- NWOBHM
"Demolition" was the first/debut studio album by the all-female British NWOBHM band, Girlschool. This album was released in Germany on the Bronze record label. This web-page has hi-res photos of the album covers, record label and a detailed description.
In the dynamic tapestry of the New Wave of British Heavy Metal (NWOBHM), a groundbreaking force emerged, defying conventions and shattering stereotypes. Enter Girlschool, an all-female powerhouse poised to make their mark on the realm of rock with their debut studio album, "Demolition."
Released amidst a flurry of anticipation in , "Demolition" served as a clarion call, heralding the arrival of a band unafraid to challenge the male-dominated landscape of heavy metal. Produced by the esteemed Vic Maile, renowned for his work with Motorhead, the album exuded a raw, unbridled energy that captivated audiences from the first note to the last.
From the thunderous drums of Denise Dufort to the blistering riffs of Kelly Johnson and Kim McAuliffe, Girlschool unleashed a sonic assault that reverberated far beyond the confines of their genre. Tracks like "Race with the Devil" (with obvious influences by "Status Quo") and "Emergency" pulsated with a ferocity that demanded attention, while "Take It All Away" showcased a melodic sensibility that hinted at the band's versatility.
Commercial success swiftly followed in the wake of "Demolition's" release, propelling Girlschool into the stratosphere of rock stardom. The album soared to critical acclaim, earning praise for its uncompromising sound and fearless attitude. With its electrifying blend of punk-infused aggression and heavy metal bravado, "Demolition" carved out a niche all its own, cementing Girlschool's status as trailblazers in a male-dominated industry.
Yet, it was not merely their musical prowess that set Girlschool apart; it was their unwavering determination to defy expectations and challenge the status quo. In an era where female musicians were often relegated to the sidelines, Girlschool stood tall, proving that gender was no barrier to rocking out with the best of them.
Music Genre: NWOBHM New Wave of British Heavy Metal |
Album Production Information: The album: "GIRLSCHOOL - Demolition" was produced by: Vic Maile Vic Maile , born on 27 March 1943, was a highly respected British sound engineer and record producer who played a significant role in shaping the sound of rock and roll. With his remarkable talent and passion for music, Maile made a lasting impact on the industry, leaving behind a legacy that continues to resonate with fans and artists alike. Maile's journey in music began during his formative years, where he developed a deep fascination with sound and its manipulation. As a teenager, he immersed himself in the world of electronics and sound engineering, constantly experimenting with audio equipment and exploring new ways to capture and enhance musical performances. In the 1960s, Maile emerged as a sought-after sound engineer, working with numerous bands and artists in the thriving British music scene. His technical proficiency and ability to understand the intricacies of sound quickly earned him a reputation for excellence. Artists and producers recognized Maile as someone who could elevate their music to new heights through his expertise in the recording studio. Throughout his career, Maile had the privilege of collaborating with a diverse range of bands and musicians, each with their unique styles and sonic signatures. Some of the notable names he worked with include: 1. Dr. Feelgood: Maile's partnership with Dr. Feelgood in the mid-1970s proved to be a pivotal moment in both his career and the band's success. He played a vital role in capturing the band's raw, high-energy pub rock sound, contributing to the creation of their influential debut album, "Down by the Jetty" (1975). 2. Motörhead: One of Maile's most iconic collaborations was with the legendary heavy metal band Motörhead. His production work on their seminal albums, such as "Overkill" (1979) and "Ace of Spades" (1980), helped define their distinctive and aggressive sound. Maile's ability to capture the band's raw intensity and sheer power in the studio cemented their status as one of the genre's most influential acts. 3. Girlschool: Maile's partnership with the all-female heavy metal band Girlschool yielded exceptional results. He worked closely with them on albums like "Hit and Run" (1981) and "Screaming Blue Murder" (1982), crafting a sound that balanced their fierce energy with melodic hooks. His production skills showcased the band's musical prowess and contributed to their rise in the male-dominated rock landscape. 4. The Quireboys: Maile collaborated with The Quireboys for their debut album, "A Bit of What You Fancy" (1990). With his guidance, the band achieved a blend of classic rock and roll swagger with a contemporary edge, resulting in a critically acclaimed record that earned them commercial success. Vic Maile's talent as a sound engineer and record producer extended far beyond these notable collaborations. His contributions to the rock and roll genre are immeasurable, as he worked with a myriad of artists who trusted him to translate their artistic vision into captivating sonic experiences. Martin Poole - Design Linda Curry - Artwork |
Record Label Information: BRONZE 202 426 |
Media Format: 12 " LP Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1980 Made in Germany |
Band Members and Musicians on: GIRLSCHOOL - Demolition |
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Track Listing of: "GIRLSCHOOL - Demolition" |
The Songs/tracks on "GIRLSCHOOL - Demolition" are
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Description
Note: The images on this page are photos of the actual album. Slight differences in color may exist d ue to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
A collage of Girlschool photos on the album back cover of "Demolition".
Record Label Details: BRONUE 202 426, GEMA, 1980 Bronze Records Ltd. Label's rim-text in German language.
BRONZE 202 426 , 1980 , Germany
"Demolition" Girlschool's 1980 debut, crashed into the male-dominated NWOBHM scene, proving women could rock just as hard. This scorcher of an album mixed punk energy with metal riffs,
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BRONZE 203 556 , 1981 , Germany
"Girls just wanna rock! Dive into the NWOBHM era with Girlschool's 'Hit and Run' LP. This album packs a punch with anthemic tracks and commercial success, solidifying its status as a timeless classic in heavy metal lore."
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GWR Records RR 9671 , 1986 , Holland
Girlschool's 1986 album "Nightmare At Maple Cross" marked a return to their heavy metal roots after a brief detour. Produced by the legendary Vic Maile, it features classic Girlschool with driving anthems & a glam-tinged Mud cover. This LP cemented their place in NWOBHM history.
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BRONZE 205 855 , 1983 , Germany
1983's Play Dirty saw Girlschool, pioneers of NWOBHM, turn up the heat. Produced by Slade's Noddy Holder & Jim Lea, the album is a fist-pumping collection of heavy anthems & scorching riffs, a must-listen for any metal fan.
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Bronze 204 757 , 1982 , Germany
In 1982, Girlschool released "Screaming Blue Murder," a defining moment for the band with a new bassist and Nigel Gray's production. This album solidified their place in heavy metal history with fierce riffs and anthemic tracks, challenging gender stereotypes in the genre.
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