The Johnny Winter Story - The Early Years 1959-1968 #vinylrecords

Johnny Winter from 1959 until 1964

It's fascinating to learn about Johnny Winter's early life and how he overcame challenges to become a successful blues-rock musician. Born with crossed eyes and albino traits, Johnny Winter defied these obstacles to establish himself as a prominent figure in the world of blues and rock music.

His father's military background and subsequent involvement in the cotton business shed light on his family's history and movements. Despite being born in Beaumont, Texas, Johnny's family maintained a connection to Leland, Mississippi, where his father was previously involved with Stovall's plantation.

Johnny Winter's musical journey began at a young age, as he initially started playing the clarinet at five years old. He later experimented with the ukulele but eventually transitioned to the guitar under the guidance of his father, who believed the guitar offered better prospects in the music industry. This choice proved pivotal for his future musical career.

As he grew older, Johnny Winter attended Lamar Technical College but found himself drawn to music, frequently traveling to Louisiana to perform in small nightclubs. His dedication to music eventually led him to abandon his studies and fully commit to his musical aspirations.

Johnny Winter's determination, talent, and unique story contributed to his emergence as a prominent blues-rock musician, making him one of the few notable white artists in a genre predominantly associated with African-American performers. His ability to overcome physical challenges and pursue his passion for music showcases his resilience and dedication.

Johnny Winter's early exposure to a diverse range of musical influences, from Negro blues and gospel to country and rock, played a crucial role in shaping his musical style and career. Growing up in Beaumont and Houston, he was surrounded by a vibrant musical environment that helped him develop his skills and refine his sound.

Learning country licks from Luther Nalley, a music store employee, and being influenced by the rock tunes of the late 1950s enriched Winter's musical palette. His exposure to a wide variety of genres laid the foundation for his unique approach to playing the guitar.

At the young age of 11, Johnny Winter and his brother Edgar formed a musical duo reminiscent of the Everly Brothers. They even auditioned in 1959 for Ted Mack's Original Amateur Hour, showcasing their early ambition and talent.

The formation of Johnny (Macaroni) and The Jammers (aka Johnny Winter Orchestra) in 1959 marked a significant step forward in Winter's musical journey. Winning the "Johnny Melody" contest and recording "School Day Blues" and "You Know I Love You" on Dart Records provided a taste of success and visibility within the local music scene. This achievement, coupled with a change in band members, helped solidify Johnny Winter's presence in the regional music scene.

The Jammers were:

Johnny Winter - Guitar , Vocals
Edgar Winter - Piano, Keyboards
Canute Poulson
Richard Griffen (or Griffin?)- Sax
Willard Chamberlain- Saxophone (Willard Chamberlain (Saxophone) played in one of Johnny Winter first band's: Johnny Macaroni and the Jammers. Willard Chamberlain wrote the songs together with Johnny Winter: "Whodunnit" and "Before The Sunset")
Dan Polson - Bass
Melvin Carpenter - Drums
David Russell - Keyboards

Photo of Johnny Winter (aka John Macaroni) and the Jammers band. From Left to Right: Canute Poulson (Bass), Johnny Winter (Guitar, Vocals), Melvin Carpenter (Drums), Richard Griffen (Saxophone), Edgar Winter (Piano)

Johnny Winter's involvement with "Burl Boyking" and "The Rockin' Rebels" in 1960 further showcased his versatility as a lead guitarist. His contributions to the song "Let Me Come Your Way" added to his growing reputation as a skilled and dynamic musician.

Throughout this period, Johnny Winter's band lineup underwent changes, reflecting the evolving nature of his musical pursuits. Collaborators like Richard Griffin and David Russell enriched his performances and contributed to the development of his sound.

These early experiences and collaborations laid the groundwork for Johnny Winter's eventual rise to prominence as a blues-rock icon, demonstrating his passion, dedication, and ability to blend various musical influences into a distinctive and powerful musical expression.

Johnny Winter's Early Collaboration with Margaret Lewis: Recordings at Cosimo's in New Orleans (1959)

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Johnny Winter and his band accompanied Margaret on "Bow Bow Puppy Love" and "Lover's Land" recorded at Casimo's in New Orleans .

Note: Margaret Lewis recorded these songs in 1959, and although Bobby Mizell is credited, he joined Johnny Winter's band in Neal and the Newcomers (1964)

Transcript of the Liner Note on: "Lonesome Bluebird" by Margaret Lewis

Smith also used the facilities of other out-of-town studios for some of her recordings including J.D. Miller's in Crowley, Cosimo's in New Orleans, Doyle Jones' and Bill Holford's in Houston and Marion Carpenter's in Biloxi. Smith liked to keep her productions fresh and by using these studios and different musicians, she obtained that diversity on many of her releases.

Johnny Winter and his band accompanied Margaret on "Bow Wow Puppy Love" and "Lover's Land" recorded at Cosimo's in New Orleans. There was an engagement at Gritter's Dance in Biloxi where Margaret was opening for "The Wizard" Gator's south Louisiana guitar licks and Bobby Mitchell's triple piano highlights on these New Orleans cuts. It's a mystery why Mira never issued these as singles, although one suggestion is that she was having financial problems. Following appearances with Jerry Lee Lewis at a big "rock" roll show in Houston, Margaret went into a Lead studio with the DeLays and cut "This is What You're Doing to Me," backed by some overdubs by Mira and Jesse Thomas, who also played bluesman BIll Rays. The DeLays were a local Shreveport band and as solo act and back-up group for Margaret. It was through this Shreveport medium that she gained her biggest Mira success with a cover of Albert Collins' "The Freeze.

The Journey of Margaret Lewis: From Louisiana Hayride to Shreveport's Music Legacy

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In 1958, a 17-year-old Texan girl named Margaret Lewis appeared on Louisiana Hayride after winning second prize in a talent competition. Margaret, who already had her own band, The Thunderbolts, soon convinced everyone that she could handle any genre of music, from gospel and country to R&B and rockabilly. This versatility led to her signing with Ram Records of Shreveport, Louisiana, a label run by the strict businesswoman Mira Smith.

Along with her sister Rose, Margaret toured with Dale Hawkins, recording with him in Chicago's Chess studios. The Lewis Sisters also did solo recordings for Checker, although only one compilation track was released. Margaret subsequently cut many cool sides for Ram, including the classic "Shake A Leg." She also toured with Jerry Lee Lewis and recorded with Johnny Winter, The Del-Rays, and some of Nashville's greatest studio musicians like Grady Martin and Boots Randolph.

In 1964, Margaret signed with Capitol Records and worked on the Las Vegas club circuit before moving to Nashville with Mira Smith. There, they established a songwriting and publishing partnership, placing many of their collaborations with Shelby Singleton, including "Reconsider Me" for Narvel Felts and Johnny Adams.

By the time of Mira's death in 1989, Margaret had returned to Shreveport, where she reconnected with Mira's cousin Alton Warwick. The couple married and recently worked together in the music business in Shreveport.

Photo of 6 November 1960 Johnny & The Jammers, Homecoming Dance, St. Anthony's School Auditorium — 6 November 1960 Johnny & The Jammers, Homecoming Dance, St. Anthony's School Auditorium

Photo of 25 May 1962 Johnny Winters Orchestra, Graduation Dance Honoring St Anne's Senioer Class, Beaumont Country Club — 25 May 1962 Johnny Winters Orchestra, Graduation Dance Honoring St Anne's Senior Class, Beaumont Country Club

Photo of 29 May 1962 Johnny Winters Orchestra, The Parents of St Anne's 1962 Graduation Class, Invite you to a Dance, Beamont Country Club — 29 May 1962 Johnny Winters Orchestra, The Parents of St Anne's 1962 Graduation Class, Invite you to a Dance, Beamont Country Club

Neal and the Newcomers: The Hidden Legacy of Johnny and Edgar Winter’s Early Band

Neal and the Newcomers was a short-lived but influential band, featuring Jan Faggard on vocals (also known as Jon Foggard), Edgar Winter on keyboards and saxophone, Johnny Winter on guitar and vocals, Isaac Peyton "Ikey" Sweat on bass, and Bobby Mizzell as the keyboardist and sound engineer. The group achieved notable success with three hit singles: Night Ride, Lost Without You, and How Do You Live a Lie?, all of which were released under Faggard's name through BMI and Beau-Tex Music Co. However, the Winter brothers, being albino, often faced discrimination, leading them to perform under aliases.

In 1964, Johnny Winter also recorded under the alias Texas Guitar Slim, and his instrumental cover of Chuck Berry's Reeling & Rocking was released by Hall-Way Records under the name Neal and the Newcomers. Along with this fictional group, two instrumentals, Rockin' Pneumonia and Reeling & Rocking, further showcased their talent. Mizzell, who had already made a name for himself with his 1962 instrumental Soul on Philips, was integral to the band's recordings. According to Johnny, Mizzell's experience in the studio helped shape their sound, often allowing them to record after hours when the studio bosses had left.

This unique combination of talented musicians and behind-the-scenes efforts contributed to the band's lasting impact on the Gulf Coast music scene, even if the names and details were sometimes masked by circumstance.

Neal and the Newcomers are:

Jon Foggard - Vocals
Johnny Winter - Guitar, Vocals
Edgar Winter - Saxophone
Isaace Peyton "Ikey" Sweat - Bass
Bobby Mizelli / Mizzell - Keyboards / Sound Engineer

Johnny And Edgar Winter - Reeling & Rocking - Neal & Newcomers:

Johnny Winter - Texas '63-'68

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Synopsis: The external webpage discusses Johnny Winter's formative years (1963-1968) in Texas, showcasing his early recordings that spanned a wide range of genres, from blues to rock and R&B. It highlights how his versatile guitar playing and collaborations with his brother Edgar Winter helped solidify his reputation. The post also touches on Winter’s experiences recording under various aliases and labels before his meteoric rise to fame. It underscores the significant influence of Gulf Coast musicians and producers on his early sound.

Source & Full Article: Johnny Winter - Texas '63-'68

Don Mahoney and Jeanna Clare show in 1959

His first band Johnny (Macaroni) and The Jammers 1959 (aka Johnny Winter's Orchestra), together with his brother Edgar . Johnny won the much pubiliczed "Johnny Melody" contest held by radio station KTRM in connection with the movie "Johnny B. Goode". Along with the publicity, Johnny got a chance to make good in the record world. After deciding on two songs, the band cut "School Day Blues" and "You know I love you" on Dart Records. They both rated high on the charts in Beaumont. This really gave the Jammers a boost. Johnny and the Jammers is made of Johnny Winter, Edgar Winter, Willard Chamberlain, Dan Polson, and Melvin Carpenter. issued the single "School Day Blues b/w You Know I Love You" (Pappy Dailey's Dart records at the Bill Hall's Gulf Coast Recording Studios in Beaumont) which scored a local number hit.

Johnny Winter and his brother Edgar appeared on the Don Mahoney and Jeanna Clare show in 1959, when Johnny was 10 years old. They played the songs "Good Morning Little School Girl" and "Johnny B. Goode".

The show was a local children's talent show that aired on KPRC-TV in Houston, Texas. It ran for nearly 30 years, from 1950 to 1977. Johnny and Edgar Winter were two of the many young musicians who got their start on the show.

Johnny Winter's appearance on the Don Mahoney and Jeanna Clare show was a major turning point in his career. It was his first public performance, and it helped him to get noticed by other musicians in the area. In the years that followed, Johnny Winter went on to become one of the most successful blues guitarists of all time.

The song: "Ice Cube"

Recorded "Ice Cube" This one of the very earliest recordings made in 1959. Recorded at Gulf Coast Studios, Beaumont, Texas.

Note: although "Ice Cube" appears on several compilation albums, there is no evidence that Johnny recorded this.

Johnny Winter career during the 1960s

Timeline from 1959 until 1969:

Note: All dates are approximate

1959-1962 - Johnny (Macaroni) and the Jammers aka Johnny Winter's Orchestra. Lead guitar for "The Rockin' Rebels" with Burl Boykin.
1962-1965 - Johnny Winter and his Crystaliers, later renamed in the Coastaleers
1963 - Johnny Winter and The Beaumonts
1962-1965 - It and Them (no known recordings), The Gents, Black Plague
1965-1967 - The Great Believers
1966 - Texas Guitar Slim, Diamond Records: "Broke and Lonely", "Crying in my Heart", Moon-lite Records: Crazy Baby
1966 -The Insight - Cascade Records, "Out of SIght", "Please Come Home for Christmas"
1967 - The Traits
1967? - Neil and the Newcomers, recorded on Hall-Way records 'Night Ride', 'Lost Without You' and 'How do you Live a Lie?'
1968 -Johnny Winter, Uncle John Turner and Tommy Shannon

Johnny Winter and The Gents:

Johnny Winter left Lamar State College and traveled to Chicago to join his friend Dennis Drugan's band, The Gents. However, he returned to Texas by the end of 1963. He recorded the single "Eternally" for the Ken Ritter KRCO label, which was subsequently leased to Atlantic Records. The song achieved significant popularity in the regional music scene, leading Winter to secure opening slots for prominent acts such as "The Everly Brothers" and "Jerry Lee Lewis."

Johnny Winter Recordings on Atlantic Records: “Eternally” (Single) and “You'll be the death of mine” (Single)

New Years Eve 1963/64 - Johnny Winter at the King Edward Hotel in Beaumont, Texas.

Johnny Winter and the Beaumonts aka The Gents are (around 1963) :

Johnny Winter
Norman Samaha
Robert "Bobby" Reeder
Edgar Winter
Ikey Sweat (Bass)

Photo of around 1963-1964 Johnny and the Beaumonts

Johnny and the Jammers:

It's interesting to learn more about Johnny Winter and The Jammers' musical journey and their contributions to various records. Recording songs like "Creepy" and "Oh My Darling" and achieving a rating of number 7 on KRIC speaks to the band's growing popularity and recognition within their local music scene.

Additionally, the involvement of different band members in backing up Ronnie Bennett on his hits "In This Letter" and "Just Wait and See" highlights the band's versatility and collaborative spirit. Such collaborations and contributions to other artists' work further showcased the band's talent and ability to complement a diverse range of musical styles.

Johnny Winter and The Jammers' active involvement in recording and supporting fellow musicians underscore their commitment to music and their role in shaping the musical landscape of their time. These experiences likely played a significant role in shaping Johnny Winter's musical development and paving the way for his future success as a blues-rock musician

Band members of Johnny & The Jammers changed several times during this period (1960-1964) and Johnny's band included: Richard Griffin played sax with Johnny and Edgar after Willard Chamberlain left the group. David Russell played keyboards when Edgar decided to play Sax

The Crystaliers & It and Them:

In 1964, he embarked on a tour of the southern regions with groups like "The Crystaliers" and "It & Them," eventually making a stop in Houston for a recording session with the Traits under the Universal label in 1967. Between 1965 and 1966, Buzzy Smith was a pianist in Johnny's band, as depicted in the photo gallery featuring Buzzy.

Johnny Winter - Vocals and Guitars
Edgar Winter - Drums
Ronnie Becker - Bass
Willard Chamberland - Sax
Don Duron - Piano

Johnny Winter
Edgar Winter
I.P. Sweat
Norman Samaha
Buzz Smith

Crystaliers become Coastaleers:

Johnny Winter's journey into the world of blues and rock music continued to evolve as he explored different avenues and collaborated with various artists. The renaming of the band Crystaliers into Coastaleers marked another phase in his musical career. Johnny records his first record: "Night Ride" b/w "Geisha Rock" with the Coastaleers.

A pivotal moment in Johnny Winter's musical development was his exposure to the blues through local disc jockey Clarence Garlow's Bon Ton Show on radio station KJET. This exposure to blues music served as a turning point that greatly influenced Winter's musical direction and style.

Johnny Winter's adventurous spirit led him to hitchhike to Louisiana, where he collaborated with local blues and rock musicians. His travels also took him to Chicago, where he immersed himself in the city's musical scene. Despite playing "twist music" on Rush Street, Winter's true passion lay in the grittier and more enduring aspects of Chicago's music culture.

Throughout the 1960s, Johnny Winter continued to be an active participant in the Texan R&B scene, often collaborating with his brother Edgar Winter. His reputation as a skilled guitarist grew, and he became known for his ability to accompany visiting black blues legends both on stage and in the studio.

Notably, Johnny Winter recorded under various fictitious group names, such as "Neal and the Newcomers," "The Crystaliers," "It and Them," and "Black Plague." His versatility and willingness to work with a range of artists and groups further solidified his status as a respected musician within the Texas music community.

Winter's collaborations extended to artists and groups from the Texas area, including Gene Terry and his Kool Cats, Gene Terry and the Down Beats, Rod Bernard, and Junior Cole. These collaborations and recordings added depth to Winter's musical experiences and contributed to his growth as an artist.

During the 1960s, Johnny Winter actively participated in Texan R&B ensembles, often collaborating with his brother, Edgar Winter. He built a robust local reputation as a skilled guitarist, commanding respectable compensation for his performances alongside visiting black blues legends, both on stage and in recording studios. Johnny also contributed to various records using pseudonymous group names such as "Neal and the Newcomers," "The Crystaliers," "It and Them," and "Black Plague." Additionally, he served as a supporting musician for numerous artists and groups in the Texas region, including Gene Terry and his Kool Cats, Gene Terry and the Down Beats, Rod Bernard, Junior Cole, and others.

Gene Terry and the Down Beats:

Johnny Winter performed regularly with Gene Terry and the Down Beats from Big Oak club, to the Catholic Hall in Iowa, LA.

Terry Gene DeRouen was born on 7 January 1940 in Lafayette, Louisiana. In 1942, his family moved to Port Arthur, Texas. Gene grew up listening to his father and grandfather performing Cajun music. He also attended house and barn dances with his uncle, R. C. DeRouen, a Cajun musician.

His uncle taught him how to play guitar and eventually Gene accompanied him on stage. Gene formed his own group, the Kool Kats in the mid-1950's playing country and western songs. Gradually rhythm and blues began to enter the band's repertoire as Gene became influenced by Little Richard, Elvis Presley and local KTRM deejay J. P. "the Big Bopper" Richardson.

The band changed its name to the Down Beats and began attracting a loyal following. Word spread to Lake Charles, LA gaining the attention of local club owners and a five year contract with Goldband Records. Gene Terry and the Down Beats recorded several singles for Goldband including classic "Cindy Lou."
The first drummer was R.C. DeRouen which was later on replaced by Ray Tommasini. On bass and guitar were the Hall brothers.

I think they were from around Lake Charles, Louisiana. Two saxes, Mike Belile and Doug Dean. Later Mike Aiken from Groves, Texas played drums. Maybe one of the Solis brothers on piano; I'm not sure about that. Mike Aiken, the drummer went on to play with Johnny Courville(Johnny Preston, of "Running Bear" fame).

Huey P. Meaux remembers:

Huey P. Meaux remembers: my magic never worked for two talented young boys from Beaumont, Johnny and Edgar Winter, whom he recorded under the names The Great Believers (Amos Boynton - drums, Dave Russell - Bass, Edgar Winter - Keyboards, Johnny Winter - Guitar/Vocals) and Texas Guitar Slim. "We'd put them on a local television show called Jive at Five, and their records would stop selling like you turn a light switch off," Meaux said. "People would freak out, being as they was albinos."

Huey P. Meaux, whose full name is Huey Pierce Meaux, was a music producer and record label owner from the United States. He was a significant figure in the music industry, particularly in the Gulf Coast region of Texas and Louisiana. Meaux was involved in producing a wide range of music genres, including R&B, rock and roll, country, and Cajun music.

He is known for his work with various artists and bands, and he played a role in shaping the careers of several notable musicians. Meaux founded several record labels, including Tear Drop Records and Crazy Cajun Enterprises. He also produced hit records for artists like Freddy Fender, Doug Sahm, and Barbara Lynn.

Despite his contributions to the music industry, Huey P. Meaux's legacy is also tainted by legal troubles. He faced criminal charges related to his actions and was eventually convicted on charges including drug trafficking and sexual exploitation of minors. His involvement in these criminal activities overshadowed his earlier achievements in the music world.

B.B. King's Night at The Raven: Johnny Winter's Electrifying Blues Jam in Beaumont, 1962:

B.B. King - The Raven (Club), Beaumont, Texas
One nite, late '62, he went to see B.B. King, who was playing in the Beaumont club called "The Raven". Johnny, Edgar, Ikey and Robert Reeder were the only white guys among 1500 fans of the great bluesman, anxious to play with him. Bobby drank more and more and and he asked the king if Johnny could play with them., and he replied cautiously "Can I see a Union Card?" Johnny whiped it out and B.B. King most surprised said: "Well, I don't know , I don't know...do you know our songs?", Johnny replied: "Man, I know ALL your songs!" And suddenly three hundred black people started yelling "BB Let him play with you". So the King agreed and Johnny Winter made the audience flip out.

29 May 1962 - Johnny Winter Orchestra performs at the Beaumont Country Club for the Saint Anne's 1962 Graduation Class

Johnny Winter during 1964

Recordings in 1964:

Recordings: "Gone for Bad" (Single). The single "Gone for Bad" is one of the spotlight winners of the week, in Billnoard 15 May 1965. Recorded 1965 Gulf Coast Studios, Beaumont Texas. Issued at the time on 45 by MGM.

25 July 1964 - Galveston News Tribune:

Youth work projects of the Texas City Noon Optimist Club will benefit from proceeds of the "Mid - Summer Spectacular" show of area recording Aug. 3 at Robinson Municipal Stadium in Texas City.

SHOW TIME will be at 7 p.m., but doors will open at 6 p.m. Admission is $1 and seats will not be reserved a spokesman for the sponsoring Noon Optimist club said.

Heading the show bands will be the "Raiders of Freeport" who recorded "Stick Shift", "Motivation" and their new release "Raising Cane"- Appearing with the Raiders will be vocalist Bobby Reed, singing his new record "Girl of my Dreams" and Lonnie Robers performing his country western song, "Rugged but Right".

Also appearing will be the originals with their latest recording "Scattershot" and the Moore Twins singing their release of "Rosemary"

JOHNNY WINTER of Beaumont will sing his new record "Eternity" and La Marquee will be represented by the Surfs. and the Crosswords.

JOHNNY WINTER of Beaumont will sing his new record Eternity and La Marquee will be represented by the Surfs. and the Crosswords. — JOHNNY WINTER of Beaumont will sing his new record "Eternity" and La Marquee will be represented by the Surfs. and the Crosswords.

Appearing from Texas City will be "D and the Domino's", the Detours, the Highliners and the Jesters, The Tempests, Galveston group which has the record "Girl in Pink Chiffon" also will appear on the program

Jerry DeCre and disc jockeys from Station KILE will emcees for the program

31 July 1964 - The Galveston News:

A small advertisement of "The Texas Optimist Club" and KILE RADIO Presents MID-SUMMER SPECTACULAR
Robinson Stadium. Texas City, Mom. 3 Aug 1964 Donation 1$ Per Person , The Raiders , The Originals D & The Dominoes , The Highlinger , The Jesters ,- The Surfs ,The Crestwoods ,* The Tempests
Big Band from San Antonio with Johnny Winter, Bobby Reed, Mike Byron, Freddie Amburn, Johnny Lee and many others Waller Crane , Johnny Winter , Bobby Reed , The Moore Twins , Mike Byron , Freddie Amburn , Lonnie Roberta , Garcia Bynum , Hunter Lowry , Mc Jerry Deore , DJ Dan Lanahin , DJ Jack Frost , DJ Bill Atkins (KTSASanAntonio) , Johnny Lee.

3 August 1964 - Johnny Winter performs at Robinson Municipal Stadium in Texas City.:

29/30 December 1964 - The Galveston News:

An advertisement for the New Years Eve DANCE at Galveston Ball Room with Johnny Winter and Band from New Orleans

The Johnny Winter Story - The Early Years
- The Early Years: Johnny Winter's Rise to Fame (1959-1969)

Table of Contents

Johnny Winter from 1959 until 1964

Johnny Winter's Early Collaboration with Margaret Lewis: Recordings at Cosimo's in New Orleans (1959)

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The Journey of Margaret Lewis: From Louisiana Hayride to Shreveport's Music Legacy

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Neal and the Newcomers: The Hidden Legacy of Johnny and Edgar Winter’s Early Band

Johnny And Edgar Winter - Reeling & Rocking - Neal & Newcomers:

Johnny Winter - Texas '63-'68

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Don Mahoney and Jeanna Clare show in 1959

The song: "Ice Cube"

Johnny Winter career during the 1960s

Timeline from 1959 until 1969:

Johnny Winter and The Gents:

Johnny and the Jammers:

The Crystaliers & It and Them:

Crystaliers become Coastaleers:

Gene Terry and the Down Beats:

Huey P. Meaux remembers:

B.B. King's Night at The Raven: Johnny Winter's Electrifying Blues Jam in Beaumont, 1962:

Johnny Winter during 1964

Recordings in 1964:

25 July 1964 - Galveston News Tribune:

31 July 1964 - The Galveston News:

3 August 1964 - Johnny Winter performs at Robinson Municipal Stadium in Texas City.:

29/30 December 1964 - The Galveston News:

The Johnny Winter Story - The Early Years - The Early Years: Johnny Winter's Rise to Fame (1959-1969)

Table of Contents

Johnny Winter from 1959 until 1964

Johnny Winter's Early Collaboration with Margaret Lewis: Recordings at Cosimo's in New Orleans (1959)

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The Journey of Margaret Lewis: From Louisiana Hayride to Shreveport's Music Legacy

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Neal and the Newcomers: The Hidden Legacy of Johnny and Edgar Winter’s Early Band

Johnny And Edgar Winter - Reeling & Rocking - Neal & Newcomers:

Johnny Winter - Texas '63-'68

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Don Mahoney and Jeanna Clare show in 1959

The song: "Ice Cube"

Johnny Winter career during the 1960s

Timeline from 1959 until 1969:

Johnny Winter and The Gents:

Johnny and the Jammers:

The Crystaliers & It and Them:

Crystaliers become Coastaleers:

Gene Terry and the Down Beats:

Huey P. Meaux remembers:

B.B. King's Night at The Raven: Johnny Winter's Electrifying Blues Jam in Beaumont, 1962:

Johnny Winter during 1964

Recordings in 1964:

25 July 1964 - Galveston News Tribune:

31 July 1964 - The Galveston News:

3 August 1964 - Johnny Winter performs at Robinson Municipal Stadium in Texas City.:

29/30 December 1964 - The Galveston News:

The Johnny Winter Story - The Early Years
- The Early Years: Johnny Winter's Rise to Fame (1959-1969)