(Untitled) is the ninth album by the American rock band The Byrds and was released in September 1970 on Columbia Records. This is a double album, with the first LP featuring live concert recordings from two early 1970 performances in New York City and with the second LP consisting of new studio recordings. This album represented the first official release of any live recordings by the band as well as the first appearance on a Byrds' record of new recruit Skip Battin.
Album Description & Collectors information: Gatefold/FOC (Fold Open Cover) Album Cover Design with artwork / photos on the inside cover pages
The Byrds' "Untitled" album was a double LP set that included both live recordings and studio tracks. The live recordings were taken from concerts that the band had performed at the Fillmore East in New York City and the Fillmore West in San Francisco. The studio tracks were recorded at Columbia Studios in Hollywood, California. The album was produced by Terry Melcher and the band, with additional engineering by Stephen Barncard. The Byrds' Untitled album is considered by many to be a landmark record in the history of rock music. It marked a departure from the band's earlier sound and demonstrated their willingness to experiment with different styles of music. The album showcased the band's ability to seamlessly blend elements of folk, country, rock, and psychedelia into a cohesive whole. The live recordings on the album captured the energy and excitement of the band's live performances, which were legendary in the 1960s. The studio tracks, on the other hand, demonstrated the band's proficiency as songwriters and their ability to create intricate and nuanced arrangements. The album's influence can be heard in the music of many subsequent bands, including Tom Petty and the Heartbreakers, R.E.M., and Wilco. It has been praised for its innovative use of the 12-string guitar, its intricate harmonies, and its incorporation of country and folk music into the rock genre. |
Music Genre: American Folk-Rock |
Album Production Information: The album: "BYRDS - Untitled" was produced by: Terry Melcher, Jim Dickson Liner notes by Derek Taylor Album cover design: The Cafe Society Dancing Band / Babitz Album cover photography: Nancy Chester |
Record Label & Catalognr: CBS S 66253 |
Media Format: Double 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 480 gram |
Year & Country: 1970 Made in Germany |
Complete Track-listing of the album "BYRDS - Untitled" |
The detailed tracklist of this record "BYRDS - Untitled" is:
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Untitled" Orange Colour with CBS Walking Eye around Center Hole Record Label Details: CBS S 66253, Made in Holland t ℗ 1970 Sound Copyright
The album was recorded with a different lineup than the band's classic era, and it was largely dismissed by critics upon its release. However, "Byrdmaniax" still features some noteworthy tracks, including "I Wanna Grow Up to Be a Politician" and "Glory, Glory."
Learn moreThe core of "Farther Along" was recorded during an intense five-day session in London. The band, led by frontman Roger McGuinn with Chris Hillman, Skip Battin, and Gene Parsons, largely self-produced the album. The emphasis was on live, unadorned recordings that captured their raw energy.
Learn moreThis is the first Dutch release of "Greatest Hits" by "The Byrds" and the record label has a solid Orange colour and the CBS "Walking Eye" Company Logo. Later issues of the Dutch release have an orange to yellow colour grading on the label.
Learn moreEmbassy Records was a budget label famous for selling cover versions of popular hits exclusively through Woolworths stores. They offered cheaper alternatives to original singles, targeting young listeners with limited budgets. Embassy thrived in the 1950s and 60s, known for quick production and affordability
Learn moreThe album's opening track, "Mr Tambourine Man," is a Bob Dylan cover that the band made their own. The song features the band's signature vocal harmonies, jangly guitars, and the distinctive 12-string Rickenbacker guitar played by lead guitarist Roger McGuinn. The song's success helped establish the band
Learn moreThe reunion album aimed to revisit the sound that made The Byrds famous nearly a decade earlier: jangly guitars, tight harmonies, and a folk-country foundation. While some songs echoed the band's earlier work, there was also a sense of seasoned musicianship and a willingness to take subtle risks.
Learn moreBy the time The Byrds entered the studio to record "Sweetheart of the Rodeo," the band had weathered significant changes. Founding members David Crosby and Gene Clark had departed, leaving Roger McGuinn and Chris Hillman as the core members. New to the fold were Gram Parsons, a rising star with a passion
Learn moreThe Mono edition of the album is highly sought after by collectors and music enthusiasts. The Mono version of the album is different from the stereo version in that it has a more raw and authentic sound. The Mono edition has a single channel of audio, which gives it a more unified and coherent sound.
Learn moreThe Byrds' "Untitled" album was a double LP set that included both live recordings and studio tracks. The live recordings were taken from concerts that the band had performed at the Fillmore East in New York City and the Fillmore West in San Francisco. The studio tracks were recorded at Columbia Studios
Learn more