Released in 1985, Shriekback's third studio album, Oil & Gold , arrived in a world on the brink of drastic change. Cold War tensions still simmered, yet a cultural shift towards consumerism and technological optimism was emerging. In this backdrop, Shriekback's darkly eclectic sound offered a counterpoint to the era's prevailing optimism.
Oil & Gold was a departure from the band's previous work. With the addition of Martyn Barker on drums and Lu Edmonds on guitar, the sound became more immediate and less experimental. This new lineup brought a raw energy, giving the album a distinct rock edge while retaining the band's signature blend of electronic and world music influences.
Thematically, Oil & Gold dives into the societal anxieties of the time. Songs like "Malaria" and "Hammerheads" explore themes of disease and aggression, while tracks like "This Big Hush" and "Everything That Rises Must Converge" delve into broader existential concerns. The album's title itself reflects the era's obsession with wealth and power.
The production of Oil & Gold was a collaborative effort. The band worked with producer John Fryer, known for his work with This Mortal Coil and Depeche Mode. The album was recorded at various studios, including Trident Studios in London, known for its association with legendary artists like The Beatles and David Bowie.
Oil & Gold was not without its controversies. The album's dark themes and unflinching look at society's underbelly were not universally embraced. Some critics found the music too bleak and challenging, while others praised its honesty and depth.
Despite mixed initial reactions, Oil & Gold has aged well, finding a dedicated audience over the years. It's a testament to the band's ability to capture the anxieties of a specific time while also creating music that transcends its historical context.
