IRON MAIDEN - IRON MAIDEN S/T self-titled EEC 12" VInYL LP DMM

- Forging Legends: Unveiling the Epic Saga of Iron Maiden's Self-Titled Debut Album

In 1980, Iron Maiden unleashed their self-titled debut, a sonic marvel produced by Will Malone. Recorded at Kingsway Studios, London, with engineering brilliance by Martin Levan, the album's iconic cover, crafted by Terry Walker and Yuka Fujii, featured the eerie Eddie the Head. This musical journey, from "Prowler" to "Phantom of the Opera," solidified Iron Maiden's place in heavy metal history.

 

IRON MAIDEN - self-titled EEC 12" Vinyl LP DMM
 front cover https://vinyl-records.nl

"Iron Maiden Self-Titled Debut" Album Description:

Iron Maiden's self-titled debut album, a masterpiece etched in the world of heavy metal history, emerged onto the music scene in 1980. With a mesmerizing blend of raw energy and musical prowess, this iconic record laid the foundation for Iron Maiden's legendary career.

Creation of the Album:

Produced by the skilled hands of Will Malone, the album was recorded at the renowned Kingsway Studios and Morgan Studios in London. The engineering genius of Martin Levan ensured that every note resonated with power and precision. The result was a sonic experience that transcended the boundaries of conventional heavy metal.

Artistic Elements:

The album's cover art, a visual representation of the band's macabre mascot, Eddie the Head, was a collaboration between photographers Terry Walker and Yuka Fujii. This iconic imagery became synonymous with Iron Maiden's brand, adding a visual dimension to their musical prowess.

Musical Journey:

From the thunderous opening of "Prowler" to the haunting melodies of "Phantom of the Opera," the album takes listeners on a rollercoaster of emotions. Bruce Dickinson's soaring vocals, Steve Harris's galloping basslines, and the twin guitar assault of Dave Murray and Dennis Stratton created an unparalleled sonic landscape.

Impact and Legacy:

Iron Maiden's self-titled debut not only marked the birth of a band but also a genre-defining moment for heavy metal. Its influence can be heard in countless bands that followed, and its songs remain staples in Iron Maiden's live performances.

Music Genre:

 NWOBHM Heavy Metal 

Album Production Information:

Produced by Will Malone.

Recorded at Kingsway Studios, Morgan Studios London.

Engineer: Martin Levan.

Photography: Terry Walker and Yuka Fujii  

Record Label & Catalognr:

 EMI 1C 038-15 7548 ( 038-157548 )  

Media Format:

 12" Vinyl LP Record DMM Direct Metal Mastering  

Year & Country:

 1980 Made in EEC  
Band Members and Musicians on: IRON MAIDEN - IRON MAIDEN self-titled
    Band-members, Musicians and Performers
  • Paul Di'Anno
  • Paul Di'Anno – Vocals

    The OG Iron Maiden throat: street-level grit, punk heat, and zero “polite” in the delivery.

    Paul Di'Anno, (17 May 1958 – 21 October 2024) locked himself into metal history by fronting Iron Maiden from 1978–1981, putting that snarling, rough-cut voice on the band’s early landmark releases. After Maiden, the timeline turns into a proper tour-bus saga: Di’Anno (1983–1985, then revived in the 1998–2001 era), the short, star-stacked Gogmagog detour (1985), Battlezone (1985–1989, back again 1997–1998), a notable studio cameo with Praying Mantis around 1990, and Killers (1990–1997, returning 2001–2003, plus a 2013 regroup). Later chapters include the Brazil-based Rockfellas run (2008–2010) and Architects of Chaoz (2014–2016). The common thread never really changed: that unmistakable, no-varnish vocal attitude that made early NWOBHM feel dangerous in the first place.

  • Steve Harris
  • Steve Harris – Bass Guitar, Songwriter

    Iron Maiden’s engine room: galloping bass lines, history-nerd lyrics, and “captain of the ship” energy baked into every riff.

    Steve Harris (born 12 March 1956, Leytonstone, England) is the rare bassist who doesn’t just hold the floor—he draws the whole blueprint. In my book, he’s the founder and primary songwriter who’s kept Iron Maiden on its rails from 1975–present, with that instantly recognizable “gallop” driving huge chunks of the catalogue. The pre-Maiden grind matters too: first band days in Influence/Gypsy’s Kiss (1973–1974, including a documented gig run in 1974), then the older, blues-leaning Smiler period (1974–1975) where his more ambitious writing basically forced the next step: forming Maiden. Outside the mothership, he’s fronted his own hard-rock outlet British Lion (2012–present), a project that grew out of connections going back to the early 1990s and finally hit the world as his solo debut in 2012.

  • Dennis Stratton
  • Dennis Stratton – Guitar

    Maiden’s short-lived “melody guy” in the earliest days: twin-guitar shine, tighter harmony instincts, and a very un-satanic love of proper hooks.

    Dennis Stratton (born 9 October 1952, Canning Town, London) is a classic example of “brief stint, permanent fingerprints.” He joined Iron Maiden in December 1979 and was out by October 1980, but in that tight window he played on the debut album Iron Maiden (released April 1980) and the non-album single "Women in Uniform", right as the band went from club-level chaos to real-deal momentum. He even helped shape the lineup by recommending drummer Clive Burr, which is the kind of butterfly-effect detail collectors love to remember. Before Maiden, he’d cut his teeth in local bands like Harvest/Wedgewood (early 1970s) and Remus Down Boulevard (mid-1970s). After leaving, he kept moving through the UK hard rock ecosystem, notably with Lionheart (1980s onward) and as lead guitarist (and occasional lead vocalist) for Praying Mantis from 1990–2006, plus a mid-1990s collaboration run with former Maiden singer Paul Di'Anno under The Original Iron Men. Dennis Stratton Wiki

  • Dave Murray
  • Dave Murray – Guitar

    Maiden’s calm killer: smooth leads, twin-guitar harmony for days, and that melodic bite that makes the “gallop” feel cinematic instead of chaotic.

    Dave Murray (born 23 December 1956, Edmonton, Middlesex, England) is one of the defining lead guitar voices of heavy metal, and in my book he’s the melodic “second spine” of Iron Maiden. His timeline with the band starts early: joining in 1976, getting briefly pushed out in 1977, then returning in 1978 and staying locked in ever since—making him one of the longest-serving members in the whole Maiden saga. During that 1977 gap he spent around six months with Urchin (Adrian Smith’s band), which is a fun little historical glitch in the matrix if you like your Maiden lore messy and human. Beyond the main band, his most notable “outside the mothership” credit is the all-star charity metal project Hear ’n Aid (1985), because apparently even guitar lifers sometimes leave the bunker to do side quests. Dave Murray Wiki

  • Clive Burr
  • Clive Burr – Drums

    The early Maiden groove machine: big feel, sharp fills, and that “Beast-era” punch that still rattles the walls.

    Clive Burr (8 March 1957 – 12 March 2013) is one of those drummers who didn’t just keep time—he gave a band its early backbone. I mainly hear him as Iron Maiden’s rocket fuel from 1979–1982, laying down that urgent, swinging drive on their first run of classic records and helping make the whole NWOBHM thing feel dangerous instead of polite. Before that, he did the London grind with Samson (1977–1978). After Maiden, the timeline gets gloriously nomadic: Trust (1983–1984), a blink-and-you-miss-it week with Alcatrazz (1983), his own Clive Burr’s Escape (1983–1984) evolving into Stratus (1984–1985), the supergroup cameo in Gogmagog (1985), Desperado (1988–1990), and later work with Praying Mantis (1995–1996). His later years were brutally shaped by multiple sclerosis, but the playing legacy stays loud, human, and unmistakably his own—Clive Burr Wiki

Complete Track Listing of: IRON MAIDEN - IRON MAIDEN self-titled
 

The Song/tracks on "IRON MAIDEN - IRON MAIDEN self-titled" are:

    Side One:
  1. Prowler
  2. Remember Tomorrow
  3. Running Free
  4. Phantom of the Opera
    Side Two:
  1. Transylvania
  2. Strange World
  3. Charlotte the Harlot
  4. IRON MAIDEN
  

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