- This is the Canadian release of Iron Maiden's "Seventh Son Of A Seventh Son".
"Seventh Son of a Seventh Son" is the seventh studio album by British heavy metal band Iron Maiden, released in 1988 by EMI in Europe and its sister label Capitol Records in the US. It is the second Iron Maiden release to feature keyboards (played by Michael Kenney) and, along with "The Number of the Beast" and, later, "Fear of the Dark" and "The Final Frontier", debuted at no.1 in the UK charts.
In the frigid landscapes of Canada, Iron Maiden's "Seventh Son of a Seventh Son" resonated with a unique power, echoing through the vast wilderness and captivating the hearts of metalheads nationwide. Released in 1988, this ambitious concept album marked a significant departure from the band's earlier sound, embracing progressive elements and complex arrangements, while retaining their signature heavy metal power.
Historical Context and Musical Exploration
In the late 1980s, the heavy metal scene in Canada was thriving. Bands like Anvil, Exciter, and Voivod were making waves on the international stage, showcasing the country's diverse and vibrant metal scene. Iron Maiden, already established as global icons, found a passionate and receptive audience in Canada, eager to embrace their latest sonic adventure.
"Seventh Son of a Seventh Son" arrived at a time when the band was pushing the boundaries of their musical expression. Inspired by Orson Scott Card's novel _Seventh Son_, a tale of a young boy born with extraordinary powers and a destiny to shape the world, Iron Maiden embarked on a conceptual journey that would challenge both themselves and their listeners.
Music Genre and Controversies
The album's progressive metal elements, characterized by complex song structures, lush keyboard arrangements, and atmospheric interludes, sparked some debate among fans and critics. Some purists felt that the band had strayed too far from their roots, while others embraced the new direction and praised the album's ambition and creativity.
In Canada, the album was met with overwhelming enthusiasm. Fans were drawn to the album's epic scope, intricate storytelling, and powerful performances. The Canadian release of "Seventh Son of a Seventh Son" solidified Iron Maiden's position as one of the most beloved and influential heavy metal bands in the country.
Production Team and Recording Studio
The album was produced by Martin Birch, a veteran producer known for his work with Deep Purple, Black Sabbath, and Rainbow. Birch's experience and expertise were instrumental in shaping the album's sound and capturing the band's creative vision.
Recorded at Montserrat Studios, a legendary recording facility nestled on a Caribbean island, the album's production was steeped in a unique atmosphere. The studio's isolation and natural beauty provided the perfect backdrop for Iron Maiden to craft an album that would leave a lasting legacy.
A Canadian Metal Legacy
"Seventh Son of a Seventh Son" holds a special place in the hearts of Canadian metal fans. The album's Canadian release coincided with a period of immense growth and creativity in the country's metal scene, and Iron Maiden's music played a significant role in inspiring and influencing a new generation of Canadian metal bands.
Music Genre: NWOBHM, Heavy Metal |
Album Production information: The album: "IRON MAIDEN Seventh Son Of A Seventh Son Canada" was produced , Engineered and Mixed by Martin 'Disappearing Armchair' Birch.
Martin Birch's: The man behind the soundboard, shaping iconic rock and metal anthems. His journey from sound engineer to legendary producer is a testament to passion and innovation.
Read on his career
Sound/Recording Engineer(s): Stephane "The Vardengrip" Wissner, Bernd Maier - Studio Boffin Mastered by George Marino at Sterling Sound, New York
George Marino was a legendary mastering engineer whose expertise shaped the sound of countless iconic albums. Born in 1947, he honed his craft at Capitol Records before joining Sterling Sound in 1973. His mastering work on albums by AC/DC, Metallica, and Guns N' Roses defined rock and metal's sonic power. His legacy endures through his meticulous audio craftsmanship.
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This album was recorded at: Musicland Studios, Munich, Germany Sleeve Concept and Design: Derek Riggs and Rod Smallwood Sleeve Illustrations: Derek Riggs
Derek Riggs is a British artist best known for creating the iconic mascot Eddie for the heavy metal band Iron Maiden. His distinctive style, blending sci-fi, horror, and fantasy, has defined the band's visual identity since their debut album in 1980. Riggs’ artwork has appeared on numerous album covers, singles, and merchandise. Learn more about his work on
this page
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Inner Sleeve Photograph: Ross Halfin >
Ross Halfin is a British rock photographer renowned for capturing legendary bands like Metallica, Iron Maiden, and Led Zeppelin. Since the 1970s, his dynamic images have defined rock photography, appearing in album covers, magazines, and books. Halfin’s work offers an intimate glimpse into the raw energy of live performances and backstage moments. Discover more about his legacy on
this page
.
Iron Maiden are managed by Rod Smallwood and Andy Taylor for Sanctuary Music |
Record Label & Catalognr: EMI Capitol Records C1-90258 |
Media Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1988 Made in Canada |
Personnel/Band Members and Musicians on: IRON MAIDEN Seventh Son Of A Seventh Son Canada |
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Complete Track-listing of the album "IRON MAIDEN Seventh Son Of A Seventh Son Canada" |
The detailed tracklist of this record "IRON MAIDEN Seventh Son Of A Seventh Son Canada" is:
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Iron Maiden – Seventh Son of a Seventh Son (Album Cover)
This striking album cover features Eddie, Iron Maiden’s iconic skeletal mascot, set against a surreal frozen landscape of icebergs and an eerie blue sky. Eddie’s body appears partially mechanical, with his lower torso fading into a metal spine that extends into a circular pool of water. His chest has a glowing orb embedded in it, and his head is engulfed in a spectral blue flame.
His left hand, chained and severed at the wrist, holds a dripping, bloody heart, symbolizing the album’s mystical themes. The background features distant floating ice formations and small glowing orbs, adding to the ethereal atmosphere. The band's name, Iron Maiden, is boldly displayed in yellow-outlined blue block letters at the top, while the album title, Seventh Son of a Seventh Son, is elegantly written in an elongated golden-yellow font at the bottom.
This cover, designed by artist Derek Riggs, perfectly embodies the album’s conceptual themes of prophecy, mysticism, and destiny.
Full page (12") illustration of Iron Maiden's "Eddie" on the original custom inner sleeve
Iron Maiden – Seventh Son of a Seventh Son (Inner Sleeve Artwork)
This hauntingly detailed illustration features Eddie, Iron Maiden’s iconic mascot, transformed into a mystical scribe. He is seated at a wooden desk in a dimly lit room, with two tall, wax-dripping candles on ornate golden holders, one shaped like an angel and the other like a gargoyle. Eddie, dressed in a tattered brown coat, has aged, wiry hair and glowing blue cybernetic eyes, with a metal plate embedded in his forehead.
His hands, skeletal and decayed, clutch a quill pen as he writes in a massive ancient book that lies open before him. A glowing, enchanted orb floats just above the book’s pages, depicting a swirling cosmic scene with a snake coiled around a central axis and Eddie’s demonic face emerging from the depths.
In the background, the Grim Reaper looms ominously, draped in a dark hooded cloak and holding a long scythe, partially shrouded in greenish mist. The eerie glow of the candles, the surreal atmosphere, and the intricate details of the illustration evoke themes of prophecy, fate, and the supernatural, perfectly aligning with the concept of the Seventh Son of a Seventh Son album.
Lyrics of all the songs on "Seventh Son of a Seventh Son" and small colour photo of "Iron Maiden" band on one of the pages of the original custom inner sleev
Iron Maiden – Seventh Son of a Seventh Son (Inner Sleeve Lyric Sheet)
This is the original inner sleeve design from Iron Maiden’s 1988 album Seventh Son of a Seventh Son, displaying all the song lyrics printed in bright yellow text against a deep blue background. The layout is divided into multiple sections, each containing the lyrics to individual tracks such as Moonchild, Infinite Dreams, Can I Play with Madness, The Evil That Men Do, Seventh Son of a Seventh Son, The Prophecy, The Clairvoyant, and Only the Good Die Young.
At the top center, there is a small, rectangular full-color photograph of the five band members—Bruce Dickinson, Dave Murray, Adrian Smith, Steve Harris, and Nicko McBrain—posing together in classic 1980s heavy metal fashion. They are dressed in leather jackets, denim, and Iron Maiden merchandise, with a confident and intense look.
Scattered throughout the sleeve are small red occult-style symbols, adding to the album’s mystical and supernatural themes. These include circular sigils, an inverted figure, and a serpent-like emblem. The rightmost section contains production credits, acknowledging the album’s producers, engineers, and various contributors.
The combination of bold typography, esoteric imagery, and band photography makes this lyric sheet a striking and essential part of the album’s immersive visual and thematic experience.
Artwork illustration on the record's label
Iron Maiden – Seventh Son of a Seventh Son (Vinyl Record Label Artwork)
This captivating label artwork is printed directly onto the vinyl record of Iron Maiden’s 1988 album Seventh Son of a Seventh Son. The design is rich in symbolism, reflecting the album’s mystical and supernatural themes.
Dominating the lower portion of the image is Eddie, Iron Maiden’s sinister mascot, with a skeletal grin and glowing cybernetic eyes—one blue, one red. A third eye sits in the center of his forehead, hinting at prophecy and wisdom beyond the mortal realm. His face emerges from shadowy darkness, accentuated by greenish hues, adding to his ghostly presence.
The central focus of the artwork is a massive, hypnotic blue iris, which surrounds the record’s spindle hole. At the top, a curled fetus with an ethereal golden glow floats within the eye, evoking themes of birth, destiny, and reincarnation. Encircling the scene are burning candles, casting a flickering light that enhances the eerie, ceremonial atmosphere.
The background features an apocalyptic landscape with smoke and flames engulfing what appear to be distant structures, further amplifying the album’s themes of fate, destruction, and supernatural power. The intricate details and vivid color contrasts make this artwork one of the most visually striking elements of the album’s presentation.
Iron Maiden – Seventh Son of a Seventh Son (Vinyl Record Label)
This is the printed label on the vinyl record of Seventh Son of a Seventh Son, Iron Maiden’s 1988 concept album. The design features a dark, ethereal background blending deep green, blue, and black hues, evoking the mystical themes of the album. A subtle shadowy figure is visible in the background, adding to the eerie atmosphere.
At the top, the band’s name, Iron Maiden, is prominently displayed in a signature metallic silver font with a sharp, angular design. Below it, the track listing is divided into two sections, indicating the songs on each side of the LP. The listed tracks include:
Additional production credits are printed in small yellow text towards the bottom, mentioning that the album was produced, engineered, and mixed by Martin Birch. The EMI and Capitol Records logos are displayed on the left side, along with the record's catalog number C1-90258. The speed marking "33 ⅓ RPM" is also clearly indicated.
The combination of mystical imagery, bold typography, and a well-structured layout makes this record label an integral part of the album’s visual presentation, reinforcing its themes of prophecy and fate.