- The 1988 blues-rock transformation that froze glam and thawed hearts
Released in 1988, Cinderella’s “Long Cold Winter” marks a daring shift from their glam-metal roots toward a blues-infused maturity. Guided by producer Andy Johns, frontman Tom Keifer reshaped the band’s sound amid creative struggles and vocal setbacks. The result — an emotionally charged, multi-platinum record that remains one of rock’s most atmospheric reinventions.
When Cinderella released “Long Cold Winter” in 1988, it marked more than just their second studio album — it captured a band reshaping its identity. Moving beyond the glitter of glam metal, the record found strength in blues, grit, and a colder, more mature emotional tone.
Formed in 1983 by Tom Keifer, Eric Brittingham, Jeff LaBar, and Fred Coury, Cinderella exploded with their debut “Night Songs” (1986). Its success opened the door to greater ambitions — and “Long Cold Winter” would become the test of whether they could grow beyond image into artistry.
Under producer Andy Johns, the band traded heavy-metal gloss for a blues-rock heartbeat. Although Fred Coury was credited as drummer, session players filled most of the role. Denny Carmassi performed on “Second Wind”, while other uncredited drummers added depth and drive. The result? A record that sounded lived-in — raw but refined.
The minimalist white cover, embossed with the purple Cinderella logo, mirrored this restraint. No fantasy art, no wolves — just a stark sleeve that looked as cold as it sounded.
“Gypsy Road” kicked off the release campaign in May 1988, followed by the aching ballad “Don’t Know What You Got (Till It’s Gone)” in August. “The Last Mile” hit that November, and “Coming Home” closed out the run in March 1989. Each single showcased the band’s growth — from swagger to sorrow.
The album went multi-platinum, selling millions and earning critical respect. “Don’t Know What You Got (Till It’s Gone)” climbed to No. 12 on the Billboard Hot 100 — a commercial peak that still echoes on rock radio. Reviewers praised its blend of blues soul and arena strength, calling it one of the decade’s few glam-to-roots success stories.
Decades later, “Long Cold Winter” remains a staple of late-’80s rock — a record that traded makeup for musicianship and flash for feeling. Its influence stretches far beyond the era that birthed it, proving that sometimes, growing colder can make the music burn brighter.
Glam Rock / Heavy Metal / Hair Metal
Combining blues-rooted hard rock with 1980s arena-metal flair, Cinderella’s “Long Cold Winter” blends raw guitar energy and soulful balladry into a cohesive mix of grit and melody.
Mercury Records – 834 612 (White Label)
Minimalist white/cream sleeve with embossed purple Cinderella logo.
Includes original custom inner sleeve with complete lyrics, credits, and band photos. The inner gatefold artwork depicts the wolf-in-snow illustration, not the front cover.
12" Vinyl Stereo Full-Length Long-Play Gramophone Record
Total Weight: 230 gram
1988 – Made in Holland
Bearsville Studios – Bearsville, USA
Kajem Studios – Philadelphia, USA
Bearsville Studios – Bearsville, USA
Management: Larry Mazer
Associate: Roni Jane Feldman
Agency: ICM – Phil Ernst
European Agency: ITB – Rod MacSween
Merchandise: Brockum
Legal: Paul Schindler
Business Management: David Robkin
Road Crew:
Bobby Schumann – Tom’s Guitar
Davey Morris – Bass Tech
Gary Douglas – Jeff’s Guitar
J. Harman – Drum Tech
David Kehrer – Sound
Martyn “Ferret” Rowe – Monitors
Kathy Rowe – Wardrobe
Bob Fenton – Security (with an attitude)
Special Thanks & Companies:
Paul Jernigan and Gibson Guitars, Pam Haynie & Pearl Drums, Dennis & Buddy at Kramer Guitars, Ken Hensley & Tom at St. Louis Music, Larry & Steve at DiMarzio, Mike Morse at Zildjian, John DiChristopher at D.W. Pedals, Jan at Regal Tip Sticks, Barcus Berry, Hamer, SLM, Marshall, Rickenbacker, Ampeg.
Miscellaneous Credit:
The part of Derek Shulman was played by Derek Shulman.
Extra Thanks:
To all of our fans all over the world — you make the rock & roll happen. Love ya all. See ya out there.
© 1988 Polygram Records Inc.
This witty credit from the inner sleeve of Cinderella’s “Long Cold Winter” is not a misprint or an inside joke about an actor—it’s a playful nod to Derek Shulman himself. Before becoming a record executive, Shulman was best known as the lead vocalist of the British progressive rock band Gentle Giant.
By 1988, he had transitioned into the business side of music and was serving as a senior executive at PolyGram Records, the label that released “Long Cold Winter.” The band included this tongue-in-cheek line to thank Shulman for his role in guiding and supporting their career, written in the style of a film credit — “The part of Derek Shulman was played by Derek Shulman.”
It’s a subtle in-joke that blends gratitude with rock ’n’ roll humor, showing how Cinderella’s sleeve notes often mixed formal acknowledgments with a sense of personality and theatrical flair.
Disclaimer: Track durations shown are approximate .
It’s entirely possible that somewhere in the frosty heart of “Long Cold Winter,” Janis Joplin’s ghost is sipping whiskey and smirking. You can almost hear her rasp whispering, “Honey, that ain’t cold—it’s just the blues talkin’.”
Tom Keifer, with his cracked-velvet voice, channels the same desperate ache that made “Cry Baby” such a masterpiece of beautiful suffering. Both songs start soft and slow — like heartbreak tiptoeing in — and then explode into a howl that sounds half-pain, half-confession.
So yes, while Janis left us the southern humidity of heartbreak, Cinderella froze it over with a snowstorm of eyeliner and Marshall amps. “Cry Baby” walked barefoot through the mud; “Long Cold Winter” strutted through it in snakeskin boots.
This image shows the front cover of Cinderella’s 1988 vinyl LP “Long Cold Winter.” The design is striking in its simplicity: a pristine white background that stretches from edge to edge, free of photographic imagery or visual clutter. The band’s name “Cinderella” dominates the top third, rendered in a distinctive stylized typeface that blends medieval curves with modern polish. Its color transitions smoothly from deep violet at the top to a soft lavender hue at the base, creating an understated gradient that feels both regal and restrained.
The album title “Long Cold Winter” appears in elegant cursive at the lower center, written in a refined dark-purple tone that mirrors the band’s logo. The combination of serif lettering and icy space conveys a deliberate chill — a symbolic reflection of the album’s mood and title. There is no imagery, no band photo, no dramatic flair — only the tension between silence and statement.
The cover’s tactile design — often featuring subtle embossing on original pressings — enhances the sense of quiet sophistication. It embodies Cinderella’s transformation from their glittery glam-metal origins into a mature, blues-infused rock identity. The minimalist presentation invites focus on the music’s emotional temperature: introspective, soulful, and tinged with melancholy, much like the winter it portrays.
This image shows the back cover of Cinderella’s 1988 LP “Long Cold Winter.” A haunting black-and-white photograph depicts the band members in a stark, snow-covered forest scene. Bare winter trees and frozen ground surround them, their dark clothing creating a sharp contrast against the pale landscape. The composition, both desolate and theatrical, mirrors the album’s themes of isolation and personal reflection.
From left to right, the musicians appear in long coats, leather jackets, and patterned fabrics, each exuding a sense of quiet confidence and resilience. Their poses — relaxed yet defiant — communicate maturity and self-awareness. The shallow stream in the foreground reflects their silhouettes, adding depth and texture to the wintry tableau.
The tracklist is elegantly handwritten in white cursive across the bottom, neatly dividing Side One and Side Two. Below the songs are the production credits: produced by Andy Johns, Tom Keifer, and Eric Brittingham, engineered by Johns, and mixed by Steve Thompson and Michael Barbiero. The Mercury Records logo anchors the design, reinforcing the sense of professional refinement. Together, the photograph and typography transform the back cover into a visual echo of the album’s moody, blues-infused soul.
This image depicts the first side of the custom inner sleeve from Cinderella’s 1988 LP “Long Cold Winter.” It features an expansive layout of song lyrics, elegantly typeset in serif font across six vertical columns on a soft white background. Each song—beginning with “Bad Seamstress Blues” and ending with “Take Me Back”—is printed in sequence, capturing the full lyrical journey of the album.
The rightmost section is dedicated to the album’s production and personnel credits. Names like producers Andy Johns, Tom Keifer, and Eric Brittingham are listed alongside engineers Steve Thompson and Michael Barbiero. Additional notes include management, agency, and touring crew acknowledgments, reflecting the meticulous documentation typical of late-1980s rock releases.
The absence of imagery or band portraits on this side enhances the feeling of focus and sincerity. The dense text layout invites the listener to read the words as poetry, revealing the introspective and often melancholic tone beneath Cinderella’s blues-infused hard rock sound. The simplicity of the design mirrors the album’s emotional restraint—polished, mature, and confident in its minimalism.
This photograph, printed on the reverse side of the inner sleeve for Cinderella’s “Long Cold Winter” (1988), captures the band in a rugged outdoor setting that perfectly matches the album’s emotional atmosphere. Shot in stark black and white, it shows the four members posed among snow, rocks, and leafless trees—a wintry tableau that reflects both the title and the introspective tone of the record.
Each musician embodies a distinct presence: Tom Keifer, front left, leans forward in a fringed leather jacket, his gaze direct and pensive; Jeff LaBar stands confidently with a zebra-patterned coat and matching boots; Eric Brittingham, center-right, wears a broad-brimmed hat and layered belts; and Fred Coury, far right, with his voluminous blonde hair, adds contrast and balance to the frame. The group’s styling bridges glam-rock flair and road-worn authenticity, signaling their musical evolution.
The composition, with its strong natural lighting and deep shadows, evokes both grit and elegance. The inclusion of miniature “Also available” images at the lower edge promotes their earlier album “Night Songs,” connecting their glam origins to this more mature, blues-infused era. It’s an image that feels cinematic—equal parts promotional and poetic—serving as a visual encore to the music’s emotional landscape.
This image shows a close-up of the Side One record label from Cinderella’s 1988 LP “Long Cold Winter.” The label’s minimalist cream tone is dominated by the band’s signature purple logo, rendered in the same stylized font used on the front cover. Above it sits the classic Mercury Records emblem, discreet and centered.
The text below the logo lists the five tracks of Side One, including “Bad Seamstress Blues,” “Gypsy Road,” and “Don’t Know What You Got (Till It’s Gone).” Production details follow in smaller type, crediting producers Andy Johns, Tom Keifer, and Eric Brittingham, with engineering and mixing notes beneath. The catalog number 834 612-1 and matrix reference are positioned clearly on the right, establishing the label’s European pressing identity.
Surrounding the label’s edge is a fine circular copyright inscription that reads: “All rights of the producer and of the owner of the work reproduced reserved.” The 33⅓ RPM and “Made in Holland” imprints confirm its manufacturing origin. The overall composition is clean, symmetrical, and understated—matching the album’s refined visual aesthetic and signaling its transition from glam-metal spectacle to mature blues-rock craftsmanship.
Note: The images on this page are photographs of the actual vinyl album. Slight color variations may occur due to lighting and camera flash. All photos can be zoomed in/out on touch devices for closer inspection.
Mercury 888 812 (88812) , 1987 , Netherlands
Cinderella's "The Live E.P." 12" vinyl album encapsulates the raw energy of the American glam metal band during a 1987 Philadelphia performance. The recording immortalizes the band at their zenith. In the vinyl resurgence, this live gem has become a sought-after collectible, offering fans an authentic, tactile experience of Cinderella's electrifying stage presence.
Learn morePress play on “Long Cold Winter” and you can almost see the steam rise from the amps. This is blues-rock dipped in frostbite — a rebirth album that left mascara trails in the snow. Keifer howls, the band burns, and somewhere between heartbreak and redemption, glam metal remembers its soul. A pure late-80s artifact that still sounds beautifully worn at the edges.
Polygram
"Cinderella's 1986 debut album, 'Night Songs,' became a rock classic. The limited edition Picture Disc 12" Vinyl added a visual dimension to the auditory experience, featuring captivating artwork on each side. With timeless tracks like 'Shake Me' and 'Nobody's Fool,' this collector's item stands as both a musical gem and a visual masterpiece, preserving the magic of '80s glam metal in a tangible and cherished form."
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Mercury 422-830-976 , 1986 , USA
Cinderella's 1986 debut album, "Night Songs (USA)," marked their rise to glam metal stardom. Fueled by the hit single "Nobody's Fool" and strategic MTV airplay, the album soared to multi-platinum success. An opening slot on Bon Jovi's tour further propelled their fame, solidifying Cinderella as a defining force in 1980s rock.
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Mercury 830 076 , 1986 , Netherlands
Night Songs is Cinderella's first(debut album, which sold several million copies due to a combination of the single Nobody's Fool, MTV airplay, and an opening slot on Bon Jovi's tour (in support of their album Slippery When Wet).
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