Johnny Winter in 1997: A Blues Legend’s Resurgence Amidst Health Struggles

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Johnny Winter Kicks Off 1997 with Six January Concerts, Featuring Rick Derringer as Opening Act Blues guitar legend Johnny Winter is starting 1997 with a bang, performing six concerts throughout January. Known for his unparalleled guitar mastery, Winter continues to captivate audiences with his powerful live performances. Joining him as the opening act is Rick Derringer, who will treat fans to his own iconic hits like "Hang on Sloopy" and "Rock and Roll Hoochie Koo." Together, the pair promises a dynamic blend of blues and rock, making these shows a must-see event for music lovers.

in 1997 the Internet became more accessible and popular and many dedicated Johnny Winter Fans started to contribute concert reviews to my website

Steven M. Baker reflects on Johnny Winter's incredible performance at Detroit's Majestic Theatre. Despite his frail appearance, Winter's guitar playing was astonishingly sharp, delivering a seamless blend of blues and rock. Rick Derringer opened the night with a crowd-pleasing set featuring hits like "Hang on Sloopy." Backed by Tom Compton and Mark Epstein, Winter played a mix of fan favourites, including tracks from *Hey, Where's Your Brother?* The packed venue buzzed with excitement as Winter's effortless guitar riffs left the audience in awe.

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...Thin as a Gibson guitar string and white as the driven snow, Johnny Winter always presents a pretty strange aura.

But even weirder was 600 or so pony-tailed, chain smoking, slightly balding 40-somethings Monday night at The Rave happily singing the chorus to "Hang On Sloopy"...(later)...There was little doubt on this bill, however, that Winter was the main attraction. Whether rifling through notes quicker than a machine gun (I didn't see that) or slurring chords on a slide guitar, he reminded the crowd that a 52-year-old albino can still lay claim to being among the top electric guitarists...

Synopsis: Gary Casper reflects on his experience attending two Johnny Winter concerts in January 1997, one at The Rave in Milwaukee and the other at the House of Blues in Chicago. Despite great attendance and an energetic opening act by Rick Derringer, Gary laments Johnny Winter’s visibly declining health, which compromised his performance. As a long-time fan, Gary praises Johnny's legacy as one of the greatest living blues guitarists but acknowledges the painful reality of seeing a musical icon struggle on stage. He expresses concern for younger concertgoers who, witnessing Johnny for the first time, left unimpressed. Gary concludes with hope for Johnny's health to improve and gratitude for the lasting influence of his recordings, which continue to define blues guitar.

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The Bottom Line in Greenwich Village in New York City. The Bottom Line is a small venue - 200 people. It had small row tables with chairs in the front , and other individual tables and chairs in the back.

They served food and alcohol, and the crowd wasn't rowdy, but they were enthusiastic. The crowd was mostly in their 30's and 40's. They yelled for him to play "Highway 61" and "Wide Open Hand," but he ignored them.

There was a press release notice on the program.

It headlined: "Blues legend Johnny Winter and manager Teddy Slatus launching CPW Records with his first recording in three years."

The notice states:

"New York, 20 October 1996. After a three-year recording hiatus, legendary guitarist Johnny Winter and his manager Teddy Slatus have formed CPW Records (Central Park West). CPW's inaugural project will be a live record by Johnny Winter, featuring some of Winter's most celebrated recordings such as 'Highway 61' and 'Johnny B. Goode.' Winter has personally handpicked each cut according to the wishes of his most devoted fans.

Winter will begin recording at S.I.R. Studios in New York City after the first of the year. The album will showcase his blues-based musicianship, along with a few surprises from guest artists he has played with over the years."

The opening band was The Michael Hill Blues Mob, a local band (from NYC).

Johnny played 2 guitars; they were the Erlewine Lazer and the Gibson Firebird for slide. Tom Compton - drums. Mark Epstein - Bass.

It was Sunday night, April 6th, 10:30 PM. It had been three long years since the real "Thin White Duke" had played in Louisville. With a cold beer in one hand and a video camera in the other, I was ready. The house lights went down, and the volume went up. First came Johnny's standard opening, "Hideaway." I was hoping he would start with something new, but I was just glad to see him.

Next up was "Got My Mojo Working," followed by "Just A Little Bit," "Sick & Tired," "Blackjack Blues," and "The Sky Is Crying" (he pulled out the Firebird for the last two). He also played "Johnny Guitar" and ended with a closing instrumental that had some of "Fast Life Rider" licks thrown in. On a scale of 1 to 10, I’d give it a 6. Why, you ask? Well, Johnny spoiled me back in '94 when he played an outstanding two-hour show. From start to finish, he was on fire.

So was his bass player at the time, Jeff Gantz, who did a 20-plus minute version of "Turn On Your Lovelight" with him and Johnny sharing some vocals (it's true—I have it on tape). It reminded me of the Together album with Edgar. Plus, the club he played this time is not a great venue for a show. To be honest, it looked like Johnny was just going through the motions and keeping a close eye on his watch.

Johnny is set to record live at the Bottom Line in NYC on April 13-14, at least for the start of his next CD. He’ll be doing a few dates around the Northeast and Midwest in early April. -

Source: A Johnny Winter Fan (Name unknown)

I recently returned from seeing Johnny Winter in Cincinnati, OH, and Louisville, KY. I was glad to have the chance to see him again.

The show in Cincinnati wasn't very good. Johnny Winter mostly played rhythm guitar. At one point, it became so monotonous that I was slightly angered by it. Johnny rarely opened his eyes, sang very little, and when he did, you couldn't hear him. He hardly used his pinkie when he played. This was not the Johnny Winter of old. I clapped and cheered out of respect for him, but not because I truly enjoyed the performance. Jeff Ganz wasn’t there, and his new bass player wasn’t very good. Tommy Compton didn’t do much either, and it seemed like neither of them wanted to outshine Johnny's performance. "Johnny Guitar" was the only song I recognized.

Michael Hill's Blues Mob, which opened for Johnny, was quite good. They are an all-Black blues band, and it was refreshing to see some Black men playing solid blues music. After the show, Michael Hill was around signing autographs. He is a good guitarist and a nice, considerate man. His band is worth seeing if you get the chance. I suggested to him that "Red House" by Hendrix would be a great addition to his live set.

After the first show, I wondered a lot about Johnny Winter. Is he weak? Is he sick? Does he feel he's not being compensated well enough? Is his skill deteriorating? Despite these questions, I decided to give him another chance and went to see him in Louisville. After all, he's Johnny Winter—he always deserves another chance.

The Louisville show was much better. Johnny played quite well at times. He performed "You're Humbuggin' Me," and I noticed parts of "Sweet Papa John." He also played another song that I recognized but couldn't quite identify. The bass player performed better too, although Tommy Compton still didn’t do much. Johnny smiled a couple of times during the show, in contrast to his expressionless performance in Cincinnati. In Louisville, he even jumped up and down once and spun around, which got a cheer from the crowd. It was somewhat comical, but it was nice to see him trying to have a little fun.

Michael Hill's Blues Mob was even better in Louisville. Tony Stewart, the drummer, didn’t do much in Cincinnati, but he played excellently in Louisville. They performed "Red House," which was really cool since it was a song I had suggested. They also played one of their own songs called "Bloodlines," which was very good. Their performance, Michael Hill's consideration, and the fact that they played "Red House" made me a fan. I plan to buy their *Bloodlines* CD soon. Overall, the Louisville show was pretty good, and I’m glad I didn’t miss it.

After the show, I managed to get a man outside Johnny Winter's bus to take the cover of my Muddy Waters *Hard Again* CD inside for Johnny to sign. I was pleased about that too.

I apologize for taking so long to get this letter out, but I’ve had a bit of trouble at home.

Source: A Johnny Winter Fan (Name unknown)

Synopsis: These two reviews highlight legendary blues-rock guitarist Johnny Winter’s performances at the Showplace Theater in Buffalo, where despite declining health, he continued to captivate audiences. Though frail and needing assistance, Winter performed classic blues tracks like Got My Mojo Workin' and The Sky Is Cryin' . While his once-stellar slide guitar skills had faded, his undeniable presence still drew loyal fans.

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Synopsis: In April 1997, three dedicated fans from Manchester, England, made the transatlantic journey to New York City to see legendary blues guitarist Johnny Winter perform at The Bottom Line. Fueled by their passion for Winter's music and relying on information from The Johnny Winter Story website, they booked tickets for two consecutive nights, eager to witness their idol live.

However, upon arrival on 13 April, they were devastated to learn that the show had been cancelled due to Johnny experiencing issues with his wrist or arm. Determined to see him play, they opted to attend the rescheduled performance on 16 April, despite the inconvenience. With their return flight set for the 17th, their persistence paid off, allowing them to catch the iconic bluesman in action just before heading back to the UK.

Their story highlights the dedication of Johnny Winter's fanbase, showcasing the lengths they were willing to go to support their musical hero.

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Synopsis: This article reflects on a pivotal performance by Johnny Winter at the Motor City Rock Festival in 1968. Initially skeptical due to Winter's portrayal in Rolling Stone , the author, Dave Marsh, describes his transformation from doubt to admiration after witnessing Winter's electrifying blues and rock fusion live. Marsh highlights Winter's seamless blending of classic blues and rock ‘n’ roll, his mastery of the slide guitar, and his ability to channel both joy and pain through his music. The article also emphasizes Winter's deep connection to the blues tradition, while acknowledging his rock 'n' roll spirit, comparing his journey to that of legends like Chuck Berry. Marsh ultimately presents Johnny Winter as a true bluesman whose authenticity can only be fully appreciated through direct experience.

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Synopsis: This concert review recounts a fan's experience attending a Johnny Winter performance at the "Seventh House" in Pontiac, Michigan. Despite hearing concerns about Winter's declining health, the fan describes the legendary blues guitarist as still possessing incredible skill, though noticeably slowed by age and apparent blindness. Winter, with the help of an aide, performed a tight set featuring classics like "Hideaway" and "Got My Mojo Working," showcasing his clean playing, though his vocal power has diminished. The intimate venue was packed, and the audience responded enthusiastically to the long, soulful renditions of Winter’s songs. After the show, the fan had the chance to get a signed CD from Winter, adding a personal touch to an already memorable night. Though age and health have impacted Winter, his unique style and passion for performing remain intact.

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Synopsis: The review captures the excitement and nostalgia of Johnny Winter's June 26, 1997, performance at Big Dogs in Cedar Rapids, Iowa. The writer reflects on the concert, noting that while Johnny Winter's health has visibly declined, his musical ability remains as sharp as ever. The setlist closely followed a recent show in Pontiac, Michigan, and included the instrumental "Hideaway" as well as standout tracks like "Sick and Tired" and "Boogie Real Low." Winter's guitar work is praised as unparalleled, with his mastery still outshining many of the world's top guitarists. Supported by drummer Tom Compton and bassist Mark Epstein, Winter delivered a performance full of energy and technical brilliance, leaving the crowd captivated. Despite minor critiques, such as disappointment in the T-shirt design, the overall experience was described as electric and unforgettable. The diversity of the audience and the crowd's enthusiastic response underscored the timelessness of Winter's music, making the show a special moment for all in attendance.

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Synopsis: In the heart of Greenwich Village on a warm August evening, legendary blues-rock guitarist Johnny Winter took the stage at the iconic Bottom Line, delivering a powerful performance that reminded New York City why he became a musical force decades earlier. With a setlist packed with crowd-pleasers like "Hideaway" and "Got My Mojo Working," and armed with his signature Firebird guitar, Johnny may have aged, but his soulful presence and unmistakable style captivated the crowd once more. Witness the enduring magic of a guitar legend as he plays for the town that helped launch his career.

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Synopsis: In this live concert review from the House of Blues in Myrtle Beach, SC, Hugh Odom recounts his long-awaited reunion with Johnny Winter after 22 years. Despite concerns over Johnny's health and performance quality, the legendary blues guitarist delivers a memorable set, full of tight musical interplay and passionate crowd interaction. From unexpected spins on stage to a surprise encore, Johnny shows he still has what it takes, even with physical limitations. Odom provides an in-depth look at the night's highlights, complete with a breakdown of the gear and a heartfelt reflection on Johnny's enduring connection with his fans.

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Synopsis: The concert reviews of Johnny Winter's performance at the Variety Playhouse, Atlanta, on 20 September 1997, paint a picture of admiration mixed with concern. Fans, some of whom had been following Johnny for decades, expressed a deep respect for the legendary blues guitarist despite noticeable signs of physical deterioration. Many were struck by Johnny's slow and frail movements, as well as the transformation of his once forceful, growling voice into a softer tone. Yet, his skillful guitar work and enduring passion shone through, reaffirming his status as a blues icon. His setlist included classics like "Boogie Real Low" and "Johnny Guitar," and his band—Mark Epstein on bass and Tom Compton on drums—provided solid support without overshadowing Johnny. Audience members appreciated his occasional smiles and continued mastery of the guitar, despite his health challenges. Ultimately, fans were grateful for the chance to witness a living legend, even if his performance reflected the toll of a life lived to the fullest.

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Synopsis: Max Dog reflects on his experience attending three Johnny Winter concerts over the years, highlighting the highs and lows of each performance. The first, held in Gainesville, FL, during the mid-1980s, stands out as an unforgettable show filled with energy, tension, and incredible guitar playing, earning Winter the nickname "Bionic Johnny." Subsequent concerts, including one in Tallahassee and another in 1997, reveal a marked decline in Winter's health and performance abilities, though the author remains hopeful for his recovery. Alongside colorful anecdotes and rumors about Winter’s backstage habits, the account also touches on technical issues, such as the aging sound equipment at the venue. Despite the challenges, the Max's admiration for Winter's talent and resilience shines through, with the hope that Winter has more performances left in him.

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Synopsis: Legendary blues guitarist Johnny took the stage at Tuxedo Junction in Danbury, Connecticut, on 25 November 1997, delivering a performance that left fans in awe. With over 40 live shows under his belt, reviewer Frank Sessa witnessed Johnny at his finest—showcasing his iconic slide guitar mastery, captivating the crowd with extended solos, and connecting with fans like never before. Supported by an outstanding band, Johnny proved once again why he's considered one of the greatest blues musicians of his time. A night of raw blues energy, unforgettable guitar licks, and electrifying moments made this show one to remember.

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Synopsis: In this December 1997 interview, 88-year-old John Winter, father of rock legends Johnny and Edgar Winter, reflects on raising two musically gifted sons in Southeast Texas. He recounts their early days of playing loud rock 'n' roll in the family garage and their formation of a band, Johnny and the Jammers, as teenagers. Despite the challenges of raising two albino sons, both of whom are legally blind, John and his wife encouraged their musical passions. Johnny became known for his guitar skills while Edgar focused on composing and producing. While John hasn't seen his sons in several years due to their busy careers, he remains proud of their achievements. The interview offers a nostalgic look into the family’s musical roots and John’s own ongoing love for music.

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