KINGDOM COME - Kingdom Come ( self-titled ) 12" Vinyl LP Album
Kingdom Come is the debut album by the German hard rock band with the same name and is considered their best album.
Kingdom Come is the debut album by the German hard rock band with the same name and is considered their best album.
The album: "KINGDOM COME - Kingdom Come (self-titled)" was produced by: Bob Rock and Lenny Wolf
Bob Rock is a renowned music producer and sound engineer hailing from Winnipeg, Canada. Born on 19 April 1954, Rock's passion for music began at a young age, and he developed a strong interest in rock and heavy metal genres. Over the years, he has made an indelible mark on the music industry, working with numerous iconic bands and shaping the sound of some of the most influential albums in rock history.
Rock's career took off in the 1980s when he started collaborating with various artists and bands. His reputation as a skilled producer and engineer quickly grew, and he became known for his ability to capture the raw energy and power of heavy metal music. One of his earliest notable collaborations was with the Swiss hard rock band Krokus, for whom he produced their successful album "Headhunter" in 1983.
However, it was his work with the legendary band Metallica that truly catapulted Rock to international fame. In the early 1990s, Rock collaborated with Metallica as the producer on their self-titled fifth studio album, commonly known as "The Black Album". Released in 1991, the album was a massive success, selling millions of copies worldwide and propelling Metallica to new heights of mainstream popularity. Rock's production on the album was praised for its polished yet heavy sound, and it remains one of the best-selling rock albums of all time.
Following the success of "The Black Album", Rock continued to work with Metallica on their subsequent albums, including "Load" (1996) and "Reload" (1997). His collaboration with the band played a significant role in shaping their evolving sound and experimenting with new musical directions. Rock's ability to adapt to different artistic visions while maintaining a high level of production quality became one of his trademarks.
In addition to his work with Metallica, Rock has produced and engineered albums for several other major heavy metal bands. He worked with Mötley Crüe on their highly successful album "Dr. Feelgood" (1989), which showcased his knack for capturing the band's sleazy and aggressive sound. Rock also collaborated with Aerosmith on their comeback album "Permanent Vacation" (1987), which marked a resurgence in the band's popularity and featured several hit singles.
Throughout his career, Bob Rock has been recognized with numerous awards and accolades for his contributions to the music industry. He has received Grammy Awards for his work with Metallica and has been inducted into the Canadian Music Hall of Fame. Rock's talent and expertise as a producer and engineer have made him one of the most sought-after figures in the industry, and he continues to work with a diverse range of artists and bands, leaving his mark on the music world with every project he takes on.
Bob Rock's passion for music, his innate understanding of rock and heavy metal, and his unwavering commitment to delivering top-notch production quality have cemented his status as one of the most influential music producers and sound engineers of his time. His contributions to the genre have left an indelible impact and have shaped the sound of countless iconic albums, making him a true legend in the world of rock music.
Sound/Recording Engineer(s): Bob Rock, Tim Crich (Note: TIm Crich also worked on the 1988 Rolling Stones album: "Dirty Work")
This album was recorded at: Little Mountain Studios, Vancouver
Mixed by Bob Rock and Ken Steiger at Electric Lady Studios, New York City (Note: Ken Steiger has also worked for Kiss on the album "Asylum")
Mastered by George Marino at Sterling Sound, New York City
George Marino was a highly acclaimed Senior Mastering Engineer at Sterling Sound in New York City. Born on 15 April 1947, in the Bronx, New York, he became one of the most experienced and influential sound mastering engineers in the world. With his unparalleled expertise, Marino played a significant role in shaping the sound of countless albums across various music genres.
From a young age, Marino displayed a deep passion for music and an innate talent for audio engineering. He began his career at Capitol Records in New York, where he worked as a mastering engineer and honed his skills in audio post-production. In 1973, Marino joined Sterling Sound, a renowned mastering facility founded by Lee Hulko. It was here that he would leave an indelible mark on the music industry.
Over the years, George Marino mastered an extensive catalog of albums for a wide range of artists and musical styles. His meticulous attention to detail and exceptional ear for sound allowed him to consistently deliver exceptional quality and clarity in his work. He possessed an intuitive understanding of how to enhance the dynamics, balance, and overall sonic experience of each record he touched.
During the 1980s, a pivotal era for heavy metal music, George Marino worked on numerous influential albums in the genre. His mastering contributions to these records played a crucial role in shaping the iconic sounds of heavy metal during that decade. Some notable albums he mastered include:
These albums, among many others, showcase Marino's contribution to the heavy metal genre's sonic landscape during the 1980s. His meticulous mastering work ensured that these records had the power, clarity, and impact necessary to captivate listeners and establish their enduring legacies.
George Marino's career spanned over four decades, during which he received numerous accolades for his outstanding contributions to the music industry. His expertise and mastery of sound engineering made him a highly sought-after professional, and he worked with a diverse range of artists, including AC/DC, Metallica, Guns N' Roses, Coldplay, and many more.
Tragically, George Marino passed away on 4 June 2012, leaving behind an extraordinary legacy as one of the most skilled and respected mastering engineers of his time. His dedication to his craft, meticulous attention to detail, and unparalleled expertise continue to inspire and influence audio engineers and musicians worldwide. George Marino's contributions to the art of sound mastering remain an enduring testament to his extraordinary talent and passion for music.
Album cover design: Hugh Syme
Hugh Syme is a Canadian Juno Award-winning graphic artist and member of the Premier Artists Collection (PAC) who is best known for his artwork and cover concepts for rock and metal bands. He is also a musician and has appeared in some Rush songs as a keyboard player. Syme is notably responsible for all of Rush's album cover art since 1975's Caress of Steel as well as creating Rush's famous Starman logo.
Iron Maiden fans remember him best as the designer of The X Factor cover, which shows the band's mascot Eddie the Head dissected. It is remembered for its gritty realism. Whereas all previous Maiden albums were oil paintings, the X Factor Eddie was a puppet with some digital touch-ups to enhance its look. In some countries the cover was considered so gruesome that a less gory alternative was offered (the alternative cover is actually the back of the original CD booklet)
Collectors may wish to collect his complete oeuvre of album covers.
Album cover photography: Jay Buchbaum
Hard Rock, Glam Metal
Polydor 835 368-1, Polydor KCLP 1
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1988 Made in West-Germany for European Distribution
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
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Polydor 835 368-1 Record Label Details: Biem / Stemra
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