In the midst of the progressive rock boom of the early 1970s, British band Curved Air released their aptly titled "Second Album" in 1971. This innovative and eclectic album not only solidified their place in the genre but also featured a unique gimmick: a gatefold fold-open cover that added a visual dimension to their sonic exploration.
The early 1970s was a time of great experimentation in music, and progressive rock was at the forefront. Bands like Yes, Genesis, and King Crimson were pushing boundaries, creating complex compositions that blended rock with classical, jazz, and folk influences. Curved Air, with their unique blend of rock, classical, and electronic elements, fit right into this vibrant scene.
"Second Album" showcased the band's eclecticism and willingness to push boundaries. The album featured a diverse range of songs, from the hard-rocking "Back Street Luv" (which became a Top 5 hit in the UK) to the ethereal "Everdance." The band's sound was characterized by Sonja Kristina's powerful vocals, Darryl Way's virtuosic violin playing, and Francis Monkman's innovative use of synthesizers.
The album's cover was a gimmick that added a playful element to the listening experience. The gatefold sleeve opened up to reveal a colorful, kaleidoscopic design that reflected the band's psychedelic leanings. This visual element added a further dimension to the music, enhancing the listener's immersion in the album's sonic world.
"Second Album" was met with critical acclaim, praised for its adventurous spirit, eclecticism, and musical virtuosity. The album's success helped to solidify Curved Air's reputation as one of the leading lights of the progressive rock scene.
The album was produced by the band themselves, along with Jerry Boys, an experienced engineer known for his work with artists like The Beatles and Pink Floyd. The recording took place at Island Studios and Morgan Studios in London, both known for their state-of-the-art equipment and creative atmosphere.
