TREES - ON THE SHORE UK ENgland originaL 1st pressing A1B1 12" LP Vinyl Album

  Trees was an English folk rock band that existed between 1969 and 1972. Although the group met with little commercial success in their time, the reputation of the band has grown over the years. Like other folk contemporaries, Trees' music was influenced by "Fairport Convention", but with a heavier and more psychedelic edge. The group's material was divided between adaptations of traditional songs and original compositions.


High Resolution Photo #1 TREES - On The Shore

Trees - On the Shore: A Forgotten Gem of British Folk Rock
Album Description:

In the heart of the British folk rock revival of the early 1970s, amidst the giants like Fairport Convention and Steeleye Span, emerged a band called Trees. Their second and final album, "On the Shore," released in 1971, stands as a testament to their unique blend of traditional folk melodies, rock instrumentation, and progressive experimentation.

Historical Context The early 1970s was a time of great musical exploration in the UK. Folk rock, a fusion of traditional folk music with rock elements, was gaining popularity, and bands like Fairport Convention were leading the way. Trees, with their distinctive sound, carved a niche within this vibrant scene.

Musical Exploration "On the Shore" showcases Trees' eclectic musical sensibilities. The album opens with the hauntingly beautiful "Soldiers Three," a traditional ballad given a new life with Celia Humphris's delicate vocals and Barry Clarke's intricate guitar work. The album then ventures into more experimental territory with tracks like "Murdoch," a dark and brooding piece that features fuzz guitar and a driving rhythm section.

Throughout the album, Trees seamlessly blend traditional folk elements with progressive rock influences. The result is a sound that is both familiar and innovative, with acoustic guitars, flutes, and mandolins intertwining with electric guitars, keyboards, and drums.

Production Team and Studio "On the Shore" was produced by Tony Cox, a renowned producer who had previously worked with Fairport Convention and Steeleye Span. The album was recorded at Sound Techniques, a legendary London studio known for its warm and natural sound. Cox's production expertise and the studio's sonic qualities contributed to the album's rich and immersive sound.

Band Lineup The Trees lineup on "On the Shore" consisted of:

Celia Humphris - vocals, guitar, dulcimer

Barry Clarke - guitar, vocals

Bias Boshell - vocals, guitar, piano

Unwin Brown - bass guitar

David Costa - drums, percussion

Each member brought their unique talents to the table, creating a cohesive and dynamic unit. Humphris's ethereal vocals, Clarke's intricate guitar work, and Boshell's versatile musicianship were the cornerstones of the band's sound.

Trees' "On the Shore": A Vinyl Gem from Britain's Folk Rock Era
Album Description:

In the realm of vinyl collecting, certain albums ascend to legendary status, coveted for their rarity, historical significance, and sonic brilliance. Trees' "On the Shore," a 1971 release hailing from the heart of the British folk rock movement, is undoubtedly one such gem.

This album, the band's second and final offering, encapsulates the unique sound that Trees carved out amidst the giants of the genre like Fairport Convention and Steeleye Span. The A1/B1 matrix numbers etched into the deadwax of the original UK pressing on the CBS label are the holy grail for serious collectors.

"On the Shore" wasn't a chart-topper upon release, but its critical acclaim has grown steadily over time. The album's distinctive blend of traditional folk melodies, progressive rock experimentation, and Celia Humphris' haunting vocals have garnered praise from critics and fans alike. Tracks like the ethereal opener "Soldiers Three" and the darker, fuzz-guitar-laden "Murdoch" showcase the band's eclectic musical sensibilities.

Trees developed a devoted following among folk and progressive rock enthusiasts, a cult following that has only intensified the demand for their music on vinyl, particularly "On the Shore." The album's scarcity, coupled with the resurgence of interest in vinyl records, has made it a prized possession for collectors who cherish its warm analog sound and tangible appeal.

Beyond its sonic merits, "On the Shore" holds historical significance as a snapshot of the UK folk rock scene in the early 1970s. The album's unique sound and experimental approach reflect the musical exploration of the era, making it a valuable artifact for those interested in the evolution of British music.

Collector Notes:

Matrix/stamper codes:
Side one: S-64168 A1
Side two: S-64168 B1


Music Genre:

Folk, Acid Psych Prog Rock 
Album Production information:

The album: "TREES - On The Shore" was produced by: Tony Cox

Sound/Recording Engineer(s): Vic Gamm

This album was recorded at: October 1970 at Sound Techniques, Chelsea, London

Album cover design, tinting and photography: HIPGNOSIS

Hipgnosis was an English art group founded in 1968 by Storm Thorgerson, Aubrey Powell, and Peter Christopherson. The group was known for their innovative and creative album covers, which became iconic in the music industry. Hipgnosis worked with some of the most influential musicians of their time, including Pink Floyd, Led Zeppelin, and Yes.


The group's name, "Hipgnosis," was a play on the words "hypnosis" and "hip." They believed that their art had the power to hypnotize people and transport them to another world, which was reflected in their album covers. The group's style was surreal and often incorporated elements of fantasy, science fiction, and the occult. Their designs were highly detailed and often required extensive planning and preparation.

One of the group's most famous album covers was for Pink Floyd's "The Dark Side of the Moon." The cover featured a prism refracting light into a rainbow, which became one of the most recognizable images in rock history. The design was so successful that it became synonymous with the band and their music. Another iconic design was for Led Zeppelin's "Houses of the Holy," which featured a group of naked children climbing on a rock formation. The image was highly controversial but helped to solidify the band's rebellious image.

Hipgnosis also worked with a number of other influential musicians, including Peter Gabriel, Black Sabbath, and Genesis. They designed the cover for Peter Gabriel's first solo album, which featured a photograph of Gabriel wearing a mask with only his eyes visible. The image became another iconic design and was later referenced in Gabriel's music video for "Sledgehammer."

The group's success continued into the 1980s, with designs for bands such as Scorpions and Styx. However, the rise of digital technology and the decline of album sales led to the group's decline. Hipgnosis disbanded in 1983, but their legacy lives on in the countless album covers they created.

Hipgnosis was not just an art group, but a collective of artists who had a significant impact on the music industry. Their innovative designs helped to define the visual style of rock music in the 1970s and 1980s. Their work was not just a complement to the music, but an essential part of the overall experience. They created a world that fans could enter into and lose themselves in, just like the music they were listening to.

Here is a web-page with a gallery of album covers created by Hipgnosis

Little girl on the album cover: Katherine Meehan

Record Label Information:

CBS S 64168

Media Format:

12" LP Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram 

Year and Country:

1970 Made in England
Personnel/Band Members and Musicians on: TREES - On The Shore
    Band-members, Musicians and Performers
  • Bias Boshell - guitars, piano, acoustic 12-string, vocals
  • Celia Humphris - vocals
  • Barry Clarke - lead guitar
  • Unwin Brown - drums, percussion, vocals
  • David Costa - acoustic guitar, electric 12-string, dulcimer
Complete Track-listing of the album "TREES - On The Shore"

The detailed tracklist of this record "TREES - On The Shore" is:

  1. "Soldiers Three" (traditional) - 1:51
  2. "Murdoch" (Bias Boshell) - 5:10
  3. "Streets of Derry" (traditional) - 7:32
  4. "Sally Free and Easy" (Cyril Tawney) - 10:11
  5. "Fool" (Boshell, David Costa) - 5:21
  6. "Adam's Toon" (A. Della Halle) - 1:10
  7. "Geordie" (traditional) - 5:06
  8. "While the Iron is Hot" (Boshell) - 3:21
  9. "Little Sadie" (traditional) - 3:11
  10. "Polly on the Shore" (traditional) - 6:08
High Quality Photo of Album Front Cover  "TREES - On The Shore"
High Resolution Photo #1 TREES - On The Shore  
Album Back Cover  Photo of "TREES - On The Shore"
High Resolution Photo #2 TREES - On The Shore  
Close-up Photo of "TREES - On The Shore" Record Label 
High Resolution Photo #4 TREES - On The Shore  

Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash.

Trees: The Influential British Prog Rock Band with a Unique Blend of Folk and Progressive Rock

TREES Band Information:

Trees was a British progressive rock band that formed in the late 1960s and gained popularity in the early 1970s. The band was known for their unique blend of folk and progressive rock music, with intricate instrumentation and poetic lyrics. Despite their relatively short career, Trees is considered one of the most influential bands of the progressive rock genre.

Trees was formed in 1969 in London by guitarist David Costa, bassist Bias Boshell, and drummer Unwin Brown. The band's original sound was heavily influenced by folk music, with acoustic guitar and violin featured prominently in their early recordings. Trees' debut album, The Garden of Jane Delawney, was released in 1970 and received critical acclaim for its unique sound and poetic lyrics.

The Garden of Jane Delawney opens with the haunting "Nothing Special," which features a simple acoustic guitar and violin melody that sets the tone for the rest of the album. The title track, "The Garden of Jane Delawney," is a nine-minute epic that showcases the band's intricate instrumentation and poetic lyrics. Other standout tracks on the album include "Lady Margaret," "The Great Silkie," and "She Moved Through the Fair."

Trees' second album, On The Shore, was released in 1971 and marked a departure from their folk-influenced sound. The album featured more electric guitar and keyboard, and a greater focus on progressive rock. On The Shore was well-received by critics, but failed to achieve the same commercial success as their debut.

On The Shore features several standout tracks, including the seven-minute epic "Streets of Derry," which combines folk melodies with a driving rock rhythm. Other notable tracks include "Soldiers Three," "Murdoch," and "Polly On The Shore."

Unfortunately, Trees disbanded in 1972 after releasing only two albums. Despite their short career, the band's influence on the progressive rock genre cannot be overstated. Many of today's progressive rock bands cite Trees as a major influence on their music.

Trees' unique blend of folk and progressive rock, coupled with their poetic lyrics and intricate instrumentation, set them apart from their contemporaries. While they never achieved the commercial success of bands like Pink Floyd or Genesis, their influence on the progressive rock genre cannot be overlooked. 

TREES - Garden Of Jane Delawney 12" Vinyl LP Album
Thumbnail of TREES - Garden Of Jane Delawney 12" Vinyl LP Album album front cover

CBS S 63837 , 1970 , England

"The Garden of Jane Delawney" is the debut album of British folk rock band Trees. Nearly every song on the album appears to be a traditional folk song

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TREES - On The Shore 12" LP Vinyl Album
Thumbnail of TREES - Garden Of Jane Delawney 12" Vinyl LP Album album front cover

CBS S 64168 , 1970 , England

On The Shore is the second album by British progressive rock band Trees, released in 1971. The album marks a departure from the band's folk-influenced sound heard on their debut album, The Garden of Jane Delawney. Instead, On The Shore features a greater emphasis on electric guitar and keyboards, with a heavier focus on progressive rock.

Learn more