Johnny Winter in October 1970

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On Thursday, 1 October 1970 Johnny Winter jams with Jimi Hendrix band-members (John Hammond, Buddy Miles, Noel Redding and Jimi's brother Leon Hendrix) for Jimi's Wake.

“I went to Jimi’s funeral with Miles Davis – I was shooting a cover for Rolling Stone. I was there as a journalist and as a mourner. It was the only time in my life I felt awkward being a photographer. When Jimi’s aunt – the lady who ran the boardinghouse where Jimi grew up – escorted us into the first three pews – 20 of them – designated only for his immediate family and the church descended on us like locusts with their grief, I didn’t know if I was supposed to shoot or what. Jimi had tried all his life to get his father and his family to like him and when they saw the acclaim he had earned, they grabbed it. They were like locusts; he was the last commodity they had to sell. There’s a code you go by: You don’t do what those guys did. The first thing I said to them was, ‘I don’t have anything to say; I’m here as a mourner.’ They tried to interview me right there in the church. As I got out of the church, they asked me where I was staying. I had no gesture because this was a public thing. People shook my hand, patted me on the back, and apologized for being there – and I felt embarrassed. I was so angry. My wife laughed: ‘It’s only fitting; that’s Jimi’s life – people don’t understand.’” — Jim Marshall

Guitarist and Trio Heard Twice at Fillmore East

By MIKE JAHN

If the recent blues revival served only to unearth Johnny Winter and his various associates, it might have been worth it for that alone.

Mr. Winter, a blues-rock guitarist of immense ability, presented his new band here Friday and Saturday at the Fillmore East. The new group, called Johnny Winter And, is made up of three members of the old rock group, the McCoys: Rick Zehringer, guitar; Randy Zehringer, drums, and Randy Hobbs, bass. It is a considerable improvement over Winter, the previous band.

Through a long second set on Saturday, Mr. Winter and Rick Zehringer (who has taken to calling himself Derringer; his brother has shortened the family name to Z) played solos back and forth at each other, simultaneously and in alternation. mr Winter played his familiar blues-based, hard-rock guitar. Occasionally he used the new band to liberate himself from the old blues format and indulge in various effects and ideas of larger scope. Rick Zehringer provided a needed second guitar and fine counterpoint in' the several guitar duels that emerged during the evening.

"Johnny Winter And" shared the bill with Tin House and the Buddy Miles Express. Several standing ovations showed the Miles group beginning to get the attention it deserves.

Source & Full Article: 70-10-05 NEW YORK TIMES.pdf

Buddy Miles knows how to win a hip audience, as his performance in the first of four weekend Fillmore East shows, 2 October 1970, demonstrated. Delayed by his flight from Seattle, where he attended Jimi Hendrix' funeral, Miles went on last, following a fine set by Columbia's Johnny Winter, who also had attended the funeral.

Epic's Tin House. an Orlando, Fl. trio. showed promise as the opening act. Miles, who had 10 backup musicians, more than ever, asked the audience to clap along and they clapped along, sing on cue and they sang on cue, and stand and move in place and the obliging youths stood and moved in place.

It was a lesson in mob psychology used by the Mercury artist. The result may be manufactured, but it works. The Allman Brothers' "Dreams" opened an extended medley, which occupied most of the set. Miles alternated between soul singing and the drums. He has developed as a performer.

FRED KIRBY

Synopsis: Johnny explains why he split his old band (Uncle John Turner and Tommay Shannon) and formed the new band "And", with the former members of the McCoys (Rick Derringer , Randy Hobbs)

Interview by Nick Logan: "The hype that made him helped kill off his band.

I WAS making ten dollars a night playing what I'm doing now, and now I'm getting paid thousands for it." Johnny Winter, the albino blues guitarist who strummed through ten years of obscurity in his native Texas before discovery by the underground and a catapult-like riss to national fame, was back in London last week.

He's here in one of his favourite countries on a ten-day holiday -the first he's ever had-but had happily put himseif at the disposable of CSS to organise Interviews. "1 really Iove doing them."

CBS responded by turning his Mayfair hotel bedroom into a repllca of a statten at rush hour; photographers and journalists arriving every half hour and the inevitable overlaps becoming the order of the day. Winter took it all in his good natured stride, ordering refreshments for the evergrowing assembly and perching on the edge of his bed strumming his Gibson guitar.

Since May he has a new backing band, the result of a tie up with the old U.S. "Hang On Sloopy" hit group the McCoys that caused a good many disbelieving blinks on both sides of the Atlantic.

He had, he revealed, already decided to break up the old outfit before his May concerts here and had done so soon after they got home, explaining: " We reached the stage where we were stagnat. We started out ' as a white country blues group but in all the hype and bull . . . people thought we were another Cream or Jimi Hendrix. But we were not; we were just a blues group and the band was really good for that.

"People put lt down because the publicity had Ied them to believe that it was some kind of supergroup."

After two years together, Winter explains, he feit he and the band could go no further. "1 could not do what I wanted with the band. There wasn't anywhere really to go. I love the people the band but all we could done was keep on playing this sure things we had been playing before.

"I wanted a band where other people could contribute things . Ilke writing songs, because I consider myself a songwriter. wanted to do some original thing music. They just didn't like doing them and I wanted people who could put themselves into the tunes."

The McCoys, having a tough time with their record company and finding non-acceptance for work they saw as more creative than their bubblegum days, had been living right across the way" from Winter's home. "My manager Steve Paul was helping them get something together and when I decided to break up my own band I went over and talked to them and we jammed on a and have other people who could project themselves and with the old band Uncle John and Tommy were basically a side band."

His band still four strong, the back up men now are Rick Derringer, vocals/guitar, Randy Hobbs, vocals/bass, both one time McCoys, and Bobby Caldwell, drums. Caldwell recently replaced Randy Z, the member of the McCoys, who, according to Winter, went a bit out of his head and committed himself to hospital. Edgar Winter stayed behind to fill in an drums until a new man was found. "Bet. he's not a drummer," says Johnny, "most nights his hands would be covered in blood."

The three McCoys provided the back up for the guitarist's new CBS album and, Winter revealed, he had tried three of the tracks with the old band before they split. "But they just didn't feel that kind of couple of things and it just worked out so well.

"When they had 'Hang On Sloopy'," he argues, "they were all littte kids. Musicians were just musicians at that time; the record people thought musicians were kids and didn't know what was commercial. They said 'Do this and we will make you a rock and roll star.' After they had had all this the McCoys started to ask themselves what they were doing They had this bubblegum Label and people would not let them forget.' He himself didn't know what anyone with Jong hair." l response to expect. "lt might Everybody in the States, he have been really horrible but says, is looking for leaders. "They people just seem to accept the all want someone to teil them group. I thought they might say what to do and how to get out of we were selling out . Johnny this . . . and so they Look to music Winter's bubblegum and all that elans as leaders. I have tried to bull say I am a musician not a politic With the new band, Winter feels but it just doesn't seem pos- he is still playing in the style he to keep out of lt."