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In 1985, Johnny Winter achieved significant milestones in his illustrious career. His album <em>Serious Business</em> earned a Grammy nomination for "Best Traditional Blues Recording," affirming his status as one of the foremost blues artists of his era. Another notable highlight was his participation in the <em>Guitar All Star Jam</em>, where he delivered a standout performance of "When You Got a Good Friend," showcasing his signature guitar prowess.
My own premier guitar hero was seen this month in an exhilarating performance at the Button South. Since the release of his current album, Guitar Slinger, Johnny Winter has returned (unsurpassed, I might add) to the blues style which is definitive of this unique axeman. The band returned this time, again, as a powerhouse trio. Tom Compton replaced former band member Bobby T. on drums, and on bass guitar and harmonica was longtime friend and touring band member, Jon Paris.
While most of the set was dominated by songs from Guitar Slinger, we did get a taste of some of the material to be included on the new Serious Business album, which is scheduled for release in August.
The show kicked off with “Don’t Take Advantage of Me” which was a real steady groove and “I Smell Trouble,” a song with a slow backbeat and real dazzling guitar picking on J.W.’s part. “Mad Dog” has a swing style feel to it, while “Lights Out” is reminiscent of 50’s style rock.
A change of guitars is in order as Johnny pulls a slide bar out of his pocket and the open tuning reveals the familiar strains of “Highway 61 Revisited.” This segment of the show also features Jon Paris’ astute harmonica passages, particularly on “Murder My Baby,” a new tune from the upcoming LP, then again on “Iodine in My Coffee,” a song whose passages seem to have been plundered and filtered from Johnny Winter’s “Backdoor Friend.” Not wanting to play second fiddle to a slide guitar, Paris’ harp spawns a conjugation between the two that extends the boundaries of the blues.
Although the crowd was charged up throughout the entire show, their cheering went doublefold when the band closed the set with “Johnny B. Goode” and the Stones’ classic, “It’s All Over Now.”
All of Johnny Winter's records have been alluring in my collection but it’s doubtful that Johnny will ever match the spontaneity, the epic performances on the 1969 album, Johnny Winter. This latest, Guitar Slinger, is probably the closest he’s come to it and, judging the material that will be on Serious Business, well, let’s just say I can't wait. As far
as live performances, there are few I can put on my list of “can’t miss.” Johnny is one of them. In our eight years and more of publishing the Rag, Johnny Winter has been covered more than any other performer, and if you'll pardon my self-indulgence, you'll be seeing him again, I’m sure.
In 1985, Johnny Winter's setlists during his performances showcased a blend of classic blues, rock, and covers, reflecting his Grammy-nominated album Serious Business. A typical setlist from this year included his signature high-energy guitar work and deep blues vocals, often with surprises and guest appearances, particularly from his brother Edgar Winter.
Core Songs Across Performances:
- "Hideaway" – A blues instrumental that Johnny frequently opened with, setting an energetic tone.
- "Don’t Take Advantage of Me" – A strong, gritty blues track, often included early in the set.
- "Mad Dog" – Another standout blues-rock song, regularly performed.
- "Johnny B. Goode" – Chuck Berry's rock anthem, a fan favorite that Johnny performed with his fiery style.
- "Jumpin' Jack Flash" – The Rolling Stones cover that Johnny transformed with a blues-rock edge.
- "Highway 61 Revisited" – A staple Bob Dylan cover in Johnny's repertoire, often reserved for climactic moments.
- "Boot Hill" – A slower, haunting blues number frequently appearing in his sets.
- "It's All Over Now" – A rock-and-roll classic that Johnny would often deliver towards the end of his concerts.
Occasional Additions:
- "Parchman Farm" – A blues classic about the infamous Mississippi prison, performed at select shows.
- "I Smell Trouble" – A slow-burning blues piece, sometimes enhanced by guest musicians like Jim Lebin on harmonica.
- "Lights Out" – A driving rock song often appearing mid-set.
- "Soul Man" – A special treat for fans, performed with Edgar Winter on saxophone.
Special Performances:
- In Seattle, Johnny played "Red House" , a tribute to Jimi Hendrix with Jimi's father in attendance.
- The shows often included guest appearances, particularly from Edgar Winter, adding depth and spontaneity, such as the saxophone contribution on "Soul Man" .
Winter’s 1985 performances blended classic blues with high-energy rock covers, staying true to his blues roots while paying homage to rock legends. His guitar virtuosity and raw vocals made these shows unforgettable, especially for fans of electric blues.
In 1980, Johnny Winter was in the prime of his career, performing across various venues and festivals. Notably, he played at the Loreley Festival in Germany, showcasing his signature blend of blues and rock. His typical setlist during this period included covers of blues standards like Freddie King's "Hideaway" and rock classics such as Bob Dylan’s "Highway 61 Revisited." Winter's live performances captivated audiences with his powerful guitar skills and energetic presence. His 1980 tour spanned multiple cities in the U.S. and Europe, leaving a lasting impression on fans.
Read About Johnny Winter in 1980In 1981, Johnny Winter demonstrated his resilience and independence within the music industry. He formed his own record label, Mad Albino, to release the album *Whoopin'* after facing a lack of interest from other labels. He also reunited with Uncle John Turner for a mini-tour and performed at notable events such as the Chicago Blues Festival. This year highlights his ability to navigate the blues scene on his own terms while continuing to collaborate with influential figures like Muddy Waters.
Read About Johnny Winter in 1981In 1982, Johnny Winter continued to cement his reputation as a blues-rock legend, primarily through his live performances, though he did not release a new album that year. His high-energy concerts showcased his fiery slide guitar skills and his dedication to the blues genre. Winter's setlists featured classic rock and blues covers, along with his signature tracks, keeping him a revered figure in the music scene despite the absence of new studio work.
Read About Johnny Winter in 1982In 1983, Johnny Winter marked several key milestones in his career. Early in the year, he embarked on a Canadian tour, captivating audiences across the country. Shortly after, there was a significant lineup change with the departure of drummer Bobby Torello, who was replaced by Moe Potts. Later in the year, Winter further solidified his international presence with an extensive European tour, expanding his reach and reinforcing his reputation as a powerhouse in the blues and rock scene.
Read About Johnny Winter in 1983In 1984, Johnny Winter's career was marked by several key milestones. These include the release of his album "Guitar Slinger" , which further cemented his reputation as a leading blues guitarist. He embarked on an extensive European tour, showcasing his dynamic performances across various countries. Winter concluded the year with a successful Canadian tour, continuing his momentum and solidifying his global presence in the blues and rock music scene.
Read About Johnny Winter in 1984In 1985, Johnny Winter achieved significant milestones in his illustrious career. His album Serious Business earned a Grammy nomination for "Best Traditional Blues Recording," affirming his status as one of the foremost blues artists of his era. Another notable highlight was his participation in the Guitar All Star Jam, where he delivered a standout performance of "When You Got a Good Friend," showcasing his signature guitar prowess.
Read About Johnny Winter in 1985Unfortunately I lost the 1986 files
In 1987, blues guitarist Johnny Winter embarked on his "3rd Degree Tour" across Europe, with Dr. John the Nighttripper as a special guest. The tour featured performances across multiple cities, with setlists showcasing a mix of Winter's classic blues and boogie hits, such as "Third Degree," "Mojo Boogie," and "Johnny B. Goode." The band consisted of Tom Compton on drums and Jon Paris on bass. Winter remained committed to his blues roots despite commercial pressures to modernize. Notable performances included stops in Helsinki, Vienna, and Munich, with the tour receiving widespread acclaim for its raw energy and authentic blues sound.
Read About Johnny Winter in 1987In 1988, Johnny Winter embarked on a prolific year marked by the release of his album Winter of '88, which showcased his enduring guitar prowess. Produced by Terry Manning, the album blended Winter's signature raw blues sound with a modern edge, appealing to both long-time fans and new listeners. His tour supporting the album took him to numerous venues across the United States, with notable international performances, including headlining the Blues Festival at Piazza Duomo in Pistoia, Italy, on 1 July and concerts across Canada in September. Winter's concerts, such as at the Milan Blues Festival and the Diamond Club in Toronto, exemplified his commitment to live performance, further cementing his legendary status in the blues-rock genre. Throughout the year, Winter continued to captivate audiences with his fierce guitar skills and unwavering dedication to the blues, drawing both young and old fans alike.
Read About Johnny Winter in 1988In 1989, Johnny Winter's career was marked by an extensive and dynamic tour schedule that highlighted his enduring prowess as a blues guitarist. The year kicked off with the "Winter of '88/'89" tour, with performances across Europe, including memorable shows in Hamburg, Stuttgart, and Vienna. Winter, accompanied by Jon Paris on bass and Tom Compton on drums, delivered intense performances filled with sharp guitar riffs and a powerful, raw blues sound. Despite mainly playing blues standards, Winter breathed new life into each piece, captivating audiences with his fiery guitar solos.
Read About Johnny Winter in 1989