In the early 1980s, as heavy metal was rapidly evolving, the isolated shores of Hawaii saw the emergence of a band that would make its mark on the burgeoning speed metal scene. Hawaii, led by the fiery guitar duo of Marty Friedman and Jeff Graves, released their debut album "One Nation Underground" in 1983 on Shrapnel Records. This album would become a landmark in raw, unbridled speed metal.
Historical Context: Speed Metal Ascendant
"One Nation Underground" debuted during a pivotal time in heavy metal. Bands like Metallica, Slayer, and Anthrax were redefining the genre's limits with their rapid-fire riffs, blistering tempos, and aggressive vocals. Hawaii fit right into this movement, showcasing their own brand of unrelenting power and technical ability. The album reflected the era's raw energy and DIY spirit as new subgenres of metal were constantly emerging.
Musical Exploration: Beyond the Basics
While speed was undeniably their forte, Hawaii weren't limited to just breakneck tempos. "One Nation Underground" demonstrated a band willing to take risks and explore different moods. Tracks like "The Pit and the Pendulum" (inspired by the classic Edgar Allan Poe tale) featured slower, haunting passages in between the speed-driven onslaughts. "Overture Volcania" offered an instrumental showcase of the band's instrumental prowess. These moments of experimentation hinted at the progressive elements the band would further incorporate into their later releases.
Controversies: Challenging Boundaries
Like many of their contemporaries, Hawaii's lyrics occasionally pushed boundaries. Themes of rebellion, anarchy, and the occult ran through the album. While such themes were common in heavy metal, some critics found them distasteful or dangerous. However, this rebellious edge added to the raw, almost primal energy captured on "One Nation Underground".
Production Team and Frontman
The band served as producers on the album, ensuring it reflected their own unfiltered vision. This commitment to DIY production resulted in a sound that was unpolished but authentic to their live approach. Gary St. Pierre's high-pitched, forceful vocals further reinforced the band's uncompromising attitude. However, it was undoubtedly the guitar duo of Friedman and Graves that stole the show, with their virtuosic shredding and electrifying interplay
