- "The Idiot Folk Ensemble - We're Only Here for the Money"
"KUD Idijoti - Mi Smo Ovdje Samo Zbog Para," a 12" LP Vinyl Album, encapsulates the punk-rock ethos of the band from Pula, Croatia. Released in Yugoslavia, this album by KUD Idijoti resonates with rebellious energy and unapologetic punk spirit. The title, translating to "We're Only Here for the Money," reflects the band's socio-political commentary. A prized artifact in the punk-rock landscape, this release stands as a testament to KUD Idijoti's impactful presence.
In the tumultuous late 1980s, as Yugoslavia teetered on the brink of collapse, a raw and defiant punk rock album emerged from the coastal town of Pula, Croatia. KUD Idijoti's "Mi Smo Ovdje Samo Zbog Para" (We're Only Here for the Money) was a sonic middle finger to the establishment, a cathartic expression of frustration and disillusionment amidst societal upheaval.
Historical Context
Released in 1990, the album captured the zeitgeist of a nation grappling with political instability, economic hardship, and rising ethnic tensions. KUD Idijoti, which translates to "The Idiot Folk Ensemble," channeled this collective angst into their music, their lyrics dripping with cynicism and social commentary.
Musical Exploration and Genre
"Mi Smo Ovdje Samo Zbog Para" is a relentless assault of fast-paced, guitar-driven punk rock. The band's sound is heavily influenced by British punk pioneers like The Clash and Sex Pistols, but with a distinct Yugoslav flavor. The lyrics, delivered in a raw and aggressive style by vocalist Branko Črnac Tusta, are often politically charged, tackling issues like corruption, war, and social injustice.
Controversies
The album's title track, "Mi Smo Ovdje Samo Zbog Para," became an anthem for a generation disillusioned with the empty promises of capitalism and consumerism. The song's provocative lyrics and the band's rebellious image earned them both acclaim and condemnation. Some critics accused them of promoting nihilism and cynicism, while others praised their unflinching honesty and social critique.
Production Team and Recording Studio
The album was recorded at the Jugoton studio in Zagreb, produced by veteran producer Goran Lisica Fox. The production is raw and unpolished, reflecting the band's DIY ethos and punk rock roots. The album's sound is characterized by its driving guitars, pounding drums, and Tusta's distinctive vocals.
Music Genre: Jugoslavian Punk Rock |
Record Label & Catalognr: HELIDON 6.551 517 |
Media Format: 12" LP Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 230 gram |
Year & Country: 1990 Made in Jugoslavia |
Personnel/Band Members and Musicians on: KUD IDIJOTI - Mi Smo Ovdje Samo Zbog Para |
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Complete Track-listing of the album "KUD IDIJOTI - Mi Smo Ovdje Samo Zbog Para" |
The detailed tracklist of this record "KUD IDIJOTI - Mi Smo Ovdje Samo Zbog Para" is:
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
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Record Label Details: HELIDON 6.551 517, Jugoton Zagreb
Jugoton Record Company Jugoton, once a prominent record company based in the former Yugoslavia, played a significant role in shaping the music industry within the region during its existence. Established in 1947 in Zagreb, Croatia, Jugoton became a key player in the production and distribution of music, contributing to the vibrant cultural scene of the time.
In the context of the period spanning from its inception to its eventual dissolution in the early 1990s, Jugoton operated within the unique socio-political landscape of Yugoslavia. The company navigated through different political and cultural shifts, providing a platform for artists from various Yugoslav republics to showcase their musical talents. This inclusivity was a crucial aspect of Jugoton's contribution, fostering a sense of unity and shared identity through music.
Jugoton's role in the production of music albums and singles cannot be understated. The company collaborated with a diverse array of musicians, spanning genres such as rock, pop, folk, and new wave. Some of the most iconic and influential Yugoslav artists, including Bijelo Dugme, Azra, and Prljavo Kazalište, released their albums under the Jugoton label.
The record company played a pivotal role in introducing Yugoslav music to international audiences, facilitating the export of albums and contributing to the global recognition of artists from the region. This international outreach added a layer of cultural exchange, bringing the sounds of Yugoslavia to a wider audience and contributing to the global music tapestry.
As the 1990s unfolded and Yugoslavia underwent tumultuous changes, Jugoton faced challenges related to the political transformations in the region. The breakup of Yugoslavia had a profound impact on the company, leading to its eventual dissolution in 1991. The demise of Jugoton marked the end of an era, but its legacy lives on through the enduring impact of the music it produced and the artists it supported.
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