"At War with Satan" is the third album by heavy metal band Venom. With this album, they went back to the more raw, unpolished sound of Welcome to Hell after the more refined albeit darker and heavier sound of Black Metal. This is especially emphasized with the raspy vocals. Shortly after its release, the HMV and WH Smith record chains withdrew the album from their shelves due to its "controversial content", an odd reaction considering that At War With Satan is generally not considered more controversial than any of the earlier Venom albums. Arguably, it was a reaction to the increased publicity the group had received.
Album Production Information:
Gatefold (FOC) cover design with artwork / photos on the inside cover pages. |
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Music Genre: |
Punk Crossover Death/Black Metal |
Album Production Information: |
The album: "At War with Satan" was produced by: Venom |
Record Label Information: |
Neat / Bernett Records SB 18008 |
Media Format: |
12" Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 270 gram |
Year & Country: |
1984 Made in France |
Band Members and Musicians on: VENOM At War with Satan |
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Track Listing of: "At War with Satan" |
The Songs/tracks on "At War with Satan" are
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Album cover photos of : VENOM At War with Satan |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
Venom is a British heavy metal band that emerged in the late 1970s and is considered one of the pioneers of the black metal genre. The band consists of original members Conrad "Cronos" Lant on vocals and bass, Jeffrey "Mantas" Dunn on guitar, and Anthony "Abaddon" Bray on drums.
Venom's music is characterized by fast, aggressive guitar riffs, pounding drums, and harsh, guttural vocals. Their lyrics often explore themes of Satanism, occultism, and anti-Christian sentiment, which has earned them a reputation for being controversial and provocative.
The band's debut album, "Welcome to Hell," was released in 1981 and helped define the black metal sound with its raw, intense energy and bleak, anti-establishment lyrics. The album was met with mixed reviews at the time, with some critics praising its unapologetic aggression and others condemning its nihilism and controversial themes.
Despite the backlash, Venom's influence on the metal scene continued to grow, and they released several more albums throughout the 1980s, including "Black Metal" and "At War with Satan." These albums further cemented Venom's place in metal history, with their dark, menacing sound and provocative lyrics pushing the boundaries of what was acceptable in popular music at the time.
In addition to their music, Venom's image also played a significant role in their success. The band members often wore black leather and spiked wristbands, and their album covers featured disturbing and graphic images, such as a goat's head on a spike and a nun being whipped. These visuals helped to create an aura of danger and rebellion around the band, which appealed to their fans and helped to solidify their place in the metal pantheon.
Despite their success, Venom faced numerous setbacks throughout their career. The band members' drug and alcohol abuse led to several lineup changes and periods of inactivity, and they were often criticized for their controversial lyrics and imagery. However, despite these challenges, Venom continued to push the boundaries of metal and inspire new generations of musicians.
Today, Venom's legacy continues to live on in the world of metal. Their influence can be heard in the music of countless bands across various sub-genres, and their uncompromising attitude and dedication to their vision have inspired countless fans and artists alike.
Bernett Records SB 18008 , 1984 , France
"At War with Satan" is the third album by heavy metal band Venom. With this album, they went back to the more raw, unpolished sound of Welcome to Hell after the more refined albeit darker and heavier sound of Black Metal. This is especially emphasized with the raspy vocals.
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