"Maximum Destruction," the inaugural full-length album by American thrash metal band Destructor, is set for release in the USA by AUBURN Records. The 12" vinyl LP, complete with an OIS (Original Inner Sleeve), promises a relentless sonic assault. Brace yourself for an auditory journey as Destructor unleashes their powerful thrash prowess, marking a significant chapter in the world of American metal.
Released in 1985 on Auburn Records, Destructor's debut album, "Maximum Destruction," arrived during a fertile period for American thrash metal. This 12" vinyl LP, with its iconic cover art, not only captured the raw energy of the genre but also showcased the band's unique sonic identity.
Historical Context
The mid-1980s was a pivotal time for thrash metal. While the Bay Area scene was thriving with bands like Metallica and Exodus, other regions were also cultivating their own thrash scenes. Destructor emerged from Cleveland, Ohio, adding their own brand of aggressive metal to the mix.
Musical Exploration
"Maximum Destruction" is a full-throttle assault on the senses. The album features fast tempos, intricate riffs, and ferocious vocals, all hallmarks of the thrash genre. However, Destructor also incorporated elements of speed metal, injecting their sound with an extra dose of adrenaline. This combination of speed and aggression resulted in a unique sonic identity that set them apart from their contemporaries.
Music Genre
Destructor firmly belongs to the thrash metal genre. However, their music transcends simple categorization. The band's willingness to experiment with different sounds and influences resulted in a unique blend of thrash and speed metal. This eclectic mix is evident throughout "Maximum Destruction," making it a compelling listen for fans of heavy music.
Production Team and Recording Studio
The album was recorded at Suma Recording Studio in Cleveland, a well-known recording facility that had hosted numerous other local metal bands. The production team, which included Paul Hamann and Bill Peters, captured the raw energy of Destructor's live performances while also ensuring a polished and professional sound.
| Album Fact Sheet: DESTRUCTOR - Maximum Destruction |
Music Genre: US Speed/Thrash Metal |
Album Production Information: The album: "DESTRUCTOR - Maximum Destruction" was produced by: Bill Peters Bill Peters is founder of the "Auburn Records" record company in Ohio. "Bill Peters" has produced many Heavy Metal albums. A couple of the bands he has worked for include Breaker, Destructor and "Shok Paris". Denwa M. Chainbreaker on this album assistent producer, and in 1986 producer of Havoc's album: "The Grip". Sound/Recording Engineer(s): Paul Hamann Paul Hamann (son of Ken Hamann) is owner of the "Suma Recording Studio" in Cleveland and has engineered several Heavy Metal records during the 1980s, these include bands like Breaker, Destructor, Shok Paris. This album was recorded at: Suma Recording Studio Mixed at Streeterville Studios by Time Hale Mastered by Jack Skinner at Sterling Sound, New York City. Jack Skinner, a revered mastering engineer, has made significant contributions to the music industry through his work at Sterling Sound Studio in New York City. Sterling Sound, established in 1968, is one of the most prestigious mastering facilities globally, known for its state-of-the-art equipment and top-tier engineers. Skinner's career at Sterling Sound spans several decades, during which he has mastered albums for a wide range of artists. His portfolio includes work with iconic names such as Metallica, who benefited from his mastering expertise on their groundbreaking debut album "Kill 'Em All" (1983) . This album, often credited with helping to define the thrash metal genre, features seminal tracks like "Seek & Destroy" and "Whiplash." Skinner's mastering played a crucial role in its raw and powerful sound, contributing to its lasting impact on the metal scene. Another notable project in Skinner's illustrious career is Raven's "Live at the Inferno" (1984). This live album captures the raw energy and intensity of the band's performance, and Skinner's mastering work ensured that the live recording translated effectively to the final product. His expertise helped to achieve a powerful and dynamic sound that captured the essence of Raven's live shows, further cementing their place in heavy metal history. In addition to his work with metal legends, Skinner has also mastered albums for diverse artists across various genres, demonstrating his versatility and broad appeal. His ability to enhance the sonic quality of recordings, ensuring they sound their best on all playback systems, is highly regarded in the industry. Skinner's approach to mastering involves a blend of technical skill and artistic sensitivity. He uses a combination of analog and digital equipment to achieve the desired sound, often employing tools such as equalizers, compressors, and limiters to shape the audio. His keen ear for detail allows him to make precise adjustments that bring out the best in each track. Beyond his individual projects, Jack Skinner has also contributed to the legacy of Sterling Sound by mentoring up-and-coming engineers. His guidance has helped to nurture the next generation of mastering talent, ensuring the continued excellence of the studio. Logo design Greg Martin, Larry Weber Album cover layout: Paula Grooms Sleeve design Patty van Deusen Album cover photography: Anastasia Pantsios Transcript of the album's thank you notes The Destructive Crew: Dave Powerslave, Greg Jailbait, and Jim "The Steel" Petito Backing Vocals: The "Destructor Symphony Choir" -Dave Overkill, Matt Flammable, Pat Rabid, Dave Holocaust, Bill Peters, and Dave Powerslave Added "effects" on Bondage supplied by the illustrious and sensual Angie Velotta Bill Peters lead sledgehammer on Prelude Dave Overkill rhythm sledgehammer Extra thanks to Nancy and Justin Johnson for letting us "borrow" ' your color TV console Extra special thanks to Bill Peters and Chris Andrews for mega help and support! Also to Paul Hamann for taming the beast.
Special thanks to: The Metal Underground!, Lenny Mihalich, Metal Forces, Roberta Miles, Eric Williams, Mary Sangiamo, Jerri, Bob, and Lisa Surgent, Carl Peck, Pam Patrzyk, "Scary" Ellen, Ken Kitt, Bob Muldowney, Chris "The Slayer" Salazar, Kathy George, Joseph George, Midwest Militia, Daryl Amok*, Doctor Records R.I.P., The Pop Shop, Roger, Dave, Mike Flynn, Joe Mack Carl 'Judge Dread" Hatcher, (Miraculabionebulatron), Greg "Jailbait" ICanios (Hypergalacticspasmuloid), Camille, Janet, Kris, and all other women including all females that have suffered Matt Flammable's existence, Pam and Carl Holocaust, Norman Wonderly, Rick Formica, Bryan Wolowiecki, Rich, and Brian Crisman, James "Woody" Woodruff, Steve O'Bannon, Angie Velotta, Leather Army Supplies, Sherwood Beverages, John Count, Scandinavian Health Spa, Ian Gilmore, WUJC, WCSB, WRUW, WBCR, Purgatory, Breaker, Black Death, Shok Paris, Mammals, Sabre, Nasty Savage, Havoc (AARRGGHH!), and any totally great bands we haven't mentioned together for one cause!, Good luck Paul Warhead, Mitz and Valerie, Joe Cowan, Daryl Musick, Mike Murray, all magazines, radio stations, and fans who have written to us wanting band info and demos - here's the final fucking product of annihilation!, our moms and dads for endless encouragement, and last and most important — you! "Make a stand. Take command!"
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Record Label & Catalognr: Auburn AU-004 |
Packaging: This album "DESTRUCTOR - Maximum Destruction" includes the original custom made inner sleeve (OIS) with album production details, complete lyrics of all songs by and artwork/photos |
Record Format: 12" Vinyl Stereo Gramophone Record Total Album (Cover+Record) Weight: 230 gram |
Year & Country: 1985 Made in USA |
Personnel/Band Members and Musicians on: DESTRUCTOR - Maximum Destruction |
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Complete Track-listing of the album "DESTRUCTOR - Maximum Destruction" |
The detailed tracklist of this record "DESTRUCTOR - Maximum Destruction" is:
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
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"Maximum Destruction" Record Label Details: Auburn AU-004 © & ℗ 1985 Auburn Records Sound Copyright
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