- glam metal
Kix's self-titled debut, a glam metal masterpiece, is encapsulated in a 12" Vinyl LP Album released in 1981 on Atlantic Records. This album heralds the arrival of Kix onto the glam metal stage, showcasing their energetic sound and charismatic presence. A sonic journey through the vibrant glam metal era, the self-titled "Kix" album remains a pivotal moment in the band's discography.
In the heart of the early 1980s, amidst a whirlwind of hairspray, leather, and power chords, a self-titled album by the American rock band KIX emerged as a testament to the era's glam metal scene. Released in 1981 on Atlantic Records, this 12" vinyl LP album marked the band's debut and offered a glimpse into their energetic sound and charismatic stage presence.
Historical Context and Musical Exploration
"KIX" was released at a time when glam metal was beginning to gain traction, with bands like Mötley Crüe, Ratt, and Twisted Sister paving the way for a new generation of rockers. KIX, hailing from Hagerstown, Maryland, infused their music with a raw energy and a party-hard attitude, capturing the spirit of the times. The album featured a blend of hard-hitting rock anthems, catchy hooks, and a touch of bluesy swagger, showcasing the band's versatility and songwriting prowess.
Music Genre and Controversies
KIX's music was firmly rooted in the glam metal genre, characterized by its loud guitars, anthemic choruses, and flamboyant fashion sense. While the band's lyrics often touched on themes of rebellion, partying, and youthful exuberance, they rarely courted controversy. Their music was more about having a good time and letting loose than making any grand political statements.
Production Team and Recording Studio
The album was produced by Tom Allom, a seasoned producer known for his work with Judas Priest and Black Sabbath. His experience and expertise helped shape the album's sound, giving it a polished yet raw edge that resonated with rock fans. The recording sessions took place at various studios, including the Power Station in New York City, a state-of-the-art facility that hosted numerous iconic recording sessions during the 1980s.
Album Cover Designers
The album cover, featuring a simple yet striking black and white photo of the band members, was designed by Bob Defrin. His minimalist approach captured the band's raw energy and no-frills attitude, perfectly complementing the music contained within the grooves of the vinyl. .
Music Genre: Glam Metal |
Album Production information: The album: "KIX - Self-Titled" was produced by: Tom Allom Tom "Colonel" Allom In the illustrious realm of music production, one name that resonates with brilliance is that of Tom Allom. Born on 14th March 1946 in London, this British music producer and sound engineer have left an indelible mark on the landscape of rock and metal music. Allom's journey into the realm of sound engineering began in the late 1960s when he found himself at the epicenter of the burgeoning British music scene. With a keen ear for detail and an innate understanding of the nuances of sound, he quickly gained recognition among the music elite. His breakthrough came when he collaborated with the legendary rock band Judas Priest in the late 1970s. The partnership proved to be nothing short of magical, as Allom's production work on albums like "British Steel" and "Screaming for Vengeance" catapulted Judas Priest into international stardom. The distinctive sound he crafted for the band, characterized by powerful guitar riffs and dynamic vocals, became synonymous with the golden era of heavy metal. Allom's contribution extended beyond Judas Priest, as he lent his expertise to numerous iconic acts. His work with Black Sabbath, Def Leppard, and Krokus further solidified his reputation as a maestro in the studio. His ability to capture the raw energy of live performances while maintaining clarity and precision set him apart in an industry that demanded perfection. In addition to his prowess in the studio, Tom Allom's collaboration with these renowned bands saw him participate in the creation of some of rock and metal's most enduring anthems. From the anthemic "Living After Midnight" to the thunderous "Breaking the Law," Allom's fingerprints are etched into the sonic fabric of classic rock. As the music industry evolved, so did Allom's career. He adapted seamlessly to changing technologies, ensuring that his production techniques remained at the forefront of innovation. His work continued to influence younger generations of producers, and he remained a sought-after name in the industry. Beyond his technical proficiency, Tom Allom's affable personality and collaborative spirit endeared him to the musicians he worked with. His ability to understand and enhance the vision of artists contributed significantly to the success of the projects he undertook.
|
Record Label Information: Atlantic K 50834 |
Media Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1981 Made in Germany |
Band Members and Musicians on: KIX - Self-Titled |
|
Track Listing of: "KIX - Self-Titled" |
The Songs/tracks on "KIX - Self-Titled" are
|
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"KIX" Green, White and Orange Colour Atlantic Record Label Details: Atlantic K 50834 , LC 0121
