"Socialized Hate" is the debut album from Arizona thrash metal band, Atrophy. It was released on Roadrunner Records in 1988. The album was co-produced by prolific producer/engineer, Bill Metoyer , who became famous for his work on early Slayer albums and went on to produce many heavy metal albums released in the 1980s and 1990s. This web-page has hi-res photos of the album covers, record label and a detailed description.
Released in 1988 on Roadrunner Records, Atrophy's "Socialized Hate" exploded onto the thrash metal scene with a raw and uncompromising sound. This 12" vinyl LP, with its striking cover art, showcased the Arizona band's technical prowess, aggressive energy, and thought-provoking lyrics.
Historical Context
The late 1980s was a golden age for thrash metal, with bands from around the world pushing the boundaries of the genre. While the Bay Area scene was thriving, other regions were also cultivating their own thrash scenes. Atrophy emerged from Arizona, adding a unique southwestern flavor to the thrash metal landscape.
Musical Exploration
"Socialized Hate" is a relentless assault on the senses. The album features fast tempos, intricate riffs, complex song structures, and intense vocals, all hallmarks of the thrash metal genre. However, Atrophy also incorporated elements of progressive metal, adding a layer of sophistication and technicality to their sound.
Music Genre
Atrophy firmly belongs to the thrash metal genre. However, their music transcends simple categorization. The band's willingness to experiment with progressive elements resulted in a unique blend of thrash and progressive metal. This eclectic mix is evident throughout "Socialized Hate," making it a compelling listen for fans of heavy music.
Controversies
"Socialized Hate" did not generate any major controversies. However, the album's lyrical themes, which often tackled social and political issues, resonated with listeners who were drawn to the genre's rebellious spirit and social commentary.
Production Team and Recording Studio
The album was produced by Bill Metoyer, a renowned producer who had previously worked with other thrash metal bands like Slayer and Sacred Reich. Metoyer's expertise in capturing the raw energy of the genre is evident in the album's sound. "Socialized Hate" was recorded at Track Record Studios in North Hollywood, a well-known recording facility that had hosted numerous other Los Angeles-based metal bands.
| Summary: This album includes the original custom inner sleeve with album details, complete lyrics of all songs by Atrophy and artwork. |
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Music Genre: Thrash Metal Music |
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Produced Bill Metoyer. Photography Alex Solca. Album cover design Chris Sahlin. Cover Illustration: Brian Anderson. Bill Metoyer a well-known American music producer and sound engineer who has worked in the heavy metal genre. He has produced and engineered albums for a number of notable heavy metal bands, including Slayer, Armored Saint, and Cryptic Slaughter. Metoyer is known for his expertise in capturing the raw energy and intensity of heavy metal music, and for his ability to bring out the best in the bands he works with. His work has helped to define the sound of heavy metal and has had a significant impact on the genre. In addition to his production and engineering work, Metoyer has also been involved in other aspects of the music industry, including music education and artist development. He is highly regarded by musicians and fans alike for his contributions to the heavy metal genre, and continues to be an influential figure in the world of heavy metal music.during the 1980s he was Vice-President and in-house sound-engineer of Metal Blade Records. As such he has produced and taken care of the sound of many Heavy Metal bands. Most notable: Flotsam and Jetsam, Fates Warning, Helstar, Savage Grace, Tyrant, Slayer, Trouble, Sacred Reich, Armored Saint, Atrophy, Abattoir, Bitch, D.R.I, Dark Angel, Cryptic Slaughter, Lääz Rockit, Morbid Angel, Omen, Lizzy Borden, Mentors and many others. Alex Solca is an esteemed photographer who has made an indelible mark in the world of music photography, particularly in the realm of Heavy Metal. With several decades of experience capturing the raw energy and captivating essence of numerous renowned bands, Solca has become an iconic figure in the industry. Born with an innate passion for both music and visual arts, Alex Solca embarked on his photographic journey at an early age. Growing up in a vibrant cultural scene, he was drawn to the rebellious and powerful nature of Heavy Metal music. This fascination led him to combine his two passions, giving birth to a career that would redefine music photography. Solca's work with Heavy Metal bands spans a vast array of genres, from classic and progressive rock to thrash and death metal. His distinctive style is characterized by an ability to freeze moments in time, capturing the essence of the music and the emotions it evokes. Through his lens, Solca has managed to immortalize the larger-than-life personalities of some of the most iconic bands and musicians in the history of Heavy Metal. Over the years, Solca has had the privilege of photographing a multitude of legendary acts, including Journey, Dio, Alice Cooper, Fates Warning, King Diamond, Mercyful Fate, Vasco Rossi, Glenn Hughes, Jeff Blades, Jeff Scott Soto, Danzig, Lee Rocker, Reo Speedwagon, Machine Head, Tower of Power, B'Z, Skinlab, Gotthard, Dave Weckl, Kyuss, Christopher Cross, and countless others. His body of work serves as a testament to his versatility and enduring passion for the art form. Beyond his technical skills, Solca possesses a unique ability to connect with the musicians he photographs. He understands their passion, their struggles, and their desire to express themselves through their music. This empathetic approach allows him to capture moments that not only showcase the artists' stage presence but also reveal their vulnerability and humanity. Alex Solca's photographs have graced the pages of prestigious music magazines, album covers, and concert posters worldwide. His images have become synonymous with the spirit of Heavy Metal, influencing generations of aspiring photographers and leaving an indelible mark on the genre's visual history. While Heavy Metal remains his primary focus, Solca's portfolio extends beyond the genre. He has also explored other musical realms, capturing the essence of jazz, blues, and rock 'n' roll icons. His ability to adapt his style to different genres demonstrates his versatility and artistic range. Throughout his illustrious career, Alex Solca has received numerous accolades and honors for his contributions to music photography. His work continues to inspire and captivate audiences, preserving the spirit and energy of Heavy Metal for future generations to experience. As the music industry evolves, Alex Solca remains at the forefront, capturing the ever-changing landscape of Heavy Metal and other genres. With his keen eye, unwavering passion, and decades of experience, he continues to redefine the boundaries of music photography, leaving an enduring legacy that will forever be etched in the world of rock history.
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Record Label Information: Roadrunner RR 9518Media Format: 12" Vinyl LP Record 160 grams vinyl |
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Year & Country: 1988 Made in Holland |
Band Members and Musicians on: Atrophy Socialized Hate |
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Track Listing of: Atrophy Socialized Hate |
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Album cover photos of : Atrophy Socialized Hate |
| Photo of Front Cover |
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| Photo of Album's Back Cover |
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Released in 1988 on Roadrunner Records, Atrophy's "Socialized Hate" exploded onto the thrash metal scene with a raw and uncompromising sound. This 12" vinyl LP, with its striking cover art, showcased the Arizona band's technical prowess, aggressive energy, and thought-provoking lyrics.
Learn more
Released in 1990, Atrophy's "Violent By Nature" solidified their position as a formidable force in the thrash metal scene. This 12" vinyl LP, with its iconic cover art featuring a snarling child, showcases the band's evolution towards a more mature and technically proficient sound.
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