IRON MAIDEN - Self-Titled 12" Vinyl LP Album

- FAME Records, Holland and Germany Release

IRON MAIDEN - Self-Titled Fame Germany 12" LP ALBUM VINYL front cover https://vinyl-records.nl

This release of Iron Maiden's first official full length album, has the Fame-logo printed on the right hand side of the front cover, just below the "white" moon.

Maiden's March Across Europe: The FAME Vinyl That Ignited a Continent
Album Description:

In the smoldering embers of the 70s, a new beast was stirring, a British behemoth forged in the fires of punk and heavy metal. Iron Maiden, their very name a battle cry, unleashed their self-titled debut not just upon their homeland, but across the channel, onto the unsuspecting shores of mainland Europe.

The FAME Records pressing, bearing their logo like a brand beneath Eddie's haunting visage, is more than a mere artifact. It's a sonic snapshot of a cultural invasion, a testament to how raw power transcends borders and language. Germany and the Netherlands, steeped in their own musical traditions, were about to be rocked by a force as relentless as a Viking raid.

This was no polite introduction. Produced by Will Malone, forged in the crucible of Kingsway and Morgan Studios, this album was a defiant roar against the bland backdrop of the era. Punk had sneered, but Maiden brought muscle and melody back to rebellion. The European audience, perhaps lulled by prog rock's complexities, was met with Steve Harris's galloping basslines, a rhythm section tight as a clenched fist.

Dave Murray and Dennis Stratton, twin guitar heroes in the making, unleashed a whirlwind of riffs, both intricate and aggressive. Paul Di'Anno, no soaring tenor, but a streetwise brawler of a vocalist, spat lyrics of darkness, history, and fantasy. This wasn't escapism, it was a head-on collision with reality, a mirror reflecting society's underbelly.

The FAME release, though identical in track listing to its British counterpart, became a cultural touchstone. It wasn't just the music, it was the context. European fans, hungry for something fresh, found in Maiden a kindred spirit. The vinyl grooves weren't just carrying songs, they were carrying a movement, a new wave of British heavy metal poised to conquer the world.

Collectors information:

This album "IRON MAIDEN - Self-Titled (Fame)" includes the original custom Fame inner sleeve.

"Iron Maiden", released on 14 April 1980, is the debut album by the British heavy metal band Iron Maiden. It was released by EMI in the UK, reaching number 4 in the UK charts, and a few months later in the U.S., originally on Harvest/Capitol Records and subsequently Sanctuary Records/Columbia Records.

 

Music Genre:

Heavy Metal / NWOBHM  

Album Production information:

The album: "IRON MAIDEN - Self-Titled (Fame)" was produced by: Will Malone

Sound/Recording Engineer(s): Martin Levan.

This album was recorded at: Kingsway Studios, Morgan Studios London.

Album Front cover design: Derek Riggs

  • Derek Riggs – Illustrator, Cover Artist Derek Riggs is the artist who gave Iron Maiden its visual soul by creating Eddie, one of the most recognizable mascots in heavy metal history. Since the band’s 1980 debut, his artwork fused sci-fi, horror, and dark fantasy into covers that were as confrontational and imaginative as the music itself. Riggs’ paintings didn’t just decorate records, they built a world that became inseparable from Maiden’s identity.
    Derek Riggs Wiki

    • Album cover photography: Terry Walker and Yuka Fujii  

    Record Label & Catalognr:

    Fame - 1C 038 1575481

    Media Format:

    12" Vinyl Stereo Gramophone Record
    Total Album (Cover+Record) weight: 230 gram  

    Year & Country:

    1985 Europe
    Personnel/Band Members and Musicians on: IRON MAIDEN - Self-Titled Fame
      Band-members, Musicians and Performers
    • Paul Di'Anno
    • Paul Di'Anno – Vocals

      The OG Iron Maiden throat: street-level grit, punk heat, and zero “polite” in the delivery.

      Paul Di'Anno, (17 May 1958 – 21 October 2024) locked himself into metal history by fronting Iron Maiden from 1978–1981, putting that snarling, rough-cut voice on the band’s early landmark releases. After Maiden, the timeline turns into a proper tour-bus saga: Di’Anno (1983–1985, then revived in the 1998–2001 era), the short, star-stacked Gogmagog detour (1985), Battlezone (1985–1989, back again 1997–1998), a notable studio cameo with Praying Mantis around 1990, and Killers (1990–1997, returning 2001–2003, plus a 2013 regroup). Later chapters include the Brazil-based Rockfellas run (2008–2010) and Architects of Chaoz (2014–2016). The common thread never really changed: that unmistakable, no-varnish vocal attitude that made early NWOBHM feel dangerous in the first place.

      Paul Di'Anno Wiki
    • Steve Harris
    • Steve Harris – Bass Guitar, Songwriter

      Iron Maiden’s engine room: galloping bass lines, history-nerd lyrics, and “captain of the ship” energy baked into every riff.

      Steve Harris (born 12 March 1956, Leytonstone, England) is the rare bassist who doesn’t just hold the floor—he draws the whole blueprint. In my book, he’s the founder and primary songwriter who’s kept Iron Maiden on its rails from 1975–present, with that instantly recognizable “gallop” driving huge chunks of the catalogue. The pre-Maiden grind matters too: first band days in Influence/Gypsy’s Kiss (1973–1974, including a documented gig run in 1974), then the older, blues-leaning Smiler period (1974–1975) where his more ambitious writing basically forced the next step: forming Maiden. Outside the mothership, he’s fronted his own hard-rock outlet British Lion (2012–present), a project that grew out of connections going back to the early 1990s and finally hit the world as his solo debut in 2012.

      Steve Harris Wiki
    • Dennis Stratton
    • Dave Murray
    • Dave Murray – Guitar

      Maiden’s calm killer: smooth leads, twin-guitar harmony for days, and that melodic bite that makes the “gallop” feel cinematic instead of chaotic.

      Dave Murray (born 23 December 1956, Edmonton, Middlesex, England) is one of the defining lead guitar voices of heavy metal, and in my book he’s the melodic “second spine” of Iron Maiden. His timeline with the band starts early: joining in 1976, getting briefly pushed out in 1977, then returning in 1978 and staying locked in ever since—making him one of the longest-serving members in the whole Maiden saga. During that 1977 gap he spent around six months with Urchin (Adrian Smith’s band), which is a fun little historical glitch in the matrix if you like your Maiden lore messy and human. Beyond the main band, his most notable “outside the mothership” credit is the all-star charity metal project Hear ’n Aid (1985), because apparently even guitar lifers sometimes leave the bunker to do side quests. Dave Murray Wiki

    • Clive Burr
    • Clive Burr – Drums

      The early Maiden groove machine: big feel, sharp fills, and that “Beast-era” punch that still rattles the walls.

      Clive Burr (8 March 1957 – 12 March 2013) is one of those drummers who didn’t just keep time—he gave a band its early backbone. I mainly hear him as Iron Maiden’s rocket fuel from 1979–1982, laying down that urgent, swinging drive on their first run of classic records and helping make the whole NWOBHM thing feel dangerous instead of polite. Before that, he did the London grind with Samson (1977–1978). After Maiden, the timeline gets gloriously nomadic: Trust (1983–1984), a blink-and-you-miss-it week with Alcatrazz (1983), his own Clive Burr’s Escape (1983–1984) evolving into Stratus (1984–1985), the supergroup cameo in Gogmagog (1985), Desperado (1988–1990), and later work with Praying Mantis (1995–1996). His later years were brutally shaped by multiple sclerosis, but the playing legacy stays loud, human, and unmistakably his own—Clive Burr Wiki
    Complete Track-listing of the album "IRON MAIDEN - Self-Titled Fame"

    The detailed tracklist of this record "IRON MAIDEN - Self-Titled Fame" is:

      Track-listing Side One:
    1. Prowler
    2. Remember Tomorrow
    3. Running Free
    4. Phantom of the Opera
      Track-listing Side Two:
    1. Transylvania
    2. Strange World
    3. Charlotte the Harlot
    4. IRON MAIDEN

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