"Socialized Hate" is the debut album from Arizona thrash metal band, Atrophy. It was released on Roadrunner Records in 1988. The album was co-produced by prolific producer/engineer, Bill Metoyer , who became famous for his work on early Slayer albums and went on to produce many heavy metal albums released in the 1980s and 1990s. This web-page has hi-res photos of the album covers, record label and a detailed description.
Released in 1988 on Roadrunner Records, Atrophy's "Socialized Hate" exploded onto the thrash metal scene with a raw and uncompromising sound. This 12" vinyl LP, with its striking cover art, showcased the Arizona band's technical prowess, aggressive energy, and thought-provoking lyrics.
Historical Context
The late 1980s was a golden age for thrash metal, with bands from around the world pushing the boundaries of the genre. While the Bay Area scene was thriving, other regions were also cultivating their own thrash scenes. Atrophy emerged from Arizona, adding a unique southwestern flavor to the thrash metal landscape.
Musical Exploration
"Socialized Hate" is a relentless assault on the senses. The album features fast tempos, intricate riffs, complex song structures, and intense vocals, all hallmarks of the thrash metal genre. However, Atrophy also incorporated elements of progressive metal, adding a layer of sophistication and technicality to their sound.
Music Genre
Atrophy firmly belongs to the thrash metal genre. However, their music transcends simple categorization. The band's willingness to experiment with progressive elements resulted in a unique blend of thrash and progressive metal. This eclectic mix is evident throughout "Socialized Hate," making it a compelling listen for fans of heavy music.
Controversies
"Socialized Hate" did not generate any major controversies. However, the album's lyrical themes, which often tackled social and political issues, resonated with listeners who were drawn to the genre's rebellious spirit and social commentary.
Production Team and Recording Studio
The album was produced by Bill Metoyer, a renowned producer who had previously worked with other thrash metal bands like Slayer and Sacred Reich. Metoyer's expertise in capturing the raw energy of the genre is evident in the album's sound. "Socialized Hate" was recorded at Track Record Studios in North Hollywood, a well-known recording facility that had hosted numerous other Los Angeles-based metal bands.
| Summary: This album includes the original custom inner sleeve with album details, complete lyrics of all songs by Atrophy and artwork. |
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Music Genre: Thrash Metal Music |
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Produced Bill Metoyer. Photography Alex Solca. Album cover design Chris Sahlin. Cover Illustration: Brian Anderson. Bill Metoyer is a legendary music producer and sound engineer known for shaping the sound of heavy metal. As Vice President and in-house engineer at Metal Blade Records in the 1980s, he worked with iconic bands like Slayer, Armored Saint, and Flotsam and Jetsam. His expertise in capturing metal’s raw intensity has left a lasting impact on the genre.
Learn more on his biography page.
Alex Solca is a renowned music photographer celebrated for capturing the raw energy and iconic essence of Heavy Metal legends through his striking and timeless imagery.
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Record Label & Catalognr: Roadrunner RR 9518Media Format: 12" Vinyl LP Record 160 grams vinyl |
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Year & Country: 1988 Made in Holland |
Band Members and Musicians on: Atrophy Socialized Hate |
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Complete Track Listing of: Atrophy Socialized Hate |
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Album Cover Photo Gallery of: Atrophy Socialized Hate |
| Photo of Front Cover |
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| Photo of Album's Back Cover |
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Released in 1988 on Roadrunner Records, Atrophy's "Socialized Hate" exploded onto the thrash metal scene with a raw and uncompromising sound. This 12" vinyl LP, with its striking cover art, showcased the Arizona band's technical prowess, aggressive energy, and thought-provoking lyrics.
Learn more
Released in 1990, Atrophy's "Violent By Nature" solidified their position as a formidable force in the thrash metal scene. This 12" vinyl LP, with its iconic cover art featuring a snarling child, showcases the band's evolution towards a more mature and technically proficient sound.
Learn more
