| Album Production information:
The album: "T.T. QUICK - Metal of Honor" was produced by:
Jon Zazula.
Jon Zazula – Megaforce Records founder & metal scene catalystThe “Jonny Z” era starts in the East Brunswick trenches (early ’80s), then detonates with Metallica in 1982–1983 and keeps rolling through Megaforce years with bands like Anthrax (notably 1985–1991), Overkill, Testament, and Manowar. Read more... Jon Zazula, in my head, is proof that heavy metal didn’t just “happen” in the ’80s—it got built by obsessive weirdos with good ears and zero chill. He ran the Rock ’n’ Roll Heaven record store in East Brunswick, New Jersey, and used that shop as a kind of underground command center, blasting demos through the tape-trading network until the right bands found the right people. The pivotal moment (and yeah, it’s basically metal folklore at this point) lands in the winter of 1982, when he heard Metallica’s “No Life ’Til Leather” demo, pulled them to New York, and helped push them onto their first real East Coast stages—then Megaforce Records followed, and “Kill ’Em All” hit in 1983 like a crowbar to the radio. After that, his “periods” with bands were less about being onstage and more about being the guy who opened doors: the Megaforce run expanded from Metallica and Manowar in the early ’80s to a wider roster that included Anthrax (a key 1985–1991 stretch), plus acts like Overkill and Testament—basically a roll call of bands that helped define what American metal would sound like when it stopped asking permission.
Rob "Wacko" Hunter - Producer
Alex "The Boy Pharoah" Perialas - Sound Engineer, Producer
Alex Perialas – Audio Engineer, Mixer, Record ProducerIn my book, his credit is the “this is gonna hit hard” stamp—Pyramid Sound vibes all day. Read more... Alex Perialas is an American audio engineer, mixer, and record producer who helped lock in the tight, punchy thrash sound of the mid-1980s through the early 1990s from Pyramid Sound Studios in Ithaca, New York—working with bands like Anthrax, Overkill, Testament, Nuclear Assault, S.O.D., and Flotsam & Jetsam. Later on, his work stretches into other lanes (Bad Religion, Pro-Pain), and he’s also been tied to teaching sound recording at Ithaca College—because apparently someone had to explain to the next generation how to make guitars sound like a chainsaw with manners.
Eddie Kramer - Producer, Sound Engineer
Edwin H. “Eddie” Kramer – Producer, Audio EngineerThe guy who could take Hendrix saying “make it sound green” and somehow turn that into real audio. Read more... Edwin H. “Eddie” Kramer, in my book, is rock’s ultimate behind-the-glass magician: starting in London studios in the early 1960s, then going full-throttle with Jimi Hendrix from 1967–1970, capturing Woodstock (1969), engineering major Led Zeppelin work from 1969 onward, steering Electric Lady Studios as engineering director in 1970–1974, and later locking in that arena punch with Kiss through the mid/late 1970s (and beyond). When I see his credit, I expect big guitars, bigger atmosphere, and a mix that still feels alive.
Michael Wagener - Producer, Mix Engineer
Michael Wagener – Producer, Sound EngineerThe German set of ears that can make a wall of amps sound lethal, not muddy. Read more... Michael Wagener is the German-born producer/engineer who taught heavy guitars to sound huge without turning into soup. Back in the late 1970s and early 1980s he helped shape Accept's steel-plate punch, then in the 1980s Los Angeles grind he became a go-to set of ears for Dokken—tight, glossy, and still mean. By the late 1980s he was guiding arena-sized hard rock for Skid Row and White Lion, and in the 1990s he kept that balance of bite and clarity alive for bands like Extreme. I can spot his signature fast: drums snapping, guitars spread wide, and reverb kept on a short leash. From his WireWorld room in Tennessee, he mixes like a craftsman: edges sharp, low end disciplined, vocals sitting just forward enough to start trouble.
Nelson Ayres - Sound Engineer
Paul Higgins - Sound Engineer
Peter Bombar - Sound Engineer
Peter Bombar a sound engineer who has been working together with Alex Perialas, Norman Dunn, Jon Zazula. During the 1980s he has been responsible for the sound recording for albums of the Heavy Metal bands: Attila, Raven, Thrasher, T.T. Quick and others.
Album cover design:
Dan Muro, NYC
Album cover photography: Dan Muro
Daniel Muro worked for the producer Todd Gordon on several Heavy Metal bands. Bands he has photographed include Overkill, Hades and many others.
Hair design: Linda Marie
|
