IRON MAIDEN - Beast in the Garden ( incl OBI ) 12" Vinyl LP Album

Beast in the Garden isn’t just another rogue slab of Maiden lore—it’s a defiant pulse from the 2016 Madison Square Garden blitz, where Iron Maiden hammered the air with “If Eternity Should Fail,” “Speed of Light,” and a gut-punch run through “The Red and the Black.” Pressed by Cult Legend and wrapped in that shameless “Japanese-style” OBI, it radiates the grime, sweat, and unfiltered voltage of a night too alive to stay confined to bootleg mythology, daring you to relive it needle-first.

IRON MAIDEN - Beast in the Garden ( incl OBI ) 12" Vinyl LP Album front cover https://vinyl-records.nl

"Beast in the Garden Vol 1 (Incl. OBI)" Album Description

"Beast in the Garden (Incl. OBI)" is an unofficial live vinyl release sourced from Iron Maiden’s performance on March 30th, 2016, at Madison Square Garden in New York City during The Book of Souls World Tour. This title has never been issued by the band or their label and appears only in collector and bootleg circles.

Live Recordings From the 2016 Tour

The audio originates from a fan-made recording, capturing the energy and atmosphere of the 2016 show. As with most unofficial recordings, sound quality varies depending on the source, but the performance reflects the band’s power on The Book of Souls tour.

OBI Strip for Collector Appeal

The included OBI strip does not indicate a Japanese pressing; instead, it is a decorative element often used by modern bootleg labels to emulate Japanese-style packaging. These “faux OBIs” are common on unofficial releases and mainly serve collector aesthetics.

For Iron Maiden Completionists

As an unauthorized release, this LP is primarily aimed at collectors of unusual or rare Maiden vinyl rather than listeners seeking official live material. Its appeal lies in its underground nature and the physical memento it provides of the 2016 Madison Square Garden performance.

Collector’s Note: Unofficial 2016 MSG Recording

This release captures Iron Maiden’s performance on 30 March 2016 at Madison Square Garden during The Book of Souls World Tour. The recording is sourced from an audience tape and is not part of the band’s official discography.

Although the LP includes a “Japanese-style” OBI strip, this is a European bootleg pressing. The OBI is purely decorative and used by modern bootleg labels to mimic Japanese packaging aesthetics.

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Album Key Details: Genre, Label, Format & Release Info

Music Genre:

NWOBHM, British Heavy Metal

Label & Catalognr:

Cult Legend Recordings – Cat#: CLR 056

Album Packaging

Standard sleeve.

Media Format:

Record Format: 12" Vinyl Stereo
Total Weight: 230 gram

Year & Country:

2016 – Europe

Band Members / Musicians:

Band Line-up:
  • Bruce Dickinson – Vocals
    Bruce Dickinson, born August 1958, is the powerhouse vocalist who propelled Iron Maiden to legendary status. Joining in 1981, his operatic range and electrifying stage presence defined albums like The Number of the Beast and Powerslave. A solo artist, pilot, and author, his legacy spans far beyond metal. Explore his journey here.
  • Dave Murray – Guitar
    Dave Murray, born 1956, is the melodic mastermind behind Iron Maiden‘s signature twin-guitar attack. A founding member, his fluid, expressive solos and harmonized leads have defined the band’s sound since 1975. With impeccable technique and a bluesy yet electrifying style, he’s a pillar of heavy metal guitar. Learn more about his journey here.
  • Janick Gers – Guitar
    Janick Gers, born 1957, is a high-energy guitar virtuoso whose electrifying solos and wild stage presence have fueled Iron Maiden since 1990. From his early days with White Spirit and Gillan to shredding alongside Dave Murray and Adrian Smith, his dynamic style adds fire to Maiden’s sound. Discover more about his journey here.
  • Steve Harris – Bass Guitar, Backing Vocals
    Steve Harris , born 1956, is the mastermind behind Iron Maiden’s galloping bass lines and epic compositions. Founding the band in 1975, his songwriting shaped metal anthems like The Trooper and Hallowed Be Thy Name. A pioneer of NWOBHM, his legacy as a bassist and visionary is untouchable. Discover his journey here.
  • Nicko McBrain – Drums
    Nicko McBrain , born 1952, is the powerhouse drummer who has fueled Iron Maiden’s thunderous sound since 1982. With lightning precision and unrelenting groove, he’s driven classics like Powerslave and The Number of the Beast. From Trust to Pat Travers Band, his journey shaped a legendary career. Dive deeper into his story here.

Complete Track-listing:

Tracklisting Side One:
  1. Intro
  2. If Eternity Should Fail
  3. Speed Of Light
  4. Children Of The Damned
  5. Tears Of A Clown
Tracklisting Side Two:
  1. The Red And The Black
  2. The Trooper
  3. Powerslave
  4. Death Or Glory

Disclaimer: Track durations shown are approximate and may vary slightly between different country editions or reissues. Variations can result from alternate masterings, pressing plant differences, or regional production adjustments.

Album Front Cover Photo
The front cover of Iron Maiden’s unofficial live LP Beast in the Garden shows a ferocious, battle-worn version of Eddie standing like a blood-soaked jungle warlord in a vivid, chaotic landscape. His skin is smeared with red and black streaks, his mouth filled with sharpened bone-like teeth, and tribal white markings glow across his chest and skull. Eddie grips a severed, bleeding hand in one fist and a crude, jagged blade in the other, while behind him a crashed aircraft wing with a painted Eddie face rises from the dense greenery. A row of decaying buildings and a rusted yellow taxi appear half-swallowed by vegetation. The sky burns in orange and pink hues, giving the scene an apocalyptic, fever-dream atmosphere. On the left, a blue Japanese-style OBI strip runs vertically with white characters and the Cult Legend Recordings logo, adding a faux-import aesthetic to the bootleg.

This album cover presents a brutal and hyper-detailed interpretation of Eddie, Iron Maiden’s iconic mascot. He stands center frame, rendered as a feral warrior coated in streaks of dried blood, dirt, and torn flesh. White handprint-style markings stain his chest and abdomen, while sharp bone-like fangs protrude from his jaw, giving him a predatory snarl. One arm hangs low, gripping a freshly severed hand dripping red; the other holds a jagged blade, its edge chipped and stained.

Behind Eddie rises the wreckage of a crashed airplane, its wing painted with another monstrous Eddie face that watches the viewer with a sinister grin. Overgrown foliage creeps up the debris, mixing with ruined city structures fading into the hazy background. A rundown yellow taxi sits half-swallowed by the greenery, hinting at a world reclaimed by chaos. Flocks of birds sweep across a fiery sky streaked in oranges, pinks, and yellows, amplifying the apocalyptic energy.

Running vertically along the left side is a bold blue Japanese-style OBI strip, displaying white Japanese characters, a ¥3,200 price, and the “CLR 056” catalog code. The OBI amplifies the illusion of a Japanese release, despite this being a European bootleg. At the bottom, stylized lettering spells out “The Beast in the Garden Vol. 1,” tying the artwork to Iron Maiden’s raw, explosive live presence.

Collector’s Note: OBI Translation Explained

The Japanese text on this OBI uses real Japanese characters, but the phrasing is not how a native Japanese writer would express these ideas. It reads like a direct machine translation, understandable but awkward and clearly not produced by an actual Japanese label.

The literal meaning of the printed OBI text, kept exactly as written, is: “Iron Maiden / Beast in Garden Volume 1 / 30th, 2016, World Tour / Stereo / Cult Legend Recordings / CLR 056 ¥3,200.” This reflects the band name and intended context, but the structure is unnatural.

A real Japanese OBI would phrase the same information like this: “Iron Maiden – Beast in the Garden Vol.1 / March 30, 2016 / New York, Madison Square Garden / World Tour Live / Stereo / Cult Legend Recordings / CLR 056 ¥3,200.”

Album Back Cover Photo
The back cover of Iron Maiden’s unofficial live LP Beast in the Garden displays a stark black background, textured like matte cardboard, with white stylized lettering arranged in centered blocks. At the top, a small tribal-style Eddie face appears, made of a skull-like mask with bared teeth and a white handprint forming a crest above it. Below this, the tracklist for Side A and Side B is printed in jagged, carved-looking letters. Side A shows the titles Intro, If Eternity Should Fail, Speed of Light, Children of the Damned, and Tears of a Clown. Side B displays The Red and the Black, The Trooper, Powerslave, and Death or Glory. Beneath the tracklist, white text states the recording date 30 March 2016 and the venue, The Book of Souls World Tour, Madison Square Garden, New York, USA. At the bottom is the Cult Legend Recordings logo in rough white lettering. On the right is a vertical white strip containing a small reproduction of the album’s front cover along with Japanese characters, mimicking the style of a Japanese OBI despite this being a European bootleg.

This back cover uses a minimalist yet dramatic layout, with a deep black background creating a strong contrast against the white lettering and graphics. Centered near the top is a small tribal-style depiction of Eddie, formed from a white handprint pressed above a snarling skeletal face. The simplicity of the icon gives it a ritualistic, almost primitive look, matching the aggressive visual theme of the album’s front cover.

Beneath this emblem, the tracklists for both sides of the album are arranged in a tall, narrow column. The text is printed in jagged, uneven characters that resemble hand-carved stone, evoking Iron Maiden’s classic fantasy–adventure aesthetic. Side A includes the tracks Intro, If Eternity Should Fail, Speed of Light, Children of the Damned, and Tears of a Clown. Side B lists The Red and the Black, The Trooper, Powerslave, and Death or Glory, all centered and evenly spaced for readability.

Below the song listings, crisp white text states the performance details: “30 March 2016 / The Book of Souls World Tour / Madison Square Garden, New York, USA.” This grounds the artwork in the live-tour context that the bootleg seeks to replicate. At the very bottom, the Cult Legend Recordings logo appears in rough, distressed lettering, reinforcing the unofficial and DIY nature of the release.

Along the right edge is a vertical white band containing a miniature version of the album’s front cover, accompanied by Japanese characters. This design element imitates the look of a Japanese OBI strip, even though the record is a European bootleg. The imitation adds collector appeal while making the artwork visually distinctive.

Side One Record
A white, nearly opaque vinyl record of Iron Maiden’s Beast in the Garden bootleg release is shown lying flat against a bright background, revealing subtle marbled streaks caused by the pressing process. The surface of the vinyl is creamy white rather than pure white, with faint gray and charcoal swirls scattered unevenly across both the outer and inner areas of the disc. The edges appear smooth and evenly cut, while the grooves catch soft light reflections indicating the record’s circular texture. At the center is a matte black label bearing the Iron Maiden logo in its familiar angular typeface and the title The Beast in the Garden printed below in smaller lettering. At the bottom of the label, the catalog code CLR 056 A confirms it is the A-side of the record. The spindle hole is precisely centered and cleanly cut, and the black label contrasts sharply with the pale vinyl for a striking monochrome appearance typical of modern collector pressings.

This image displays the A-side of the Beast in the Garden vinyl, pressed on a creamy off-white disc with subtle swirling variations created during manufacturing. The color is not uniform; light gray streaks and faint marbling patterns appear across the surface, giving the record a distinctive and slightly rugged aesthetic often associated with small-batch or unofficial pressings.

At the center lies a matte black label that creates a bold contrast against the pale vinyl. The familiar angular Iron Maiden logo dominates the upper part of the label, while the album title “The Beast in the Garden” appears below it in smaller, stylized lettering. The bottom of the label features the catalog number “CLR 056 A,” clearly identifying this as the first side of the record.

The vinyl’s edge appears clean, smooth, and evenly cut, and the circular grooves catch reflections that reveal its texture. Minor visual irregularities from the pressing process add character typical of unofficial or collector-oriented releases. The spindle hole is accurately centered, indicating a functional pressing even if the record is not sourced from a major label plant.

Overall, the record presents a minimalistic yet bold look thanks to the stark black-and-white contrast between the label and the vinyl. The marbled surface contributes to its individuality, aligning with the bootleg nature and collector appeal of this Cult Legend Recordings issue.

Side Two l
A white marbled vinyl record representing Side Two of Iron Maiden’s Beast in the Garden bootleg is shown lying flat on a bright surface, revealing subtle cloudy gray streaks across the disc. The vinyl is an off-white cream tone rather than a pure white, with faint swirls and pressing marks distributed unevenly from the inner radius to the outer rim. At the center is a highly detailed black-and-white illustration featuring Iron Maiden’s Eddie depicted as a skeletal tribal figure inside an ornate circular emblem. The design resembles a fusion of Aztec or Mayan-inspired geometry with mechanical motifs, including tiny symmetrical symbols, linear patterns, and gear-like shapes forming a decorative ring around Eddie’s snarling face. His eyes are hollow and intense, framed by vertical bone-like ridges extending over the skull. The spindle hole pierces the center of Eddie’s forehead, adding emphasis to the radial layout. No text appears on the label, giving the artwork a stark, aggressive presence contrasting with the pale vinyl surface.

This image displays Side Two of the Beast in the Garden vinyl record, pressed on a creamy off-white disc with faint gray streaks and cloudy marbling. The subtle variations across the surface indicate the irregular color blending typical of small-run or unofficial pressings, giving the record a distinctive and individualized appearance.

The central label is entirely artistic, featuring a highly detailed black line illustration of Eddie. He appears as a skeletal figure with a fierce expression, framed by thick vertical ridges resembling bone armor across his forehead. His eyes are hollow and menacing, and his bared teeth emphasize Iron Maiden’s classic visual intensity.

Surrounding Eddie is an intricate, circular emblem filled with geometric patterns. The outer ring includes tightly arranged symbols, small icon-like drawings, and shapes reminiscent of both ancient Mesoamerican art and mechanical blueprints. These detailed lines radiate outward from the spindle hole, creating a symmetrical and decorative border that gives the label a ceremonial, almost ritualistic energy.

Unlike standard label layouts, this Side Two design contains no track information, catalog numbers, or text of any kind. This reinforces the bootleg nature of the release and shifts all visual focus to Eddie’s central portrait and the ornate emblem surrounding him. The stark contrast between the dark illustration and the pale vinyl surface gives the record a dramatic, collector-driven aesthetic.

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