LEATHERWOLF - self-titled 1987 12" Vinyl LP Album

Leatherwolf's 1987 self-titled album is like a mullet: business in the front, party in the back. It's got big hair, catchy choruses, and enough guitar solos to make your head spin. Think of it as the soundtrack to your high school prom, if your prom had been held in a mosh pit. Some say it's a sellout move, others say it's a hair metal masterpiece. But one thing's for sure: it's loud, it's proud, and it's 100% American cheese. So grab your Aqua Net and crank it up, because Leatherwolf is back, baby!

 

LEATHERWOLF - Self-Titled 1987 12" LP ALBUM VINYL front cover https://vinyl-records.nl

Leatherwolf's Self-Titled Sophomore Slugfest: A Double-Edged Sword of Metal Mayhem
Album Description:

Leatherwolf's 1987 self-titled record, their second strike at the heavy metal dragon, was a double-edged sword. It was a whirlwind of technical prowess, a showcase of soaring vocals, and a testament to their relentless energy. But it was also a departure from the raw, primal sound of their debut, a step towards the glossy, commercialized arena rock that was threatening to swallow the genre whole. This shift in sound divided fans and critics, with some praising the band's musical evolution and others lamenting the loss of their raw edge.

This wasn't the Leatherwolf of "Street Ready" and "The Calling." This was a band embracing a slicker production, courtesy of Kevin Beamish (REO Speedwagon, Y&T), and experimenting with keyboards and synthesizers. The result was a sound that was both more polished and more diluted, a bittersweet symphony of soaring highs and crushing lows. The use of keyboards, in particular, became a point of contention among fans, with some embracing the new sound and others criticizing it as a sellout move.

The album kicks off with the anthemic "Wicked Ways," a track that instantly grabs you by the throat with its infectious energy. Michael Olivieri's vocals are as powerful as ever, soaring over the dual guitar attack of Geoff Gayer and Carey Howe. But there's something different here, a sheen of commercialism that wasn't present on their debut. Despite the controversy, "Wicked Ways" became one of the album's most popular tracks, thanks in part to its catchy chorus and energetic performance.

"Hideaway" follows, a power ballad that showcases the band's softer side. It's a well-crafted song, but it lacks the raw emotional punch of their earlier work. The keyboards, while adding a layer of texture, also contribute to the sense of overproduction that permeates the album. Despite its softer sound, "Hideaway" resonated with some fans, showcasing the band's versatility and willingness to experiment with different styles.

"Bad Moon Rising" is a cover of the Creedence Clearwater Revival classic, and it's one of the album's highlights. Leatherwolf manages to put their own stamp on the song, injecting it with their signature energy and aggression. It's a reminder of what the band is capable of when they let loose and just rock. This cover version became a fan favorite, praised for its faithful yet unique interpretation of the classic song.

The album's second half is a mixed bag. "Gypsies & Thieves" and "Cry Out" are solid tracks, but they lack the spark of inspiration that made their debut so memorable. The production, while technically impressive, often feels overbearing, burying the band's raw energy under layers of gloss. Despite these criticisms, "Gypsies & Thieves" gained some popularity for its catchy chorus and energetic riffs.

"The Hook" is another standout, a catchy rocker with a killer riff. It's one of the few tracks on the album where the band truly lets loose, embracing their heavier side. But it's too little, too late. The album's overall sound is one of compromise, a band struggling to find their place in a changing musical landscape. "The Hook" became a concert staple, loved by fans for its raw energy and infectious groove.

Leatherwolf's self-titled sophomore effort is a testament to the band's talent and ambition. It's a technically impressive album with moments of brilliance. But it's also a frustrating listen, a reminder of what could have been. The band's decision to embrace a more commercial sound ultimately backfired, alienating some of their core audience and failing to attract a wider following. Despite its mixed reception, the album's most popular tracks, such as "Wicked Ways," "Hideaway," "Bad Moon Rising," "Gypsies & Thieves," and "The Hook," continue to be celebrated by fans for their energy, musicianship, and catchy melodies.

Leatherwolf's self-titled album is a cautionary tale, a reminder that sometimes progress can be a double-edged sword. It's an album that will divide fans, but it's also a testament to the band's resilience and their unwavering commitment to their craft.

"Bad Moon Rising" performed by Leatherwolf:
Album Fact Sheet: LEATHERWOLF - self-titled 1987

Music Genre:

 Speed Metal / Heavy Metal 

Album Production Information:

 

The album: "LEATHERWOLF - self-titled 1987" was produced by: Kevin Beamish, Bruce Barris

Kevin Beamish is an American music producer, sound engineer, during the 1980s he has produced and engineered several heavy metal albums for bands like: Leatherwolf and Saxon.

Bruce Barris (Sound Engineer, Producer) during the 1980s he has been producing and engineering music albums for the Heavy Metal bands like: Leatherwolf, Sanctuary, Saxon, Shok Paris..

During the 1980s Kevin Beamish and Bruce Barris have been working together on the albums for Leatherwolf and Saxon. This is the list of Heavy Metal albums on which both have cooperate:d

1984 Crusader, Saxon
1984 Do It All for You (Single), Saxon
1984 Just Let Me Rock (Single), Saxon
1984 Sailing to America (Single), Saxon
1987 Cry Out (Single), Leatherwolf
1987 Leatherwolf (self-titled), Leatherwolf (USA)
1987 The Best (Compilation), Saxon
1987 The Calling (Single), Leatherwolf
1988 Anthology (Compilation), SAXON (GBR)
1989 Concrete Killers, Shok Paris (USA)
1989 Street Ready, Leatherwolf

Sound/Recording Engineer(s): Kevin Beamish, Bruce Barris, Roy Sweeting

This album was recorded at: Compass Point Studios, Nassau, Bahamas

Compass Point Studios, founded in 1977 by Chris Blackwell, the visionary owner of Island Records, stands as a pivotal and iconic institution in the realm of music production, particularly during the vibrant decades of the 1970s and 1980s. Nestled in the picturesque Bahamas, just outside Nassau, this studio emerged as a tropical oasis that not only offered a breathtaking setting but also fostered a distinctive creative atmosphere that left an indelible mark on the global music scene.

The 1970s and 1980s witnessed a plethora of influential albums recorded at Compass Point Studios, spanning various genres such as rock, reggae, funk, and pop. Artists like Bob Marley, Grace Jones, Iron Maiden Talking Heads, and The Rolling Stones all left their mark on the studio, contributing to its legacy as a hub of musical innovation.

Mastered by Greg Fulginiti at Artisan Sound Recorders, Hollywood, CA

Logo and border design - Wendy Sherman

Album cover photography: Dennis Keeley

Additional information on the people producing this album:

Record Label & Catalognr:

 ISLAND 208 897

Record Format:

12" Vinyl Stereo Gramophone Record

Total Album (Cover+Record) Weight: 230 gram

Year & Country:

  1987 Germany / Netherlands
Personnel/Band Members and Musicians on: LEATHERWOLF - self-titled 1987
    Band-members, Musicians and Performers
  • Mike Olivieri - Vocals, lead guitar, growls and howls

    (Michael Olivieri - singer and guitarist with the American Heavy Metal band "Leatherwolf" since 1981. He also performed in the bands Hailmary, Michael Olivieri Band, Soul Sign.)

  • Geoffrey Gayer . Guitars
  • Carey Howe - Guitars
  • Paul Carman - Bass
  • Dean Roberts - Drums
Complete Track-listing of the album "LEATHERWOLF - self-titled 1987"

The detailed tracklist of this record "LEATHERWOLF - self-titled 1987" is:

    Track-listing Side One:
  1. Rise Or Fall 6:22
  2. The Calling 4:00
  3. Share A Dream 4:32
  4. Cry Out 5:02
    Track-listing Side Two:
  1. Gypsies & Thieves 4:38
  2. Bad Moon Rising 2:36
  3. Princess Of Love 3:20
  4. Magical Eyes 3:02
  5. Rule The Night 4:30

Album Photo Gallery of LEATHERWOLF - Self-Titled 1987 12" LP ALBUM VINYL

Front Cover Photo Of LEATHERWOLF - Self-Titled 1987 12" LP ALBUM VINYL

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LEATHERWOLF - Self-Titled 1987 12" LP ALBUM VINYL front cover https://vinyl-records.nl

 Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Photo Of The Back Cover LEATHERWOLF - Self-Titled 1987 12" LP ALBUM VINYL

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LEATHERWOLF - Self-Titled 1987 12" LP ALBUM VINYL back cover

Photo Side One Vinyl LP LEATHERWOLF - Self-Titled 1987 12" LP ALBUM VINYL

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LEATHERWOLF - Self-Titled 1987 12" LP ALBUM VINYL vinyl lp record

Photo Side Two Vinyl LP LEATHERWOLF - Self-Titled 1987 12" LP ALBUM VINYL

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LEATHERWOLF - Self-Titled 1987 12" LP ALBUM VINYL vinyl lp record
Leatherwolf: The Vinyl Years (1980s Discography)" - featuring album cover photos of their self-titled debut album and "Leatherwolf"

Leatherwolf, the "Triple Axe Attack" from Huntington Beach, California, weren't just another heavy metal band. Formed in 1981, they pioneered a three-guitar assault that would influence generations of shredders. Their early days saw them sharing stages with Metallica and Slayer, honing their chops in the fiery crucible of the SoCal metal scene. With a discography that includes their iconic self-titled debut, the polished arena rock of their second album, and the gritty swan song "Street Ready," Leatherwolf's legacy is one of evolution, experimentation, and a refusal to be pigeonholed. They may have faded from the limelight as grunge took over, but their influence lives on in the countless bands who dared to pick up a third guitar and unleash a sonic storm upon the world.

LEATHERWOLF - Self-Titled ( 1984 )

LEATHERWOLF - Self-Titled ( 1984 )

Steamhammer SH 0030, SPV GmbH SPV 08-1854 , 1984 , Germany

Leatherwolf's 1984 self-titled debut, also known as *Endangered Species*, hit the heavy metal scene like a bolt of lightning. This wasn't just another album; it was a primal scream in a musical landscape that was becoming increasingly homogenized. But what made it resonate so deeply with fans and critics alike?

LEATHERWOLF - Self-Titled ( 1984 ) 12" Vinyl LP

LEATHERWOLF - Self-Titled ( 1987 )

LEATHERWOLF - Self-Titled ( 1987 )

ISLAND 208 897 , 1987 , Netherlands / Germany

Leatherwolf's 1987 self-titled record, their second strike at the heavy metal dragon, was a double-edged sword. It was a whirlwind of technical prowess, a showcase of soaring vocals, and a testament to their relentless energy. But it was also a departure from the raw, primal sound of their debut

LEATHERWOLF - Self-Titled ( 1987 ) 12" Vinyl LP

LEATHERWOLF - Street Ready (1989)

LEATHERWOLF - Street Ready

ISLAND 209 781 , 1989 , Germany

Leatherwolf's 1989 offering, "Street Ready," hit the scene like a dying gasp in the smog-choked sunset of hair metal's reign. This wasn't a triumphant howl, but a wounded yelp from a band caught in the crossfire between evolving tastes and their own stubborn adherence to a sound on its last legs.

LEATHERWOLF - Street Ready 12" Vinyl LP