East of Eden's inaugural LP, 'Mercator Projected,' epitomizes the diverse essence of 1970s progressive rock. A landmark amidst an era defined by musical exploration, the album seamlessly fuses unconventional elements such as electric violin, Eastern-influenced flute, and Sumerian saxophones with traditional rock instrumentation. This pioneering work stands as a testament to the band's avant-garde approach, contributing significantly to the evolving landscape of progressive music during its time.
In the vibrant landscape of British progressive rock during the early 1970s, "East of Eden" emerged with their groundbreaking debut album, "Mercator Projected." This LP, a sonic tapestry of diverse influences and experimental elements, marked the advent of a band that would leave an indelible mark on the music scene of its time.
Time Period and Musical Landscape:
The early 1970s was a period of musical exploration and innovation, with progressive rock gaining prominence on both sides of the Atlantic. Against this backdrop, "East of Eden" ventured into uncharted territory with their unique fusion of rock, jazz, folk, and psychedelic influences.
As the world grappled with social and cultural shifts, music became a powerful medium for expressing new ideas and pushing the boundaries of conventional sound. The era saw the rise of progressive rock as a genre that defied traditional norms, embracing experimentation and pushing the limits of musical composition.
Production and Musical Alchemy:
"Mercator Projected" stands as a testament to the musical alchemy created by "East of Eden." The album's production reflects a meticulous blending of instruments, each contributing to a rich and dynamic soundscape. The distinctive electric violin, played with fervor and finesse, takes center stage, weaving a thread of rock and Bartok influences.
Adding to this eclectic mix is the flute from the East, introducing an exotic element that enhances the band's sonic palette. Sumerian saxophones contribute a touch of ancient mystique, while the traditional lineup of bass, drums, and guitar provides a solid rock foundation. Liquid word pictures, conveyed through experimental lyrics, add a surreal layer to the auditory experience.
Legacy and Influence:
While some classify "East of Eden" as a symphonic progressive band, the debate surrounding their musical style reflects the band's ability to defy easy categorization. Their willingness to experiment with diverse influences set them apart in an era marked by musical exploration.
The legacy of "Mercator Projected" endures as a testament to the adventurous spirit of progressive rock in the early 1970s. "East of Eden" paved the way for future musicians to embrace eclecticism and push the boundaries of conventional sound, leaving an indelible mark on the evolution of progressive music.
Collectors information:
Matrix/Stamper codes: Includes original Decca company inner sleeve |
Music Genre:Prog Rock, Acid, Psych, Jazz-Rock |
Album Production Information:The album: "EAST OF EDEN - Mercator Projected" was produced by: Noel Walker Sound/Recording Engineer(s): Derek Varnals, Adrian Martins Album cover design: Decca Publicity Art Department Album cover photography: David Wedgbury Laminated with "Clarifoll" made by British Celanese Ltd. Sleeve printed in England by Moore & Matthes Ltd |
Album Back Cover Description:The back cover of Mercator Projected by East of Eden features a black-and-white collage of band members labeled with letters (A-E), each dressed in ornate, culturally inspired costumes. At the top, an introduction describes the album as East of Eden’s first LP, blending electric violin, rock, Bartók influences, and Eastern flute, with saxophones, bass, drums, and “liquid word-pictures.” To the right, the musicians are identified with these descriptions: saxophones, bass, drums, and “liquid word-pictures.” A. Dave Arbus: “In his previous life was a Doctor of Philosophy, actor and linguist. Sojourned for a year on a mountain near Mecca. Electric violin, flute, bagpipes, recorders, two saxophones at once, lavatory.” saxophones, bass, drums, and “liquid word-pictures.” B. Ron Caines: “Painter, head and footballer of most of the group’s material. Soprano and alto saxophone (acoustic and amplified), organ, vocal on ‘Centaur Woman’.” saxophones, bass, drums, and “liquid word-pictures.” C. Geoff Nicholson: “Versatile guitarist, singer of great charm and the group’s own graphic designer. Guitar, vocal.” saxophones, bass, drums, and “liquid word-pictures.” D. Steve York: “Studied oriental music in Turkey. Heaviest bass player in the universe. Bass guitar, harmonica, Indian thumb piano.” saxophones, bass, drums, and “liquid word-pictures.” E. Dave Dufort: “Cockney powerhouse of French-Canadian descent, Coca-Cola addict. Percussion.” saxophones, bass, drums, and “liquid word-pictures.” Below these summaries, the album tracklist is displayed. saxophones, bass, drums, and “liquid word-pictures.” At the bottom, production credits list Noel Walker as producer, cover photography by David Wedgbury, and sleeve design by Derek Richards. The Deram logo, in bold, confirms the album’s 1969 release under this label. |
Record Label & Catalognr: DERAM SML 1038 , 8898 LAZ (ZAL), Uncle Doris Music |
Media Format: 12" LP Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 230 gram |
Year & Country: 1969 Made in England |
Personnel/Band Members and Musicians on: EAST OF EDEN - Mercator Projected |
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Complete Track-listing of the album "EAST OF EDEN - Mercator Projected" |
The detailed tracklist of this record "EAST OF EDEN - Mercator Projected" is:
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High Quality Photo of Album Front Cover "EAST OF EDEN - Mercator Projected" |
Album Back Cover Photo of "EAST OF EDEN - Mercator Projected" |
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |