STONE THE CROWS - ODE TO JOHN LAW 12" Vinyl LP Album

- Gatefold Album Cover

"Ode to John Law" is the 2nd full-length album by the English Prog Blues Band"Stone the Crows"

 "Stone The Crows" was a Scottish Blues-Rock band from Glasgow. They have been active from 1968 until 1973. The band was formed by Maggie Bell with who she released four albums: "Stone the Crows (1970)", "Ode to John Law (1970)", "Teenage Licks (1971)", "Ontinuous Performance (1972)"

This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.

 

Front Cover Photo Of STONE THE CROWS - Ode to John Law / Gatefold

Stone The Crows' "Ode to John Law": A Blues-Rock Odyssey in a Turbulent Era
Album Description:

Stone The Crows' "Ode to John Law": A Blues-Rock Odyssey in a Turbulent Era Emerging from the vibrant Glasgow music scene in the late 1960s, Stone The Crows released their second studio album, "Ode to John Law," in 1970. The album title pays homage to the notorious 18th-century Scottish economist John Law, whose financial schemes and subsequent downfall mirrored the tumultuous economic and social landscape of the time. This historical context set the stage for a blues-rock exploration that reflected the anxieties and uncertainties of a generation.

Musical Exploration

"Ode to John Law" showcased the band's musical versatility, blending blues-rock with elements of psychedelic rock and soul. Frontwoman Maggie Bell's powerful vocals commanded attention, while guitarist Les Harvey's innovative solos soared with intensity. The album's tracklist, which included "Black Hand" and "Strange Man," delved into themes of social unrest, personal struggles, and the search for identity in a rapidly changing world.

The band's musical experimentation, however, was not without its controversies. Some critics accused Stone The Crows of appropriating blues music, a genre deeply rooted in African American culture. While the band acknowledged their influences, they also emphasized their own unique interpretations and contributions to the genre.

Frontwoman Maggie Bell

At the heart of Stone The Crows' sound was Maggie Bell, whose powerful vocals and stage presence captivated audiences. Bell's voice, often compared to Janis Joplin's, conveyed both vulnerability and strength, making her a compelling figure in the male-dominated rock scene of the time. Her contributions to "Ode to John Law" cemented her status as a rising star and a force to be reckoned with in the music industry.

Maggie Bell: A Scottish Soul Powerhouse
Her Biography:

Margaret Bell, known professionally as Maggie Bell, was born on January 12, 1945, in Maryhill, Glasgow, Scotland. From a musical family, Bell began singing at a young age, performing in local bands and honing her powerful vocals. Her voice, often compared to Janis Joplin's, was a force of nature, capable of conveying both raw emotion and soulful vulnerability.

Bell's career took off in the late 1960s when she co-founded the blues-rock band Stone the Crows with guitarist Les Harvey. The band quickly gained recognition for their electrifying live performances and Bell's captivating stage presence. Their albums, including "Ode to John Law" (1970) and "Teenage Licks" (1971), showcased Bell's vocal prowess and established her as a leading figure in the British blues-rock scene.

Tragedy struck in 1972 when Les Harvey died from an accidental electrocution on stage. Despite the devastating loss, Bell continued her musical journey, launching a successful solo career. She signed with Led Zeppelin's Swan Song Records and released critically acclaimed albums like "Queen of the Night" (1974) and "Suicide Sal" (1975). These albums further solidified Bell's reputation as a soulful powerhouse and earned her a dedicated following.

Throughout her career, Bell collaborated with renowned musicians like Jimmy Page, B.A. Robertson, and members of Humble Pie. She toured extensively, sharing stages with iconic acts like The Who, David Bowie, and Roxy Music. Her music transcended genres, blending blues, rock, soul, and even elements of pop, resulting in a unique and captivating sound.

In the 1980s, Bell formed the band Midnight Flyer and continued to release music and tour. She also ventured into acting, appearing in films and television shows. Her contributions to music and entertainment earned her numerous accolades, including the NME Award for British Female Singer.

Bell's influence on the music scene extends beyond her powerful vocals and dynamic performances. She paved the way for female artists in a male-dominated industry, proving that women could rock just as hard as their male counterparts. Her fearless spirit and unwavering passion for music continue to inspire generations of musicians and fans alike.

Music Genre:

 Prog Rock, Blues Rock 

Album Production Information:

The album: "Ode to John Law" was produced by: Peter Grant, Mark London for Unit Blag Productions Ltd.

Sound/Recording Engineer(s): Eddie Offord

This album was recorded at: Gorbals City

Album cover design: David Juniper

Album cover painting: Leo Sauer

Record Label & Catalognr:

Polydor 2425 042

Album Packaging:

Gatefold/FOC (Fold Open Cover) Album Cover Design with artwork / photos on the inside cover pages

Media Format:

 12" LP Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 280 gram  

Year & Country:

 1970 Made in Germany
Personnel/Band Members and Musicians on: STONE THE CROWS - Ode to John Law / Gatefold
    Band-members, Musicians and Performers
  • Maggie Bell
  • Les Harvey
  • Jim Dewar
  • John McGinnis
  • Colin Allen
Complete Track-listing of the album "STONE THE CROWS - Ode to John Law / Gatefold"

The detailed tracklist of this record "STONE THE CROWS - Ode to John Law / Gatefold" is:

    Side One:
  1. Sad Mary
  2. Friend
  3. Love
    Side Two:
  1. Mad Dogs & Englishmen
  2. Things are getting better
  3. Ode to John Law
  4. Danger Zone

STONE THE CROWS - Ode to John Law / Gatefold High Resolution & Quality Photos

Front Cover Photo Of STONE THE CROWS - Ode to John Law / Gatefold
Front Cover Photo Of STONE THE CROWS - Ode to John Law / Gatefold

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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )

Photo Of The Back Cover STONE THE CROWS - Ode to John Law / Gatefold
Photo of album back cover STONE THE CROWS - Ode to John Law / Gatefold

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Photo One Of The Inner Gatefold STONE THE CROWS - Ode to John Law / Gatefold
Photo of the left page inside cover STONE THE CROWS - Ode to John Law / Gatefold

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Photo Two Of The Inside Pages STONE THE CROWS - Ode to John Law / Gatefold
Photo of the right page inside cover STONE THE CROWS - Ode to John Law / Gatefold

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Close up of record's label STONE THE CROWS - Ode to John Law / Gatefold Side One:
Close up of record's label STONE THE CROWS - Ode to John Law / Gatefold Side One

Red Colour Polydor 2425 042 Record Label Details: GEMA, Made In Germany

Index of STONE THE CROWS (Band) Album Cover Gallery & 12" Vinyl LP Discography Information

Stone the Crows, a Scottish blues-rock band formed in 1969, released two groundbreaking albums showcasing Maggie Bell's powerful vocals and the raw energy of the blues. Their self-titled debut in 1970, produced by Led Zeppelin's John Paul Jones, established their signature sound, while "Ode to John Law" (1970) further explored their musical range with nods to psychedelia and soul. Both albums cemented their place in music history and revealed their unique blend of blues-infused rock.

STONE THE CROWS - Ode To John Law 12" Vinyl LP
STONE THE CROWS - Ode To John Law album front cover vinyl record

Stone The Crows' "Ode to John Law": A Blues-Rock Odyssey in a Turbulent Era Emerging from the vibrant Glasgow music scene in the late 1960s, Stone The Crows released their second studio album, "Ode to John Law," in 1970.

Learn more
STONE THE CROWS - S/T Self-Titled 12" Vinyl LP
STONE THE CROWS - S/T Self-Titled album front cover vinyl record

self-titled debut album marked a significant moment in blues-rock history. Released during a time of social and political upheaval

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