"Monster," Steppenwolf's 1969 album, transcends musical boundaries, echoing the socio-political turbulence of the era. With new guitarist Larry Byrom, the band delves into Vietnam War dissent, crafting a sonic tapestry reflecting the countercultural revolution. Produced by Gabriel Mekler and engineered by Richard Podolor and Bill Cooper at the American Recording Company, the album's diverse tracks, from blues to psychedelia, encapsulate the zeitgeist. The 12" LP's gatefold cover visually mirrors the chaos, cementing "Monster" as a timeless musical journey through 1969's cultural upheaval.
In the musical landscape of 1969, Steppenwolf, a rock band known for their rebellious spirit and anthemic sound, released an album that not only marked a transition in their lineup but also delved deep into the socio-political fabric of the time. "Monster," the band's ninth studio album, not only showcased the prowess of the new lead guitarist, Larry Byrom, but also served as a poignant commentary on the tumultuous events of the late 1960s, particularly the Vietnam War. This article explores the context of the time period, the production of the album, and the resonating echoes of its political narrative.
The Zeitgeist of 1969:
To understand the impact of Steppenwolf's "Monster," one must delve into the socio-political milieu of 1969. The late 1960s were a time of profound change and upheaval, characterized by the civil rights movement, anti-war protests, and a countercultural revolution. The Vietnam War, a divisive conflict, fueled the fire of dissent across the globe. Against this backdrop, artists found their voice in expressing societal discontent and challenging the status quo.
Steppenwolf's foray into the political realm with "Monster" aligns with this spirit of rebellion. The album encapsulates the frustration and disillusionment prevalent in the era, providing a sonic tapestry for those seeking an anthem for change.
Production Team:
The creative forces behind "Monster" played a crucial role in shaping the album's distinctive sound. Gabriel Mekler, the producer, guided the band through a musical journey that would solidify their reputation as counterculture icons. Mekler's touch is evident in the album's raw energy and experimental elements.
The sound and recording engineering, executed by Richard Podolor and Bill Cooper, contributed to the album's sonic richness. Recorded at the American Recording Company, the choice of studio added a layer of authenticity to the album, capturing the essence of a band deeply immersed in the cultural and political zeitgeist.
Musical Exploration and Innovation:
"Monster" is not just a political manifesto; it is a testament to Steppenwolf's musical exploration. The album traverses a spectrum of genres, from the blues-infused "Draft Resister" to the psychedelic "Power Play." Each track contributes to the album's overall narrative, creating a cohesive yet diverse listening experience.
The Album Cover:
The 12" LP vinyl gatefold album cover of "Monster" is a visual representation of the band's ethos. The cover art, like the music within, reflects the rebellion and chaos of the era. It becomes a time capsule, encapsulating the spirit of 1969 within its folds.
Album Description & Collectors information: Steppenwolf's seventh studio album, Monster, was released in 1969. It was their first album with new lead guitarist Larry Byrom, who replaced Michael Monarch. The album was a commercial success, reaching number 12 on the Billboard 200 chart. It was also certified Gold by the RIAA. The album was produced by Gabriel Mekler and Steppenwolf. The cover art was designed by John Berg. The album's title track, "Monster," was a Top 40 hit single. Other notable tracks include "Suicide," "America," and "Draft Resister." Monster is a hard rock album with a political edge. The album's lyrics address issues such as the Vietnam War, the draft, and social injustice. The album was a critical and commercial success, and it helped to solidify Steppenwolf's reputation as one of the leading hard rock bands of the era.
|
Music Genre: Psych / Acid Rock, Hard Rock |
Album Production Information: The album: "STEPPENWOLF - Monster" was produced by: Gabriel Mekler Sound/Recording Engineer(s): Richard Podolor, Bill Cooper This album was recorded at: American Recording Company |
Record Label & Catalognr: Light Blue EMI Columbia 1C 062-90 764 / Released by Dunhill ABC Records in USA |
Packaging: Gatefold/FOC (Fold Open Cover) Album Cover Design with artwork / photos on the inside cover pages |
Media Format: 12" LP Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 280 gram |
Year & Country: November 1969 Made in Germany |
Complete Track-listing of the album "STEPPENWOLF - Monster" |
The detailed tracklist of this record "STEPPENWOLF - Monster" is:
|
High Quality Photo of Album Front Cover "STEPPENWOLF - Monster" |
Album Back Cover Photo of "STEPPENWOLF - Monster" |
Inside of Gatefold Cover of "STEPPENWOLF - Monster" Album |
Photo of "STEPPENWOLF - Monster" Album's Inside Gatefold Sleeve |
Close-up Photo of "STEPPENWOLF - Monster" Record Label |
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
"Steppenwolf 7" is the album by Steppenwolf, released in 1970, and their fifth studio recording for Dunhill Records. It is the first Steppenwolf album with new bass player George Biondo. While the album featured Steppenwolf's trademark rock and roll sounds, none of the songs were able to make the Top 40.
7 12" Vinyl LP"Early Steppenwolf Live in San Francisco" is a landmark album that captures the raw energy and excitement of one of the most innovative and exciting bands of the 1960s. The album's mix of blues, rock, and psychedelic influences helped define the era's sound and style, while its themes of rebellion and freedom
Early Steppenwolf Live in San Francisco 12" Vinyl LP"For Ladies Only" is the sixth studio album by the band Steppenwolf, released in 1971 . It is a political concept album mainly about feminism but with several more conventional songs about romance as well, both unusual themes for Steppenwolf.
For Ladies Only 12" Vinyl LP"Gold: Their Great Hits" is a definitive collection of some of Steppenwolf's most iconic and influential songs. The album helped solidify the band's legacy as one of the most innovative and exciting acts of the 1960s and 70s, and its impact on the wider music scene cannot be overstated.
- Gold Their Great Hits (1970, Europe) - Gold Their Great Hits (1971, Germany)Steppenwolf's "Live" album is a landmark recording in rock and roll history, and remains a testament to the band's raw energy and musicianship. The album helped establish Steppenwolf as one of the most exciting and powerful live acts of the era, and its impact on the wider music scene cannot be overstated.
- Live 2LP (1970, MCA Records) - Live 2LP (1970, Stateside Records)"Monster," Steppenwolf's 1969 album, transcends musical boundaries, echoing the socio-political turbulence of the era. With new guitarist Larry Byrom, the band delves into Vietnam War dissent, crafting a sonic tapestry reflecting the countercultural revolution.
Monster 12" Vinyl LPSteppenwolf's self-titled debut album is a landmark recording in rock and roll history, and remains a powerful statement of the band's raw energy and rebellious spirit. The album helped establish Steppenwolf as a major force in rock and roll, and its impact on the wider music scene cannot be overstated.
STEPPENWOLF - Self-titled 12" Vinyl LP