline rush.
But this wasn't just about big riffs and bigger hair. Helix's music was rooted in a deep understanding of rock 'n' roll history, a reverence for the blues-infused swagger of Led Zeppelin and the anthemic power of AC/DC. Yet, they weren't afraid to push boundaries, incorporating elements of heavy metal and glam rock into their sound, creating a unique sonic cocktail that was both familiar and exhilarating.
"Walkin' the Razor's Blade" wasn't without its controversies. Some critics dismissed Helix as a mere hair metal clone, accusing them of sacrificing substance for style. But those who truly listened, who ventured beyond the teased hair and flashy stage attire, discovered a band with a depth and sincerity that belied their image. Vollmer's lyrics, while often laced with bravado and sexual innuendo, also explored themes of disillusionment, social commentary, and the struggles of everyday life.
The album's impact was undeniable. It spawned a string of hit singles, including "Rock You" and "Gimme Gimme Good Lovin'," that became staples on rock radio and MTV, solidifying Helix's status as one of the leading lights of the hair metal scene. "Walkin' the Razor's Blade" was more than just an album; it was a declaration of independence, a defiant middle finger to the naysayers and a celebration of rock 'n' roll in its purest, most unadulterated form. It was an album that walked the razor's edge between danger and excitement, and in the process, it left an indelible mark on the landscape of 80s rock.
Hard Rock, Heavy Metal
CAPITOL Records 1A 964-2401931
LC 0148
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1984 Netherlands and Europe
Tom Treumuth for Hypnotic Productions Inc.
Co-Produced by Helix and Rodney Mills
Rodney Mills - Studio One, Atlanta, Georgia.
Assisted by Greg Quesnel
Dave Wittman
Assisted by Joe Primeau
Phase One Recording Studio, Toronto
Electric Lady, New York
Studio One, Atlanta , Georgia
Mastered by: Bob Ludwig
Bob Ludwig is an American mastering engineer and record producer. He is widely regarded as one of the best mastering engineers in the music industry, and has worked with a diverse range of artists across various genres, including classical, rock, pop, and jazz.
Ludwig has been active in the music industry since the 1970s and has worked on numerous critically acclaimed and commercially successful albums, including records by Led Zeppelin, The Rolling Stones, Pink Floyd, and many others. He has also been recognized for his contributions to the industry and has won several Grammy Awards for his work.
Throughout his career, Ludwig has been known for his technical expertise, attention to detail, and his ability to bring out the best in recordings. He has also been a strong advocate for the preservation of audio quality and has worked to promote the use of high-quality analog and digital technologies in the recording and mastering process.
Overall, Bob Ludwig is a highly respected and accomplished mastering engineer who has made a significant impact on the music industry through his work with many of the biggest and most influential artists of our time.
Brian Vollmer - Lead Vocals
Brent Doerner - Guitar, Vocals
Paul Hackman - Guitar, Vocals
Daryl Gray - Bass, Vocals
Greg "Fritz" Hinz - Drums
Album Front cover photo of : HELIX Walkin' The Razor's Blade |
Album's Back Cover Photo of "HELIX Walkin' The Razor's Blade"
|
|
Close-up Photo of "HELIX Walkin' The Razor's Blade" "Capitol Records" Multi-colour Record Label
|
|
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
Helix is a Canadian rock band with a long and storied history. Over the years, the band has faced its fair share of challenges, but has continued to inspire generations of rock fans with their hard-hitting sound and uncompromising attitude. Helix's impact on the Canadian rock scene cannot be overstated, and the band remains a beloved fixture on stages across the country.
1A 064-4001851 , 1983 , Europe
The year is 1983. Heavy metal is king, ruling the charts and the hearts of a generation hungry for rebellion, leather, and guitar solos that could melt faces. In this whirlwind of sound, a Canadian band named Helix was steadily carving their niche. Their weapon of choice: "No Rest for the Wicked",
No Rest For The Wicked On Tour With Kiss 12&Quot; Vinyl Lp
Capitol 1A 064-4001851 , 1983 , Netherlands
This wasn't your mama's Journey, folks. Helix was the real deal, a glorious middle finger to the saccharine pop dominating the airwaves. Their sound was pure, unadulterated rock 'n' roll, a glorious concoction of AC/DC's swagger, Kiss's theatrics, and a healthy dose of their own maple-leaf-infused grit.
No Rest For The Wicked 12" Vinyl LP1A 064-2401931 , 1984 , Europe
In the heart of the hair metal hurricane that was the mid-80s, amidst a whirlwind of Aqua Net and leather pants, a band named Helix emerged from the Great White North, brandishing an album that was as sharp and dangerous as its title suggested: "Walkin' the Razor's Blade" .
Walkin' The Razor's Blade 12" Vinyl LPRAZ 8 , 1983
In the sleazy, neon-lit underbelly of 1981, Helix, a band that could easily be mistaken for a pack of beer-swilling biker dudes, dropped a sonic bomb that shook the foundations of Canadian hard rock. "White Lace & Black Leather," their third studio album, was a defiant howl against conformity
White Lace & Black Leather 12" Vinyl LPCapitol Records 1C 064-24 0836 , 1987 , Germany
"Wild in the Streets", the sixth album by the Hard Rock band Helix, represents a pivotal moment in their discography. Released in 1987, this paper delves into the sonic landscape of the album, highlighting its Hard Rock essence, captivating lyrics, and memorable melodies.
Wild In The Streets 12" Vinyl LP