"T.S.O.L: True Sounds of Liberty" unleashes "Hit and Run" on the 12" Vinyl LP Album, a landmark in their discography. The band's sonic rebellion permeates this release, showcasing their punk prowess. With tracks like "Hit and Run," T.S.O.L solidifies their place in punk history. The vinyl format adds a gritty authenticity to the experience, making this album a resonant emblem of T.S.O.L's contribution to the punk genre. Each groove captures the rebellious spirit of True Sounds of Liberty.
In the midst of the vibrant Southern California punk scene of the early 1980s, T.S.O.L. (True Sounds of Liberty) emerged as a powerful and controversial force. Their 1981 debut, "Dance with Me," established them as hardcore punk pioneers. However, their 1987 album, "Hit and Run," marked a significant departure from their roots, sparking both intrigue and backlash.
Historical Context By the mid-1980s, punk was evolving. The raw, aggressive sound of early hardcore was giving way to experimentation and genre blending. T.S.O.L., never a band to shy away from pushing boundaries, embraced this shift wholeheartedly. "Hit and Run" was released during a time when many punk bands were exploring new sonic territories, seeking to expand their musical horizons beyond the confines of traditional hardcore.
Musical Exploration "Hit and Run" showcased T.S.O.L.'s bold musical exploration. The album incorporated elements of hard rock, heavy metal, and even gothic rock, resulting in a diverse and dynamic sound. Tracks like "It's Too Late" and "Road of Gold" featured soaring vocals and melodic guitar lines, while "Dreamer" delved into darker, more atmospheric territory. This sonic diversity alienated some hardcore purists but garnered praise from those who appreciated the band's willingness to experiment.
Controversies The album's drastic stylistic shift sparked controversy within the punk community. Some fans accused the band of selling out, abandoning their hardcore roots in favor of a more commercially viable sound. Others defended the album as a natural evolution, citing the band's right to artistic freedom. The controversy surrounding "Hit and Run" only fueled the album's notoriety, ensuring that it would remain a talking point for years to come.
Production and Personnel "Hit and Run" was produced by Thom Wilson, known for his work with bands like The Offspring and Social Distortion. Wilson's production expertise helped to shape the album's polished and dynamic sound. The album was recorded at Track Record Studios in North Hollywood, California.
Collector Notes: | Although TSOL is known to be a hardcore punk band, this album is definitely Glam Rock Heavy Metal |
Music Genre: Glam Rock Metal Music |
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Album Production information: Produced by Howard Benson | |
Record Label & Catalognr: Enigma 3263 |
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Media Format: 12" LP Vinyl Gramophone Record |
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Year and Country: 1987 Made in Holland |
Complete Track Listing of: T.S.O.L True Sounds of Liberty - Hit and Run |
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Group photo of the T.S.O.L. band members on the front cover
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
Four separate photos of the TSOL Band-members
"Hit And Run" Red and White Colour ENIGMA Record Label Details: ENIGMA Records 3263-1 ℗ 1987 Engima Records Sound Copyright