"Kingdom Come," the eponymous debut album by the German hard rock band, is etched into the world of music history as their quintessential work. Presented on a 12" Vinyl LP Album, this release marked the inception of Kingdom Come's powerful presence in the hard rock scene. Widely regarded as their best album, it showcases the band's distinctive sound and solidifies their standing among hard rock enthusiasts. A testament to their musical prowess, this self-titled album remains a cornerstone in Kingdom Come's legacy.
The year was 1988, and the hard rock scene was hungry for a new champion. Enter Kingdom Come, a German band poised to take the genre by storm with their self-titled debut album, released on 12" vinyl LP in West Germany. This record, forever etched in the annals of hard rock history, marked the beginning of a powerful legacy for the band.
Kingdom Come's debut album is widely considered their finest work. It's a showcase of their distinct sound, a blend of classic hard rock influences with a fresh, energetic approach. This LP solidified their place among hard rock enthusiasts and established them as a band to be reckoned with.
The album is a testament to the band's musical prowess. Each track is a demonstration of their tight musicianship and songwriting skills. From the electrifying opener "Living Out of Touch" to the soaring ballad "Now Forever After," the album is a journey through a spectrum of hard rock emotions.
Here's a glimpse into some of the album's highlights:
"Living Out of Touch": This high-octane track sets the tone for the album, showcasing the band's driving rhythm section and Lenny Wolf's powerful vocals.
"What Love Can Be": A powerful ballad that showcases the band's softer side, featuring a guest songwriting credit from B. Gowdy.
"The Shuffle": This track features a scorching guitar solo from Danny Stag, a glimpse into the band's lead guitar prowess.
"Get It On": A return to the album's hard-driving energy, sure to get any head banging.
The album: "KINGDOM COME" was produced by:
Bob Rock and Lenny Wolf
Bob Rock invites you to explore his legendary contributions to rock music — visit his webpage to learn more!
Sound/Recording Engineer(s):
Bob Rock, Tim Crich (Note: TIm Crich also worked on the 1988 Rolling Stones album: "Dirty Work")
This album was recorded at:
Little Mountain Studios, Vancouver
Mixed by
Bob Rock and Ken Steiger at Electric Lady Studios, New York City (Note: Ken Steiger has also worked for Kiss on the album "Asylum")
Mastered by
George Marino at Sterling Sound, New York City
George Marino: legendary mastering engineer behind iconic albums by Metallica, AC/DC, and more. Explore his life and groundbreaking career in music.
Album cover design: Hugh Syme
Hugh Syme is a Canadian Juno Award-winning graphic artist and member of the Premier Artists Collection (PAC) who is best known for his artwork and cover concepts for rock and metal bands. He is also a musician and has appeared in some Rush songs as a keyboard player. Syme is notably responsible for all of Rush's album cover art since 1975's Caress of Steel as well as creating Rush's famous Starman logo.
Iron Maiden fans remember him best as the designer of The X Factor cover, which shows the band's mascot Eddie the Head dissected. It is remembered for its gritty realism. Whereas all previous Maiden albums were oil paintings, the X Factor Eddie was a puppet with some digital touch-ups to enhance its look. In some countries the cover was considered so gruesome that a less gory alternative was offered (the alternative cover is actually the back of the original CD booklet)
Collectors may wish to collect his complete oeuvre of album covers.
Album cover photography: Jay Buchbaum
Hard Rock, Glam Metal
Polydor 835 368-1, Polydor KCLP 1
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1988 Made in West-Germany for European Distribution
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Polydor 835 368-1 Record Label Details: Biem / Stemra
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