Michael Bloomfield, a revered figure in the realm of blues guitar, left an indelible mark on the music scene with his dynamic playing and innovative style. In his album "Living In The Fast Lane", Bloomfield showcases a remarkable departure from his blues roots, demonstrating his prowess in progressive rock, funk, and blues genres. With Norman Dayron at the helm as the producer, the album brings together a diverse collection of tracks that exemplify Bloomfield's musical evolution and versatility.
A Musical Departure:
"Living In The Fast Lane" presents listeners with a refreshing departure from Michael Bloomfield's traditional blues sound. Displaying a willingness to experiment and explore new musical territories, the album's tracks traverse the boundaries of progressive rock, funk, and blues. While the blues remain an integral part of Bloomfield's musical identity, this album introduces listeners to a more eclectic and multifaceted artist.
Norman Dayron's Production:
Norman Dayron, known for his work with prominent artists, played a pivotal role as the producer of "Living In The Fast Lane". His collaboration with Bloomfield allowed for the creation of an album that defies musical expectations and challenges genre norms. Dayron's guidance and artistic vision contributed to the seamless fusion of different styles on the record, resulting in a cohesive and engaging listening experience.
The album opens with "Maudie", setting the tone for the musical journey that lies ahead. Bloomfield's guitar work shines as he navigates through intricate melodies and rhythms, showcasing his versatility. "Shine On Love" continues the exploration, incorporating elements of progressive rock that captivate the listener's attention.
"Roots" offers a glimpse into Bloomfield's funk-infused creativity, infusing the album with a rhythmic energy that is both infectious and captivating. The inclusion of "Let Them Talk" demonstrates Bloomfield's unwavering connection to the blues, even amidst his experimental endeavors. "Watkin's Rag" adds a playful touch to the album, displaying Bloomfield's mastery of different guitar techniques.
Side Two of the album continues the musical odyssey with "Andy's Bad", a track that further showcases Bloomfield's progressive rock influences. "When I Get Home" introduces a contemplative mood, highlighting the artist's ability to evoke emotion through his guitar.
"Used To It" seamlessly melds funk and blues elements, creating a distinctive sound that is uniquely Bloomfield's own. "Big C Blues" brings listeners back to the blues, reminding them of his roots while showcasing his growth as a musician. The album concludes with "The Dizz Rag", a lively and spirited composition that leaves a lasting impression.