In 1978, the Ian Gillan Band released a live double album that would become a testament to their unique musical exploration and a snapshot of their dynamic live performances. Recorded at the legendary Budokan Hall in Tokyo, "Live at the Budokan Vol I & II" offers a glimpse into a band pushing the boundaries of rock, jazz, and fusion.
Historical Context and Musical Exploration
Following his departure from Deep Purple in 1973, Ian Gillan embarked on a solo career that saw him experiment with various musical styles. The Ian Gillan Band, formed in 1975, was a vehicle for Gillan's desire to explore jazz-rock fusion, a genre that was gaining popularity in the mid-70s. The band's albums, such as "Child in Time" and "Clear Air Turbulence," showcased their fusion sensibilities, blending elements of rock, jazz, funk, and classical music.
Live at the Budokan: A Fusion Extravaganza
The Budokan recordings capture the band's fusion sound in its full glory. The setlist features a mix of original material and covers, showcasing Gillan's powerful vocals, the band's intricate musicianship, and their ability to create extended improvisational jams. Songs like "Clear Air Turbulence," "Scarabus," and "Twin Exhausted" highlight the band's fusion prowess, while covers like "Smoke on the Water" and "Money Lender" are given fresh interpretations.
Genre-Bending Fusion
The Ian Gillan Band's fusion sound was a departure from the hard rock sound of Deep Purple. While some fans embraced the band's musical exploration, others were critical of the change in direction. However, "Live at the Budokan" stands as a testament to the band's adventurous spirit and their willingness to challenge musical conventions.
Production and Recording
The album was recorded live at the Budokan Hall on September 22, 1977, using the Tamco Recording Mobile. The live recordings were later mixed at Kingsway Recorders Ltd. in London. The album's production team included the band themselves, who were actively involved in the mixing and mastering process.
