Fine Young Cannibals' 1985 self-titled debut LP, produced by Robin Millar and featuring the masterful sound engineering of Mike Pela, epitomizes the eclectic spirit of 1980s New Wave. With Anton Corbijn's iconic photography gracing the album cover, the band's fusion of soulful vocals and catchy melodies, led by Roland Gift, creates a timeless sonic tapestry. This influential release captures the essence of an era marked by musical innovation and visual allure. This web-page has hi-res photos of the album covers, record label and a detailed description.


Front Cover Photo Of FINE YOUNG CANNIBALS - S/T Self-Titled

"Fine Young Cannibals" Album Description:

In the vibrant tapestry of the 1980s music scene, the self-titled 12" LP vinyl album by Fine Young Cannibals emerged as a groundbreaking debut for this British New Wave Rock band. Released in 1985 in Germany, the album not only showcased the band's eclectic sound but also marked the beginning of their influential journey in the music industry.

Time Period:

The mid-1980s was a dynamic era in music, characterized by the rise of diverse genres and the advent of MTV, which significantly impacted the visual aspect of music. Fine Young Cannibals' debut arrived amidst a landscape marked by New Wave, synth-pop, and the growing influence of alternative and independent music. The band's fusion of soulful vocals, catchy melodies, and a distinctive visual identity contributed to their prominence in this era.

Production and Collaborators:

The album's production was in the capable hands of Robin Millar, a seasoned producer known for his work with various artists across genres. Millar's expertise played a crucial role in shaping the sonic landscape of Fine Young Cannibals' debut. Mike Pela, serving as the sound/recording engineer, brought technical finesse to the project, ensuring that the album's nuances were captured with precision.

The collaboration with renowned photographer Anton Corbijn for the album cover photography added a visual dimension to the release. Corbijn, known for his work with iconic musicians, provided a visual identity that complemented the band's musical style. Additionally, Paul Slattery's contribution to the album cover further enriched the visual narrative.

Musical Exploration:

Fine Young Cannibals' self-titled debut album is a testament to the band's ability to seamlessly blend various musical elements. Led by the soulful and distinctive vocals of Roland Gift, the band's lineup, including Andy Cox and David Steele, showcased their prowess in creating a sound that transcended traditional genre boundaries. The inclusion of guest singer Jimmy Sommerville added an extra layer of diversity to the album.

Tracks like "Johnny Come Home" and "Suspicious Minds" exemplify the band's adeptness at incorporating soulful influences into their New Wave sound. The juxtaposition of Gift's emotive vocals with the band's skillful instrumentation created a sonic palette that resonated with audiences across different musical preferences.

Music Genre:

New Wave, TechnoPop 

Album Production Information:

The album: "FINE YOUNG CANNIBALS - S/T Self-Titled" was produced by: Robin Millar, Fine Young Cannibals

Sound/Recording Engineer(s): Mike Pela

Album cover photography: Anton Corbijn, Paul Slattery

Anton Corbijn , in the world of photography, there are certain individuals who transcend the boundaries of their craft, creating a lasting impact through their unique vision and artistic prowess. One such luminary is Anton Corbijn, a Dutch photographer and filmmaker renowned for his exceptional ability to capture the essence of his subjects. With a portfolio that spans several decades and encompasses a diverse range of genres, Corbijn has firmly established himself as one of the world's most influential photographers.


Born on 20 May 1955, in Strijen, the Netherlands, Corbijn initially pursued a career in music journalism before realizing his true passion lay behind the camera. He gained recognition in the late 1970s and early 1980s for his distinctive black-and-white portraits of iconic musicians, particularly those within the burgeoning punk and new wave movements. Corbijn's ability to connect with his subjects on a personal level allowed him to capture their essence in a way that resonated with both the artists themselves and their fans.

One of Corbijn's most significant early collaborations was with the influential British band Joy Division. His iconic photograph of lead singer Ian Curtis, taken shortly before Curtis's tragic death in 1980, has become an enduring symbol of the band's legacy. Corbijn's ability to convey vulnerability and emotion through his images added a new dimension to music photography, elevating it from mere documentation to a form of art in its own right.

Corbijn's work extends far beyond the realm of music, with his evocative portraits of actors, directors, and other cultural figures capturing their innermost thoughts and emotions. His unique visual style, characterized by a careful use of light and shadow, often in monochromatic tones, adds a depth and intensity to his photographs, creating a sense of intimacy between the viewer and the subject.

Throughout his career, Corbijn has collaborated with some of the most influential figures in popular culture. His long-standing association with Irish rock band U2 has resulted in a series of iconic album covers and music videos that have helped shape the band's visual identity. Corbijn's ability to capture the raw energy and charisma of performers such as David Bowie, Tom Waits, and Patti Smith has made him a sought-after photographer in the world of music.

In addition to his photography, Corbijn has also made a name for himself as a filmmaker. He directed a number of critically acclaimed music videos, including Nirvana's "Heart-Shaped Box" and Depeche Mode's "Enjoy the Silence". In 2007, he made his feature film debut with "Control", a biographical film about Ian Curtis and Joy Division that received widespread acclaim for its artistry and emotional depth.

Corbijn's contributions to the world of photography have not gone unnoticed. He has received numerous awards and accolades throughout his career, including the prestigious Prince Bernhard Culture Fund Award for his outstanding achievements in the field of photography. His photographs have been exhibited in galleries and museums around the world, solidifying his status as a true master of the medium.

Beyond his artistic endeavors, Corbijn is known for his humility and down-to-earth nature. Despite his success, he remains dedicated to his craft, constantly seeking new ways to challenge himself and push the boundaries of his creativity. Whether photographing world-famous musicians or ordinary individuals, Corbijn has an uncanny ability to capture the humanity that resides within each subject, revealing their inner complexities and vulnerabilities.

Visit: Anton Corbijn his lens captures raw essence like no other, making him a true master of photography. Explore his timeless vision that has shaped decades of art

Record Label Information:

Metronome 828 004
Packaging: This album "FINE YOUNG CANNIBALS - S/T Self-Titled" includes the original custom inner sleeve with album details, and artwork/photos and is the debut album by FYC

Media Format:

12" LP Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

1985 Made in Germany
Personnel/Band Members and Musicians on: FINE YOUNG CANNIBALS - S/T Self-Titled
    Band-members, Musicians and Performers
  • Roland Gift - vocals
  • Andy Cox - guitar, organ
  • David Steele - bass, piano
  • Martin Parry - Drums
  • Graeme Hamilton - Trumpet, Piano on "Time Isn't Kind"
  • Gavin Wright - Violin
  • Saxa - Saxophone on "Funny How Love Is"
  • Beverly, Gloria and Maxine Brown - Backing Vocals on "Like a Stranger"
  • Jimmy Sommerville - Backing Vocals on "Suspicious Minds"
  • Jenny Jones - Drums and Backing Vocals on "Couldn't Care More"
Complete Track-listing of the album "FINE YOUNG CANNIBALS - S/T Self-Titled"

The detailed tracklist of this record "FINE YOUNG CANNIBALS - S/T Self-Titled" is:

    Track-listing :
  1. "Johnny Come Home"
  2. "Couldn't Care More"
  3. "Don't Ask Me to Choose"
  4. "Funny How Love Is"
  5. "Suspicious Minds"
  6. "Blue"
  7. "Move to Work"
  8. "On a Promise"
  9. "Time Isn't Kind"
  10. "Like a Stranger"

FINE YOUNG CANNIBALS - S/T Self-Titled High Resolution & Quality Photos

Front Cover Photo Of FINE YOUNG CANNIBALS - S/T Self-Titled
Front Cover Photo Of FINE YOUNG CANNIBALS - S/T Self-Titled


Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )

Photo Of The Back Cover FINE YOUNG CANNIBALS - S/T Self-Titled
Photo of album back cover FINE YOUNG CANNIBALS - S/T Self-Titled


Photo One Of The Original Custom Inner Sleeve FINE YOUNG CANNIBALS - S/T Self-Titled
Photo One Of The Original Custom Inner Sleeve FINE YOUNG CANNIBALS - S/T Self-Titled


Photo Two of the original custom inner sleeve FINE YOUNG CANNIBALS - S/T Self-Titled
Photo Two of the original custom inner sleeve  FINE YOUNG CANNIBALS - S/T Self-Titled


Close up of record's label FINE YOUNG CANNIBALS - S/T Self-Titled Side One:
Close up of record's label FINE YOUNG CANNIBALS - S/T Self-Titled Side One