- _SUBTILE_
Alien Sex Fiend weren’t just a band—they were a manic, electro-goth circus crashing headlong into the post-punk apocalypse. With Here Cum Germs, Nik and Mrs. Fiend flung sonic spores of chaos, feedback, and blacklight paranoia straight into the ears of anyone brave enough to listen. This 1987 album is a beautifully grotesque freakshow of industrial psychosis and goth club dementia, where drum machines wheeze like dying robots and synths scream in glorious madness. It's not an album, it's a glorious infection—loud, weird, and absolutely necessary.
In the swirling, kaleidoscopic landscape of 1980s alternative music, Alien Sex Fiend emerged as a beacon of gothic rock anarchy. Fronted by the dynamic duo of Nik Fiend and Mrs. Fiend, this British band carved out a niche with their macabre aesthetic and avant-garde soundscapes. Their 1987 release, Here Cum Germs, stands as a testament to their relentless drive to push musical boundaries and challenge the conventions of their time.
Historical Context
The late '80s were a turbulent time for the music industry. The post-punk explosion had given way to a myriad of sub-genres, each more experimental than the last. Gothic rock, with its dark, brooding tones and theatrical flair, found a receptive audience among the disenchanted youth of the era. Alien Sex Fiend, hailing from the UK, rode this wave with a unique blend of horror imagery and electronic innovation.
Musical Exploration
Here Cum Germs is not just an album; it's a sonic journey through the twisted minds of Nik and Mrs. Fiend. From the opening track, "My Brain Is In The Cupboard, Above The Kitchen Sink," listeners are plunged into a world where conventional song structures are mere suggestions. The album oscillates between frenzied, electronic-infused tracks like "Dead And Re-Buried" and more introspective pieces such as "Hurricane Fighter Plane."
The Fiends' music defies easy categorization. While rooted in gothic rock, their sound incorporates elements of industrial, punk, and psychedelic music. The use of distorted guitars, eerie synthesizers, and pounding drum machines creates an atmosphere that is both unsettling and hypnotic. Nik Fiend's vocals, ranging from guttural growls to manic shrieks, add to the album's otherworldly vibe.
Music Genre
While Here Cum Germs is steeped in the gothic rock tradition, its experimental nature pushes it beyond the confines of the genre. Alien Sex Fiend's willingness to blend styles and experiment with unconventional sounds makes this album a precursor to the industrial rock that would gain prominence in the '90s. The band's influences are evident, yet they manage to synthesize these elements into something wholly their own.
Controversies
Alien Sex Fiend has never shied away from controversy. Their live performances, often characterized by chaotic theatrics and provocative imagery, have drawn both acclaim and ire. Here Cum Germs is no exception, with its unsettling cover art and taboo-challenging themes. Tracks like "In And Out Of My Mind" and "Do You Sleep?" delve into mental health and existential dread, subjects that were far from mainstream in the music of the time.
Production Team and Recording Studio
The production of Here Cum Germs was helmed by the Fiends themselves, a testament to their DIY ethos and desire for creative control. The album was recorded at the fabled F2 Studios in London, a hotbed for alternative and underground acts of the era. The raw, unpolished sound of the record captures the essence of the band's live energy, an intentional move to preserve the authenticity of their vision.
The production quality, while not polished to a commercial sheen, serves the album's aesthetic perfectly. The use of analog equipment and unconventional recording techniques gives the tracks a gritty, immersive quality. Each song feels like a journey into a dark, surreal landscape, with the listener as an unwitting traveler.
Collector Notes:On the album back cover in the bottom right corner it is printer "Country of Origin England". On the rim-text of ( starting at 9 o'clock ) the record label there is "MANUFACTURED IN FRANCE". |
Music Genre:Gothic Rock |
Album Production Information:The album: "ALIEN SEX FIEND - Here Cum Germs" was produced by: A.S.F., Simon Milton and Harvey Birrell Recorded at: The House in the Woods and Terminal, Summer 1987 |
Record Label:Anagram / Plagiarism / Plague Records |
Record Format:12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year and Country: 1987 Manufactured in France |
Complete Track Listing of: "ALIEN SEX FIEND - Here Cum Germs" |
The Songs/tracks on "ALIEN SEX FIEND - Here Cum Germs" are
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The album cover of Here Cum Germs by Alien Sex Fiend explodes with garish surrealism and warped cartoon horror. A bright, cracked blue head dominates the frame with blood-red lips, vampire-like fangs, and two hollow eyes—one of which is shaped like a hypnotic spiral, the other a prison-like window. A distorted clock with a broken hand is embedded in its forehead, evoking a warped sense of time and mental chaos.
Surrounding the grotesque face is a dreamlike landscape awash in pink, purple, and red tones. To the left stands a melted zombie figure, flesh sagging and pink, set against a night sky of stars and crescent moons. The album title and band name are scrawled in mismatched styles: "Alien" in jagged green, "Sex" in yellow bone-like lettering, and "Fiend" in rough tan and red block text. The words "Here Cum Germs" are rendered in psychedelic, dripping graffiti-style fonts. A red sun-like orb blazes in the upper right corner with sharp lightning bolts.
This chaotic montage captures the band’s essence—unfiltered madness, punk-goth irreverence, and acid-drenched humor. Every element screams deranged DIY spirit and confrontational creativity.
The back cover of Here Cum Germs by Alien Sex Fiend explodes with punk energy and raw DIY aesthetic. A stark, high-contrast black and white photo of the band dominates the layout, with the four members positioned in a chaotic, crouched pose. Their ghostly, overexposed faces and wild expressions evoke a mixture of menace and mania. Nik Fiend, in heavy eye makeup, stares blankly, while Mrs. Fiend strikes a fierce stance.
The top half of the cover features the album title and track listing in jagged neon green type, arranged diagonally across the sky-like background. The song titles, like “My Brain is in the Cupboard – Above the Kitchen Sink” and “Here Cum Germs [Ravi-Mix #9],” reinforce the band’s off-kilter humor and surrealist themes.
Production credits, band roles, and studio information are printed in small type, also in lime green. The album was recorded at "The House in the Woods and Terminal," and produced by A.S.F., Simon Milton, and Harvey Birrell. At the bottom right, the logos for Anagram and Plague Records are present along with distribution details and a barcode.
This side of the inner sleeve from Here Cum Germs by Alien Sex Fiend is a frenetic visual scrapbook of backstage chaos, live performance, and candid absurdity. The grainy black-and-white collage is densely packed with dozens of photographs capturing the band in unguarded moments—laughing, howling, performing, posing, and messing about in studios and clubs.
The layout is raw and anarchic. Many of the photos are labeled with cut-out, typewritten captions, often humorous or nonsensical, such as "MY BRAIN IS IN THE CUPBOARD" or "SLEEPING WITH MY BOOTS ON." There are multiple appearances by Nik Fiend, shirtless and bug-eyed, as well as drummer shots, synth setups, and behind-the-scenes snapshots showing Alien Sex Fiend’s surreal day-to-day reality.
A pair of worn-out boots sits near the center, suggesting their well-traveled existence. This sleeve embodies the band's offbeat spirit and lo-fi visual identity—chaotic, witty, and defiantly unpolished.
The reverse side of the Here Cum Germs inner sleeve provides the album's complete track listing and an exhaustive list of credits. On the left, white block text is neatly arranged on a solid black background, clearly dividing tracks by Side A and Side B. Details include producers, engineers, recording locations, guest musicians, and acknowledgments—typical of Alien Sex Fiend’s DIY ethos and attention to underground collaborators.
The right side is dominated by a haunting, grainy photo of a figure in profile—presumably Nik Fiend—shrouded in fog, holding a microphone mid-scream or chant. The extreme contrast makes the image bleed into the darkness, giving the impression of a ghostly apparition or a spectral presence at a live ritual.
This inner sleeve encapsulates the raw intensity of the band, juxtaposing precise technical detail with lo-fi, gothic atmospherics. It bridges documentation and art, embodying the spirit of Alien Sex Fiend's grimy theatrical world.
This close-up of the Here Cum Germs Side A record label features a playful, hand-drawn aesthetic that perfectly matches Alien Sex Fiend’s lo-fi punk ethos. The label background is pale silver, almost white, with scattered black stars and doodles surrounding the song titles and credits. Typography is deliberately rough and handwritten, giving the impression of a photocopied zine.
The track listing includes: 1. The Impossible Mission, 2. Here Cum Germs Ravi #9, 3. Isolation, and 4. My Brain Is in the Cupboard – Above the Kitchen Sink. The label notes the album was recorded at "House in the Woods," produced by A.S.F. and Simon Milton in the summer of 1987.
To the right sits the disturbing yet iconic Plague Records logo—an illustration of a decaying face surrounded by stippled ink and the words “Always Something Rotten.” Around the edge, a rim-text in all caps reads: "Manufactured in France. All rights reserved. Unauthorised public performance of this record prohibited." Every inch of the label radiates underground defiance and horror-punk flair.