"The Witch Queen of New Orleans," the European release of Redbone's third album, "Message from a Drum" (1971), is a captivating 12" LP vinyl. Infused with the band's unique blend of Native American and rock influences, the album takes listeners on a musical journey. With its distinct sound and cultural fusion, Redbone's creation stands as a timeless piece, showcasing the band's artistic prowess and global appeal.
In 1971, amidst the vibrant tapestry of rock music's evolution, the Native American rock band Redbone unveiled their third studio album, "The Witch Queen of New Orleans." This enigmatic title, also known as "Message from a Drum," marked a unique chapter in the band's musical journey and resonated with the countercultural currents of the era.
A Sonic Landscape Steeped in Cultural Fusion
Redbone's sound defied easy categorization. They seamlessly blended elements of rock, R&B, funk, and soul, creating a sonic landscape that was both familiar and refreshingly new. "The Witch Queen of New Orleans" showcased the band's ability to infuse their music with their Native American heritage, evident in the use of traditional instrumentation and lyrical themes.
Musical Exploration and Genre Bending
The album's ten tracks are a testament to Redbone's musical adventurousness. From the swampy groove of the title track to the soulful balladry of "Chant: 13th Hour," the band explored a wide range of styles and emotions. The album's eclecticism mirrored the diverse influences that shaped the band's unique sound.
The Production Team and Recording Process
The album was produced by the band themselves, with Lolly Vegas and Pat Vegas at the helm. This allowed Redbone to maintain creative control over their music, ensuring that their vision was faithfully translated onto vinyl. The recording sessions took place at a renowned studio (the specific studio is not mentioned in available sources), where the band captured the raw energy and soulful nuances of their performances.
Controversies and Critical Reception
While "The Witch Queen of New Orleans" received positive reviews from critics, it also sparked some controversy due to its exploration of Native American themes and spirituality. Some accused the band of cultural appropriation, while others praised them for their efforts to bring Native American culture to a wider audience.
Historical Context and Impact
Released at a time when rock music was undergoing a period of intense experimentation, "The Witch Queen of New Orleans" stood out as a bold and innovative statement. The album's fusion of musical styles and cultural influences resonated with a generation seeking new forms of artistic expression. While it may not have achieved the commercial success of some of its contemporaries, the album remains a testament to Redbone's enduring legacy as pioneers of Native American rock.
Music Genre: Native American Pop Rock |
Album Production Information: The album: "REDBONE - The Witch Queen of New Orleans" was produced by: Pat Vegas and Lolly VegasSound/Recording Engineer(s): Roy Segal, George Engfer, Alex Kazanegras and John Fiore, Sy Mitchell, Willie Greer |
Record Label & Catalognr: EPIC EPC 64709 |
Media Format: 12" LP Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 230 gram |
Year & Country: 1971 Made in Holland |
Personnel/Band Members and Musicians on: REDBONE - The Witch Queen of New Orleans |
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Complete Track-listing of the album "REDBONE - The Witch Queen of New Orleans" |
The detailed tracklist of this record "REDBONE - The Witch Queen of New Orleans" is:
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Description
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
Description
"The Witch Queen Of New Orleans" Yellow Colour EPIC Record Label Details: EPIC EPC 64709, Made in Holland ℗ April MusicSound Copyright