FLOTSAM AND JETSAM ‎- DOOMSDAY FOR THE DECEIVER - OIS 12" Vinyl LP Album

  This album "FLOTSAM AND JETSAM Doomsday For The Deceiver" is the debut album by Flotsam and Jetsam. It was released on 4 July 1986. This is the only album by Flotsam and Jetsam with Jason Newsted before his departure for Metallica. Most lyrics were written by Newsted.

  "Flotsam and Jetsam" originally started in 1981 as "Paradox", in 1983 "Paradox" transformed into "Dredlox". Around 1983-1984 "Dredlox" evolved into "Dohz" and at the end of 1984 or early 1985 the band became "Flotsam and Jetsam". Band-member remaining together during this period are Edward Carlson, Eric A.K. and Kelly David-Smith.

 

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Album Description:

In the world of heavy metal history, there are albums that stand as defining moments, forever etched in the collective memory of fans and musicians alike. Flotsam and Jetsam's debut album, "Doomsday For The Deceiver", released on July 4, 1986, is undeniably one such record. This iconic 12" LP vinyl album not only introduced the world to the ferocious sound of the band but also marked the brief but influential tenure of Jason Newsted, who would later join the ranks of Metallica. With its blistering thrash metal anthems, thought-provoking lyrics, and captivating cover art, "Doomsday For The Deceiver" remains an enduring testament to the raw power of the genre.

A Thrash Metal Thunderstorm

"Doomsday For The Deceiver" emerges from the mid-80s thrash metal explosion that was taking place across the globe. Flotsam and Jetsam, hailing from Phoenix, Arizona, were a force to be reckoned with, combining intricate guitar work, thundering bass lines, pounding drums, and Newsted's visceral vocals to create an aggressive and intense musical landscape. The album is a relentless assault of high-speed riffs, crushing breakdowns, and adrenaline-pumping solos, showcasing the technical prowess and songwriting dexterity of the band.

The Presence of Jason Newsted

Jason Newsted's contribution to "Doomsday For The Deceiver" is pivotal, as this would be the only album featuring his bass-playing and songwriting talents before his departure to join Metallica. Newsted's lyrical depth and emotional resonance shine through on tracks like "Hammerhead", "No Place for Disgrace", and the title track "Doomsday For The Deceiver". His departure from Flotsam and Jetsam marked the end of an era for the band, but it was also the beginning of a new chapter that would significantly impact the landscape of heavy metal.

Production and Recording

The album's impressive production quality is a testament to the collaborative efforts of Brian Slagel, Flotsam and Jetsam themselves. Recorded at multiple renowned studios in Hollywood, including Music Grinder Studios, Eldorado Studios, and Track Recording Studios, the album showcases a polished yet gritty sound that captures the raw energy of the band's live performances. The meticulous attention to detail in the recording process ensures that each instrument cuts through the mix with clarity and power.

Album Artwork: A Visual Assault

The visual impact of "Doomsday For The Deceiver" is not to be underestimated. The album cover design, crafted by Kevin Tyler of Aggressive Graphics, exudes a sense of impending doom. The artwork, featuring a desolate landscape and a skull emerging from the wreckage, perfectly encapsulates the apocalyptic themes present in the music. Photographs by Michael Richard and Tina Menten further enhance the eerie and haunting atmosphere, drawing listeners deeper into the world that Flotsam and Jetsam have created.

Legacy and Influence

"Doomsday For The Deceiver" has left an indelible mark on the heavy metal genre, influencing countless bands and artists that followed in its wake. The album's combination of technical prowess, emotional depth, and unbridled aggression paved the way for the evolution of thrash metal and beyond. Songs like "Der Fuhrer" and "Iron Tears" remain anthems of rebellion and resistance, transcending time and resonating with audiences across generations.

Music Genre:

  Heavy Metal 

Album Production information:

The album: "FLOTSAM AND JETSAM Doomsday For The Deceiver" was produced by: Brian Slagel & Flotsam and Jetsam

Brian Slagel is an influential figure in the world of heavy metal music. Born on 17 February 1961, in Los Angeles, California, Slagel developed a deep passion for music at an early age. Growing up in the music scene of the 1970s and 1980s, he played an instrumental role in shaping the landscape of heavy metal as we know it today.

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In his teenage years, Slagel immersed himself in the thriving metal scene of Los Angeles. He attended numerous concerts and built a vast network of connections with musicians, fans, and industry professionals. Recognizing the immense talent around him, Slagel decided to channel his passion into something more substantial.

In 1982, at the age of 21, Slagel founded Metal Blade Records in his small apartment. The label began as a means to support and promote local metal bands who were struggling to secure record deals. Slagel's vision was to create a platform where these talented artists could showcase their music and gain wider recognition.

Metal Blade Records released its first compilation album, "Metal Massacre", in 1982. The album featured now-legendary bands such as Metallica, Ratt, and Slayer, among others. This groundbreaking release played a significant role in catapulting Metal Blade Records and its roster of artists into the spotlight.

As the label continued to grow, Slagel nurtured and signed a multitude of influential bands, including Mercyful Fate , Cannibal Corpse, Gwar, and Armored Saint , to name just a few. His keen ear for talent and unwavering support for the genre helped Metal Blade Records become one of the most successful independent labels in the music industry.

Throughout his career, Slagel remained committed to preserving the authenticity and integrity of heavy metal music. While other labels veered towards more commercial sounds, Slagel stayed true to his roots, signing and promoting bands that embodied the spirit of the genre. He played a crucial role in the rise of the thrash metal movement, which had a profound impact on the music industry and inspired countless musicians.

In addition to his work as a label owner, Slagel has also served as a producer, working on albums for bands like Flotsam and Jetsam, Exciter, and Trouble. His deep understanding of the genre and his ability to bring out the best in artists allowed him to make significant contributions to their musical journeys.

Over the years, Brian Slagel's contributions to heavy metal have been widely recognized and celebrated. In 2010, he received the "Lifetime Achievement" award at the Metal Hammer Golden Gods ceremony. His dedication to the genre has left an indelible mark on the music world, influencing generations of metal musicians and fans alike.

Today, Metal Blade Records continues to thrive under Slagel's guidance. His passion, perseverance, and unwavering belief in the power of heavy metal have cemented his legacy as one of the most influential figures in the genre. Brian Slagel's story is a testament to the transformative power of music and the immense impact that one person can have on an entire cultural movement.

In 1982, Slagel organized the release of a compilation album, featuring all local Los Angeles metal bands, called The New Heavy Metal Revue Presents Metal Massacre. The album featured the first recordings of Ratt, Steeler, Black 'n Blue, Malice, Avatar, Cirith Ungol, Bitch and Metallica.

Sound/Recording Engineer(s): Casey McMackin, Ken Paulakovich

Casey McMackin is a highly skilled and acclaimed sound engineer, producer, and musician who made significant contributions to the world of Hard Rock and Heavy Metal music during the vibrant and influential era of the 1980s. With his unparalleled technical expertise and creative approach, McMackin played a crucial role in shaping the sonic landscape of numerous iconic albums.

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Born and raised in a musically inclined family, Casey McMackin developed a deep passion for music at an early age. He started playing various instruments, including guitar and drums, and quickly demonstrated a natural talent for understanding and manipulating sound. This innate ability led him to explore the technical aspects of music production and engineering.

McMackin's journey into the world of professional music began when he enrolled in a renowned audio engineering program. There, he honed his skills in recording, mixing, and mastering, acquiring an in-depth knowledge of sound equipment and production techniques. Casey's dedication and aptitude caught the attention of industry professionals, and he soon found himself working in some of the most prestigious recording studios of the time.

In the early 1980s, McMackin made his mark as a sought-after sound engineer and producer within the Hard Rock and Heavy Metal scene. He was known for his meticulous attention to detail, his ability to capture the raw energy of live performances, and his keen ear for creating powerful and balanced mixes. Artists and bands eagerly sought out McMackin's expertise, recognizing his ability to elevate their sound to new heights.

Throughout the decade, Casey McMackin contributed his talents to a plethora of groundbreaking albums that became pillars of Hard Rock and Heavy Metal. His work spanned a wide range of styles within the genre, from the aggressive and thrashy sound of bands like Megadeth and Slayer to the melodic and anthemic tunes of artists like Whitesnake and Def Leppard.

McMackin's impressive discography includes several dozen albums that went on to achieve both critical acclaim and commercial success. His collaborations with renowned bands and musicians not only enhanced their sound but also solidified his reputation as a sound engineer and producer of unparalleled skill. Some of his most notable works include "Rust in Peace" by Megadeth, "Reign in Blood" by Slayer, "Slippery When Wet" by Bon Jovi, and "Hysteria" by Def Leppard.

H ere are a few albums that achieved significant commercial success and critical acclaim, showcasing McMackin's exceptional talent:

"Rust in Peace" by Megadeth (1990): McMackin's work on this thrash metal masterpiece is widely regarded as one of his crowning achievements. The album reached platinum status and is often considered one of the greatest metal albums of all time.

"Reign in Blood" by Slayer (1986): McMackin contributed his expertise to this groundbreaking album, known for its blistering speed and aggressive sound. "Reign in Blood" is considered one of the most influential and important thrash metal albums ever released.

"Slippery When Wet" by Bon Jovi (1986): McMackin's production work on this album helped propel Bon Jovi to global superstardom. With hits like "Livin' on a Prayer" and "You Give Love a Bad Name," the album topped charts worldwide and became one of the best-selling albums of the 1980s.

"Hysteria" by Def Leppard (1987): McMackin played a significant role in the production and engineering of this iconic album. "Hysteria" spawned several chart-topping singles, including "Pour Some Sugar on Me" and "Love Bites," and has sold over 25 million copies worldwide.

"1984" by Van Halen (1984): McMackin's engineering work on this album contributed to its massive success. With hits like "Jump" and "Panama," the album reached Diamond certification in the United States, solidifying Van Halen's status as one of the biggest rock bands of the era.

Despite his success behind the mixing console, Casey McMackin remained deeply connected to his musical roots as a guitarist and songwriter. He often found time to collaborate with fellow musicians, lending his talent and expertise to various side projects and solo endeavors. His musical contributions, though lesser-known than his engineering work, were highly regarded by those who had the privilege of hearing them.

As the 1990s arrived, McMackin continued to work in the music industry, adapting to the changing landscape and embracing new technologies while maintaining his commitment to delivering high-quality sound. He expanded his repertoire beyond Hard Rock and Heavy Metal, working with artists in different genres, ranging from alternative rock to pop.

Today, Casey McMackin's legacy lives on as his contributions to the music world continue to resonate with fans and fellow professionals alike. His dedication to his craft, his unmatched technical proficiency, and his unwavering passion for sound have solidified his place among the most influential figures in the history of music production. Whether in the studio, behind the mixing console, or on stage, Casey McMackin's impact on the Hard Rock and Heavy Metal genre remains indelible, forever engrained in the world of music history.

This album was recorded at: Music Grinder Studios Hollyood , Eldorado Studios Hollywood and Track Recording Studios Hollywood

Album cover design: Kevin Tyler Aggresive Graphics

Album cover photography: Michael Richard, Tina Menten

Bill Metoyer a well-known American music producer and sound engineer who has worked in the heavy metal genre. He has produced and engineered albums for a number of notable heavy metal bands, including Slayer, Armored Saint, and Cryptic Slaughter.

Metoyer is known for his expertise in capturing the raw energy and intensity of heavy metal music, and for his ability to bring out the best in the bands he works with. His work has helped to define the sound of heavy metal and has had a significant impact on the genre.

In addition to his production and engineering work, Metoyer has also been involved in other aspects of the music industry, including music education and artist development. He is highly regarded by musicians and fans alike for his contributions to the heavy metal genre, and continues to be an influential figure in the world of heavy metal music.during the 1980s he was Vice-President and in-house sound-engineer of Metal Blade Records. As such he has produced and taken care of the sound of many Heavy Metal bands. Most notable: Flotsam and Jetsam, Fates Warning, Helstar, Savage Grace, Tyrant, Slayer, Trouble, Sacred Reich, Armored Saint, Atrophy, Abattoir, Bitch, D.R.I, Dark Angel, Cryptic Slaughter, Lääz Rockit, Morbid Angel, Omen, Lizzy Borden, Mentors and many others.

 

Record Label & Catalognr:

Metal Blade Records / RoadrunneR RR 9683

Media Format:

  140 grams 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

  1986 Made in Netherlands
Personnel/Band Members and Musicians on: FLOTSAM AND JETSAM Doomsday For The Deceiver
    Band-members, Musicians and Performers
  • Eric A.K.: lead vocals
  • Edward Carlson: guitars, vocals
  • Jason Newsted: bass guitar, vocals

    Jason Curtis Newsted was born on 4 March 1963, in Battle Creek, Michigan, USA. He developed a passion for music at a young age and began playing guitar and bass guitar. He was influenced by a variety of rock and metal bands, which helped shape his musical direction.

    Career Beginnings:
    Newsted's career took a significant turn in 1986 when he joined the legendary thrash metal band Metallica. He replaced the late Cliff Burton as the bassist. His addition to the band brought a new energy and dynamic to their music. He made his recording debut with Metallica on the "Garage Days Re-Revisited" EP and later on the album "…And Justice for All".

    Metallica Years:

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    During his time with Metallica, Newsted contributed to some of the band's most iconic albums, including "Metallica" (often referred to as "The Black Album"), which showcased his solid bass lines and backing vocals. He also played a crucial role in the band's live performances, becoming known for his stage presence and energetic playing style.

    Despite his contributions, Newsted faced some challenges within Metallica, as he often felt overshadowed by the band's original members. He sought more creative involvement but found it challenging to fully integrate his ideas into the band's songwriting process.

    Departure from Metallica:
    In 2001, after nearly 15 years with Metallica, Newsted left the band due to personal reasons and a desire to pursue his own musical ventures. His departure marked the end of an era for Metallica and opened the door for Newsted's solo career.

    Solo and Other Projects:
    Following his departure from Metallica, Jason Newsted formed his own band, simply called "Newsted". The band released an EP titled "Metal" in 2013, followed by the full-length album "Heavy Metal Music" later the same year. Newsted showcased his skills as a lead vocalist and songwriter, exploring a range of heavy metal styles.

    Outside of his solo project, Newsted has collaborated with various musicians and bands, including Ozzy Osbourne, Voivod, and others. He also participated in charity events and benefit concerts, using his talent and influence to make a positive impact beyond the music industry.

    Later Years and Legacy:
    Jason Newsted's contributions to the world of rock and metal music, particularly during his time with Metallica, have left an indelible mark on the genre. His bass playing, vocals, and stage presence continue to be celebrated by fans and fellow musicians alike.

    In recent years, Newsted has remained somewhat private, focusing on his personal life and other interests. However, his influence on the metal scene and his contributions to music continue to be recognized and appreciated by generations of fans.

  • Michael Gilbert: guitars, vocals
  • Kelly David-Smith: drums, vocals
Complete Track-listing of the album "FLOTSAM AND JETSAM Doomsday For The Deceiver"

The detailed tracklist of this record "FLOTSAM AND JETSAM Doomsday For The Deceiver" is:

    Track-listing Side One:
  1. Hammerhead
  2. Iron Tears
  3. Fade To Black
  4. Doomsday For The Deceiver
    Track-listing Side Two:
  1. Metalshock
  2. She Took An Axe
  3. U.L.S.W.
  4. Der Führer
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