- Canadian Release of the 1981 Live Recording from Nagoya, Japan
Iron Maiden’s “Maiden Japan” captures the band at a thrilling turning point — the raw, unfiltered sound of heavy metal in its ascension. Recorded live in 1981 at the Kosei Nenkin Hall in Nagoya, Japan, this explosive EP embodies the final roar of the Paul Di’Anno era, pulsing with the power and precision that fueled the New Wave of British Heavy Metal. Featuring standout performances of “Running Free,” “Wrathchild,” and “Killers,” it remains a sought-after collector’s piece, enhanced by Derek Riggs’ striking samurai Eddie artwork and production by Doug Hall and the band themselves.
Iron Maiden’s live EP “Maiden Japan” captures the band in their rawest, most exhilarating form. Recorded in 1981 at the Kosei Nenkin Hall in Nagoya, Japan, this 12" vinyl release showcases the energy, power, and precision that defined the band’s early years. Originally intended for Japanese audiences, the EP became a global cult favorite among collectors.
The title “Maiden Japan” is a clever pun on Deep Purple’s iconic “Made in Japan”, reflecting both homage and humor — a nod to the giants of rock who paved the way. The performance, produced by Iron Maiden and Doug Hall, stands as a defining moment in the band’s ascent, with vocalist Paul Di’Anno delivering one of his final performances before the classic Bruce Dickinson era began.
The sound quality is crisp and immersive, preserving the roar of the Japanese crowd and the band’s electric chemistry. Live staples like “Running Free,” “Remember Tomorrow,” “Killers,” and “Innocent Exile” thunder with dual-guitar harmonies, galloping basslines, and relentless rhythm — hallmarks of the Maiden sound. The EP’s production puts the listener at the heart of the show, surrounded by volume and velocity.
The Canadian pressing of “Maiden Japan” is particularly prized for its striking cover art by Derek Riggs. The illustration depicts mascot Eddie as a samurai warrior, sword drawn and drenched in dramatic red tones — an image that perfectly matches the ferocity of the music. This visual became one of Riggs’ most celebrated designs and a favorite among collectors.
Behind the scenes, longtime manager Rod Smallwood guided the release, ensuring Iron Maiden’s image and sound were unified across markets. Complementing the music, photographer Hiro Ohno’s live shots capture the kinetic force of the performance, freezing moments of sweat, motion, and crowd intensity that words can barely convey.
“Maiden Japan” remains an essential document of Iron Maiden’s evolution — a live snapshot of a band standing on the edge of global dominance, channeling speed, precision, and sheer willpower into one unforgettable performance.
NWOBHM – New Wave of British Heavy Metal
A defining branch of early 1980s heavy metal, the NWOBHM movement combined aggressive guitar work, galloping rhythms, and theatrical energy. Iron Maiden stood at its forefront, blending speed, melody, and dark narrative power into a style that redefined the global sound of heavy metal.
Capitol / Harvest – Cat#: MLP 15000
Standard 12" sleeve featuring striking samurai-themed artwork by Derek Riggs.
Includes printed liner notes, live photography by Hiro Ohno, and performance details from the 1981 Nagoya concert.
Record Format: 12" Vinyl Stereo
1981 – Made in Canada
Kosei Nenkin Hall – Nagoya, Japan
Rod Smallwood – Band Manager
Follow the tumultuous journey of Paul Di'Anno (1958-2024), the fiery frontman who shaped Iron Maiden's early sound. From metal glory to personal struggles, his story is one of passion, rebellion, and resilience. Read it Here
From East End kid to Iron Maiden's rhythmic engine, Clive Burr pounded his way into metal history. A whirlwind career, cut short by tragedy, but his thunderous legacy lives on. Read it Here
Disclaimer: Track durations not listed on the sleeve. The live recordings were captured in 1981 during Iron Maiden’s Japan tour. Variations may occur between different regional editions.
The front cover of the Canadian 12-inch vinyl EP “Maiden Japan” by Iron Maiden is a striking display of early 1980s heavy metal iconography. Designed by Derek Riggs, it features the band’s mascot, Eddie, portrayed as a menacing samurai warrior poised in mid-strike. His pale skeletal face glows under intense red, yellow, and black gradients, evoking both violence and theatricality — the perfect visual echo of Iron Maiden’s onstage energy.
Eddie’s blade gleams under stark lighting as it slices through the scene, while his wild hair and tense posture project unrelenting aggression. Behind him, a brilliant wash of red and gold light simulates the flash of battle or stage pyrotechnics. The upper section is dominated by the band’s iconic red-and-white logo in sharp angular letters, immediately recognizable as part of the Iron Maiden brand.
In the lower right corner, the title “Maiden Japan” appears in stylized brush lettering reminiscent of Japanese calligraphy, reinforcing the live recording’s location in Nagoya, Japan. A small red sticker on the right-hand side announces “Contains 5 Selections – Mini Album Microsillon,” indicating the EP’s condensed yet potent setlist. The artwork merges East Asian aesthetics with heavy metal bravado, making this release both a collectible and a piece of visual storytelling from the band’s formative era.
Note: This image was photographed from the original vinyl in my personal collection. Minor color variations may result from flash reflection. Zoom in for finer texture and print details.
The back cover of “Maiden Japan” (Canadian release) serves both as a visual archive and a detailed credit panel. The track listing dominates the left side in bold white and red lettering, split into Side One and Side Two, listing the five live recordings: Running Free, Remember Tomorrow, Wrathchild, Killers, and Innocent Exile. Against the deep black background, the contrast adds a sense of order and professionalism to the live chaos within.
A central band photo features Steve Harris, Clive Burr, Paul Di’Anno, Dave Murray, and Adrian Smith posed in leather jackets with Eddie looming behind them. Below are three vivid stage photographs capturing the band mid-performance — spotlights, roaring crowds, and the unmistakable motion of an early Iron Maiden concert in full swing. The visual layout balances gritty realism with theatrical energy.
On the right, liner notes thank the touring crew and fans, while crediting Iron Maiden and Doug Hall for production and mixing. The bottom section includes label and publishing details for Capitol Harvest MLP 15000 and a dedication: “This record is dedicated to all the head bangers, earthdogs, and metal merchants around the world.” The back cover encapsulates Iron Maiden’s fierce gratitude and rising dominance in the heavy metal scene.
Note: Image sourced from my personal collection. Colors and text clarity may vary slightly due to lighting conditions during photography.
This detailed close-up of Side One’s label from “Maiden Japan” (Canadian release) highlights the signature Capitol / Harvest branding and catalog number MLP 15000. The layout combines precision and energy, pairing clean sans-serif typography with Iron Maiden’s striking red logo on the left edge. The song titles “Running Free” and “Remember Tomorrow” are printed in bright white text for high readability against a dark, metallic-gray background.
On the right, Iron Maiden’s mascot Eddie appears in an expressive monochrome rendering, his hair wild and eyes glowing red — a haunting symbol of the band’s intensity. Beneath the song list, credits read “Recorded Live in Japan” and “Produced by Iron Maiden & Doug Hall,” confirming the live origin and production details. Around the rim, the text “All rights reserved – Unauthorized copying prohibited” completes the formalities, while the bottom section notes ℗ 1981 EMI Records Ltd. and “Manufactured in Canada by Capitol Records of Canada.”
Note: Image photographed from an original pressing in my personal collection. Slight reflections may appear due to lighting on the vinyl surface.
The cover art, created by Derek Riggs, remains one of the most recognizable visuals in Iron Maiden’s early discography. It captures the band’s intensity and Japanese tour imagery with cinematic flair, blending cultural homage with heavy metal theatricality.
The live photography by Hiro Ohno on the inner sleeve and promotional materials complements the design — sharp stage shots framed by deep shadows and concert lighting, emphasizing the raw energy of 1981 Iron Maiden performances.