Johnny Winter's 2003 Blues Odyssey: A Year of New Collaborations and Timeless Performances

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Johnny Winter with K-Floor at 8 tonight at the Dennis Flyer Theatre, Camden Community College, College Drive and Little Gloucester Road, Blackwood. Tickets: $20 and $25. Phone: 856-338-9000.

It's just a matter of time before bluesman Johnny Winter passes over into the realm of myth. A rail-thin, extensively tattooed albino with an oversize cowboy hat, ghastly white hair, furiously expressive voice, and a knack for neatly placed guitar tirades, the former Muddy Waters sideman is, despite his diminutive stature, justifiably larger than life.

Synopsis: On 21 March 2003, the legal dispute between musicians Johnny and Edgar Winter and DC Comics, alongside its creative team behind *Jonah Hex: Riders of the Worm and Such*, gained further attention as multiple parties filed *Amici Curiae* briefs ahead of the California Supreme Court hearing scheduled for April. The conflict began in 1996, when the Winter brothers sued over their depiction as grotesque, worm-like characters in the comic, claiming defamation and privacy invasion. The defendants, including DC Comics, Time Warner, and the Comic Book Legal Defense Fund, argued that the portrayal was protected under the First Amendment as parody and satire.

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Synopsis: On 25 April 2003, legendary Texas blues guitarist Johnny Winter delivered a captivating performance at Toad's Place in New Haven, CT, just moments after being honoured as the 'Most Requested Artist 2002' by WCCC-Hartford. Despite his physical limitations, Winter's energy and virtuosity lit up the stage, backed by a tight three-piece band including James Montgomery . With classic tunes like "Hideaway," "Got My Mojo Working," and a stunning encore of Bob Dylan's "Highway 61 Revisited," Winter mesmerised the audience with his technically flawless, emotionally rich guitar work. Fans were treated to previews from his upcoming studio album, proving that even after six decades, Winter's blues magic remains undiminished.

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During the March 2003 Johnny also visited the BADD (Bikers Against Drunk Drivers) event to sign the 2003 Boss Hoss Monster Bike. Texas Blues Legend Johnny Winter continued his support for BADD today by signing the 2003 BOSS HOSS we are giving away at the end of our year long Awareness Tour. Tickets are available at all major motorcycle events all year and the winning ticket will be drawn March 6th 2004 in Daytona beach during Bikeweek. See our front page for details. It was a cold and wet night in New Haven but that did not stop Johnny from stepping out and signing the Monster.

BLUES // LIVING LEGENDS

STRINGS ON FIRE

Two guitarists with extensive careers, Texan Johnny Winter and Argentinian Pappo, will open tomorrow the second edition of the Blues, Funk, and Soul Festival in Salt, near Girona.

Johnny Winter, a blues hero, performs in Salt.

By Jordi Bianciotto

DETAILS

Location: La Mirona (Salt, Gironès)

Date: Saturday, 3rd. 22:30

Price: 25 euros

A pilgrimage is in sight for fans of blues-rock legends: Johnny Winter, a seismic guitarist and a cornerstone of this hybrid genre from the '70s, will give a single performance at the Blues, Funk, and Soul Festival in Salt (Gironès). In its second edition, the festival, running from tomorrow until 9th May, will feature other notable names such as the Frenchman Nico Wayne, Los Deltonos, and Big Mama. Winter stands out on the lineup, and the attention is well-deserved: the albino guitarist, known for his incendiary and personal playing style without ever falling into mere virtuosity, has rarely performed in Catalonia (his memorable gig at Palau d'Esports de Montjuïc on 18th May 1990, crowned with a rousing and Stones-like "Jumping Jack Flash," is still remembered). His classic albums, such as Second Winter (1969) and Johnny Winter And (1970; featuring another monster, Rick Derringer), remain cult pieces still circulating through word of mouth.

THE STAGE, LIKE HOME

The career of the 59-year-old Texan guitarist has leaned increasingly towards blues, leaving behind the more explosive sound that, in the '70s, brought him closer to hard rock. It must be said that the interest in his recent albums has waned, but the power of his live performances makes him a must-see for those who still believe that watching Eric Clapton at Palau Sant Jordi is the biggest favor one can do for blues music. In Salt, Winter will perform with the support of a band that has received much praise, featuring James Montgomery (vocals and harmonica), Wayne June (drums), and Scott Spray (bass) . Together, they will revisit The Best of Johnny Winter , released last year. And don’t miss the night’s opening act, Pappo's Blues, led by guitarist Norberto Napolitano, also known as Pappo. Another historic figure, in this case, of Argentine rock, which is to say, Spanish-language rock: Pappo worked in the late '60s with two pioneering groups, Los Abuelos de la Nada and Los Gatos (alongside Litto Nebbia), before launching projects like Riff and Pappo's Blues. A guitar hero with pedigree.

Published on page 7 of the Friday, 2nd May 2003 edition of "Viernes".

Synopsis: A 26-year-old from Girona, Spain, is persuaded by his mother, a long-time Johnny Winter fan, to attend the blues legend's concert in Salt as part of a Black Music festival. Initially unfamiliar with Winter's work, the son shares his surprise at witnessing the musician's frail appearance but is ultimately captivated by his exceptional guitar playing. Despite Johnny's age and physical condition, the music transcends expectations, creating a memorable experience for both mother and son. The review reflects the emotional impact of seeing a music legend live and explores the lingering question of Winter's health.

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Synopsis: A comprehensive look at Johnny Winter's much-anticipated performance at the 2003 Black Music Festival in Salt, Girona, Spain. The content includes both a preview and review of the legendary blues guitarist's appearance, which marked his return to the Catalonian stage.

The preview highlights Winter's storied career, setting the stage for what fans could expect at the festival, while the review delves into the live experience. It details Winter’s physical frailty, his reliance on a cane, and his decision to perform seated, yet praises his still-brilliant guitar work and the energy of his supporting band. The review further touches on the setlist, featuring classic blues-rock pieces and the powerful encore of Highway 61 Revisited . The page captures the bittersweet realization that while Winter’s body may show the effects of age, his musicianship and spirit remain timeless.

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Synopsis: On 2 June 2003, the California Supreme Court ruled that DC Comics did not violate Johnny and Edgar Winter's rights in Jonah Hex: Riders of the Worm. Despite similarities, the court found the comic's depictions to be protected as parody under the First Amendment, rejecting the brothers' lawsuit.

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Synopsis: The concert review highlights Johnny Winter's captivating performance, where he appeared frail but still managed to impress the audience with his exceptional guitar skills. Accompanied by a drummer, bassist, and harmonica player, Winter delivered a mix of blues and rock, although his voice was occasionally overshadowed by the instruments. The reviewer also noted a surprise appearance by harmonica legend James Cotton, who briefly took over from the regular harmonica player. Despite some perceived imperfections, Winter played for over an hour and a half, leaving a lasting impression on the audience.

Full Review: During the break, the audience started to move closer to the front of the stage, and when Johnny Winter was announced as the night fell, the poor people trying to get the crowd seated at the foot of the stage had no choice but to stand up themselves.

And then, I was completely blown away when the famous Johnny Winter appeared. He was an old man with a cane, accompanied to the chair at the front. Long blonde hair, very pale skin, eyes almost closed the whole time (I believe he is albino), and with a strange, unusual guitar.

At first, I even thought it was a woman. Anyway, he sat down, surrounded by a drummer, a harmonica player, and a bassist. The drummer had a look reminiscent of the Blues Brothers, but instead of a hat, he had a mid-length hairstyle at the back, with an incredible pompadour, puffed up like cotton candy. Throughout the concert, he tried to compete with Jim Carrey for the best grimaces.

The harmonica player wasn’t bad at all, although maybe a bit too much at times. Nothing to say about the bass. As for Johnny Winter, although at first I thought I detected a few imperfections (but not being a guitarist, maybe they were intentional), it quickly became perfect. It was quite impressive to see this guy who barely moved, with only his fingers dancing on the guitar.

Blues, some rock as well, in front of an admiring audience (and at the foot of the stage, a crowd full of beards, long hair, Indian necklaces, Willie Nelson T-shirts, Harley Davidson gear, and even someone in a Nine Inch Nails shirt?!). Besides a few songs sung by the harmonica player, whose voice, in my opinion, wasn’t strong enough (or maybe it was the microphone?), and one by the drummer, the rest were sung by Johnny. His voice was sometimes a little drowned out by the instruments, making it hard to understand what he was saying.

Towards what I thought was the end, he played what must be his anthem, "Johnny Guitar." During one song, James Cotton came up to take over from the harmonica player (which apparently wasn’t planned), but it was a nice touch.

He looked quite old like that, but he still played for over an hour and a half, with an encore where he changed guitars. I left with my back aching, but it was worth it. — Mike

Synopsis: Johnny Winter consistently captivated audiences with his powerful guitar skills and deep connection to the blues. At his concert in Leipzig's Anker, accompanied by a top-tier band including harmonica virtuoso James Montgomery , Winter delivered a set of blues classics like "Hideaway," "Highway 61," and "Mojo Boogie." His distinctive style and soulful playing kept the crowd engaged, showcasing his lasting talent and connection to the genre. Fans left knowing they had witnessed an iconic blues artist at his best.

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Synopsis: In July 2003, the German leg of blues guitarist Johnny Winter's European tour was abruptly canceled amid conflicting accounts from his U.S. management and the German promoter, Fabulous German Entertainment GmbH. According to an official press release from Winter's longtime manager, Teddy Slatus of Slatus Management, the cancellation resulted from "repeated flagrant violations of both the letter and spirit of our contract" by German promoter Dirk Stolzenberg. Slatus alleged that despite efforts to resolve these issues to avoid disappointing fans, they were compelled to declare the promoter in breach of contract when it became apparent that the promoter was endangering the "health and welfare of the band."

In stark contrast, Fabulous German Entertainment GmbH vehemently denied these allegations in their own press release. The promoter asserted that they had meticulously fulfilled all contractual obligations, including payments, transportation, catering, and accommodations. They highlighted that the artist received all agreed-upon advance payments and that a highly equipped nightliner bus was provided by Coach Service GmbH, a reputable company in Europe. The promoter also mentioned that they arranged for a new bus with additional features at the artist's request, accepting additional costs of around €3,000 despite no contractual obligation to do so.

The German promoter expressed bewilderment over the sudden cancellation, noting that Johnny Winter and his entourage secretly left Leipzig in the middle of the night after a sold-out concert, forcing the cancellation of subsequent shows, including another sold-out event in Ulm. They emphasized that no complaints or special requests were communicated to them, their tour manager, or the bus driver, and that the Leipzig event was praised by other artists and staff involved.

Fabulous German Entertainment GmbH has filed a criminal complaint with the Economic Crime Division in Lübeck and plans to pursue legal action in the United States. They accused U.S. manager Teddy Slatus of unprofessional behavior, citing a tirade of abusive language for which they have secured an audio recording. Attorney Jens Michow from Hamburg supported the promoter's stance, stating that "there is no justifiable reason for the U.S. management to cancel the tour."

The conflicting narratives present a sharp contrast: Johnny Winter's management alleges contractual breaches and concerns for the band's welfare, while the German promoter denies any wrongdoing and accuses the U.S. management of acting without justification. The dispute has left fans disappointed, with tickets being refunded at the points of purchase. Both parties appear poised for legal proceedings, which may eventually clarify the circumstances surrounding the tour's abrupt end.

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Synopsis: Johnny Winter delivered a memorable performance on Střelecký Island in Prague as part of a two-day blues festival. Despite his age and physical challenges, Johnny's guitar playing was electrifying, demonstrating his youthful spirit and passion. Supported by a talented band, Winter played classics like Hide Away, Messin' with the Kid, and Got My Mojo Working, along with new material from an upcoming album. His energetic 1.5-hour set culminated in a 20-minute encore, leaving the audience in awe. The night showcased Johnny in top form, much improved from earlier shows on the tour, earning him a well-deserved standing ovation.

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Recording of the new album is in progress Johnny and the band (Scott Spray on bass, Wayne June on drums, James Montgomery on harp and guest guitarist Paul Nelson appearing on the track "Shakedown") just finished a session in the studio this past week with producer Dick Sherman. The band laid down tracks for 5 songs for the new album that will be released on Virgin Records this year. Everyone involved were very pleased with the outcome and Johnny was in tip top shape.

The first thing I must say is that this is a perfect venue for a performer like Johnny Winter. It is indoors, and every seat offers an excellent view, along with two video screens. I was amazed at how many people just stumbled across the information that he was performing there. The crowd was full of true Johnny Winter fans.

There was an opening act called Wolf, which was not bad. They played from 8:30 to 9:30.

Johnny came out promptly at 10:00. He was seated in a chair at the center of the stage after walking out with his cane, with minimal help from a band member. He opened the show with "Hideaway" and introduced the band. Most of the crowd eventually stood right in front of the stage to enjoy seeing Johnny Winter up close. He remained seated for the whole show, though he did get up and walk off and back for his encore songs. A few people expressed some shock at how he looked—those who have not kept up with his condition as we have.

He played the Lazer guitar for his whole regular set and his usual guitar (the name escapes me now) for the encores. Everyone seemed to really enjoy his performance, and the applause made Johnny smile a few times. His right leg bounced up and down constantly during the set, and people wondered how he could play with the guitar resting on it. But he played, and he played well!

I was pleased to see a living legend perform in front of me again! I thoroughly enjoyed the evening and will definitely go again if possible. A new song from the soon-to-be-released album was played, though it was sung by the harmonica player. I must say that I found the harmonica player and the drummer to be sound musicians; however, I just didn’t feel they fit in with Johnny Winter. The bass player was excellent—I think I’ve seen him with Johnny Winter before.

I sure hope Johnny Winter’s health improves so we can all see him play again and again. I’m beginning to ramble now, so I’d better end this review. Maybe someone else who was there will post something too.

I’ll finish by saying that I loved this performance by my idol!

—Charlie

Johnny Winter delivered an extraordinary show at the legendary B.B. King's Blues Club in Times Square, New York. Johnny still shows a twinkle in his eye and displays the brilliance of the blues. It’s clear he loves what he is doing and has no intention of stopping anytime soon.

The performance at Times Square was released on youtube

Johnny Winter Live B.B. King's Blues Club

Johnny Winter, with a twinkle in his eye, showcases the brilliance of the blues he has loved for so long. With Johnny on guitar and vocals, backed by an extraordinary band—Scott Spray on bass, James Montgomery on harp, and Wayne June on drums—Johnny Winter and company deliver a powerful performance at Times Square.

The videp Live in Times Square captures Johnny Winter live at the legendary B.B. King's Blues Club in New York. His remarkable guitar playing electrifies the room, and the crowd erupts with excitement. The energy and passion for the music make it clear why Johnny Winter remains a living legend.

This performance from 28 August 2003 highlights Johnny Winter at his finest, playing an extraordinary show at B.B. King's Blues Club. His love for the blues is evident, and he shows no signs of slowing down. Backed by a smoking band, Johnny still delivers the goods. When he breaks out the bottleneck slide, the room is electrified, and the crowd’s reaction confirms why Johnny Winter continues to be celebrated as a blues icon.

REVIEW Don't know where to start. What a night of nights of great blues music. Johnny Winter at the Webster. Johnny and company James Montgomery, Paul Nelson, and Wayne June delivered a superb performance that thrilled the Webster crowd big time! A smokin' show that included an incredible "Black Jack Game." And the "Firebird" encore of Mojo Boogie and Highway 61 was extra spectacular.