- Recorded at Maunoir Studio, Geneva (1984–1985) – Produced by Elie Benali
“Strike” by Attentat Rock hits like a voltage surge straight out of mid-’80s France — a cocktail of hard rock swagger and heavy-metal precision forged in Geneva’s Maunoir Studio. The band was peaking here: Marc Quee’s vocals blaze over Fabrice Fourgeaud and Hervé Raynal’s twin-guitar attack, with Elie Benali polishing it into metallic glass. It’s loud, melodic, and defiantly European — the kind of record that made teenage amps hum and parents sigh. A snapshot of that glorious moment when French metal believed it could take on the world — and almost did.
“Strike” was Attentat Rock’s moment of ignition — a loud, proud, and gloriously over-the-top declaration that French heavy metal had a pulse and wasn’t afraid to use it. Recorded in Geneva’s Maunoir Studio between 1984 and 1985, the album bottled the sweaty optimism of a young band convinced that Marshall stacks and eyeliner could conquer the world.
The mid-’80s were a fascinating mess for metal. Iron Maiden ruled the airwaves, Judas Priest had turned leather into theology, and Europe’s underground was catching fire in a dozen languages. France, often mocked for its chanson heritage, suddenly birthed its own breed of headbangers — Vulcain, Sortilège, Warning — and into that noisy uprising charged Attentat Rock, half swagger, half sincerity, all conviction. “Strike” didn’t just ride the wave; it tried to steer it.
Before this album, Attentat Rock had been building a loyal following across the Rhône Valley and Swiss border clubs. They had something most French acts lacked: a frontman who could sing in fluent English and a twin-guitar lineup trained in the gospel of Thin Lizzy and early Scorpions. Producer Elie Benali gave them the one thing they’d been missing — studio discipline without diluting their chaos. The sessions at Maunoir stretched across cold Geneva nights, fueled by cheap beer, fresh ambition, and the firm belief that this record would open international doors.
“Strike” lives up to its name. The opening salvo “Forces of the Dark” surges with galloping riffs and teenage bravado, while “Sandy” and “Open Your Eyes” prove that French metal could flirt as easily as it could fight. The guitars of Fabrice Forgeau and Hervé Raynal weave in clean harmony — one melodic, one sharp as glass — anchored by Pierre Brémond’s steady bass and Thierry Gaulme’s punchy drums. Over it all, Marc Quee’s voice glides somewhere between Bonnet and Halford, full of melodic bite and just enough accent to remind you this isn’t Los Angeles.
In 1985, Europe was drowning in glossy MTV metal. Bands like Dokken and Europe were polishing their riffs for export, while Attentat Rock doubled down on grit. Their humor and theatricality — perfectly captured in the bowling-alley cover photo — gave them personality, but it also limited their reach. France wasn’t exactly eager to embrace English-language metal from its own sons. The irony still stings: they were too French to be British, too British to be French.
Inside the band, ambition met exhaustion. Marc Quee wanted bigger shows; Forgeau was obsessed with production quality; Benali pushed for precision. The result is a record that sounds tight but slightly restless — every note carrying the tension of a group straining toward its next level. You can almost hear the friction in “Heroes Never Die,” a song that feels like both statement and farewell.
“Strike” didn’t exactly storm the charts, but it burned its initials into the underground. Fanzines across Europe praised its musicianship, even as mainstream press ignored it. For collectors today, it’s one of those cult LPs that bridges the gap between local pride and global ambition — a record that smelled faintly of vinyl dust, sweat, and the dream of electric guitars echoing beyond the Alps.
Four decades later, “Strike” still feels like a time capsule from a parallel universe where French metal ruled arenas. The energy is raw, the production honest, and the hooks unashamedly catchy. Spin it loud and you’ll hear a young band swinging for glory — and for a few minutes, you’ll believe they hit it. The grooves may crackle with age, but that reckless optimism still roars through every spin.
French Heavy Metal / Hard Rock
A fierce strain of French Heavy Metal blending melodic leads and driving riffs with the intensity of early-’80s European metal. Attentat Rock’s sound captures the raw energy of the NWOBHM movement while keeping its Gallic flair intact.
Virgin – DM 207 198
This album includes the original custom inner sleeve featuring complete lyrics, detailed credits, and photos of the band members of Attentat Rock.
Record Format: 12" LP Vinyl, Stereo
Total Weight: 230 g
1985 – Made in EEC
Maunoir Studio – Geneva, Switzerland
Disclaimer: Track durations are approximate; slight differences may occur between pressings or reissues.
“Strike” captures the height of the French metal surge of the mid-’80s. Attentat Rock fused tight musicianship with an accessible melodic edge, offering lyrics in English to appeal beyond the Francophone market. Their energy was matched by polished production from Elie Benali, marking this LP as one of the best-crafted examples of France’s contribution to the European metal scene.
The album cover of "Strike" by Attentat Rock transforms a bowling alley into a stage of wild rock theatrics. Center frame, a blonde woman in black and red lingerie strikes a confident pose, frozen mid-action as she releases a black bowling ball— humorously stylized as a live bomb—hurtling toward a perfect set of pins. Her bright red scarf flows behind her, while dark sunglasses reflect the glint of lane lights, giving her a mix of danger and flirtation.
Behind her, the retro AMF scoring board glows warmly, with its numbered bulbs—1 through 10—mirroring the energy and precision of a guitar riff. The lighting, with its amber tones, evokes the smoky thrill of an underground French metal club circa 1985. Her body language, slightly leaning forward with gloved hands, conveys both defiance and fun—the dual spirit of the album’s music itself.
The upper left corner bears the Attentat Rock logo in bright yellow letters with a curved lightning flourish cutting through the text. On the right, the album title "Strike" appears in angular red lettering, underlining the visual pun of the bowling scene. Together, the image mixes playfulness with attitude, perfectly echoing the high-voltage energy of mid-’80s French heavy metal culture.
The back cover of "Strike" by Attentat Rock captures the raw charisma of a 1980s French metal band at the height of their theatrical glory. Set inside a bowling alley, the five band members stand shoulder to shoulder, surrounded by scattered bowling pins and colorful balls as if they’ve just turned a casual game into a rock spectacle. Each musician wears flamboyant stage attire—mesh tops, leather pants, studded belts, chains, and spiked wristbands—embodying the glam-meets-metal aesthetic that defined the era.
The scene is a riot of color and texture: zebra-striped trousers, animal-print boots, red and white stripes, and glints of metal jewelry catching the studio lights. Their expressions range from confident to mischievous, perfectly balanced between playful self-parody and pure attitude. The polished bowling lane reflects both their stance and the scattered pins, a visual metaphor for the explosive impact of their sound.
To the right, the album’s tracklist appears in bold pink text, neatly separated into Face A and Face B, including titles like “Forces of the Dark” and “Heavy Metal.” Below it, production credits acknowledge Elie Benali and Maunoir Studio in Geneva. At the lower corners, the distinctive Virgin Records logo and catalog number DM 207 198 appear, grounding the chaotic scene with professional precision. The entire composition radiates humor, energy, and bravado—an unfiltered portrait of a band that lived their music loud.
The inner sleeve of “Strike” by Attentat Rock bursts with life and color, presenting a vibrant collage of the band’s musical world. Spread across a pale blue background are roughly a dozen photographs, arranged with the informal energy of a scrapbook—each snapshot a glimpse into the band’s experience both on and off stage during the mid-1980s.
At the center, the five members pose proudly around a bright red crate emblazoned with Attentat Rock Strike, dressed in their signature mix of mesh tops, leather, and zebra-print pants. Around this core image, smaller photos capture them rehearsing, performing under flashing lights, and goofing off backstage. There are shots of Thierry Fervent at the keyboards, Hervé and Vincent jamming under the “Capricorn” sign, and several live action scenes from packed venues where guitars blur mid-swing.
The composition alternates between high-energy concert moments and intimate behind-the-scenes glimpses: band members laughing over meals, tuning instruments, and interacting with their road crew. The lighting shifts from warm amber hues to deep stage blues, emphasizing both the grit of touring life and the theatricality of performance. It’s a photographic celebration of hard work, humor, and defiant rock passion—an authentic visual diary of a French metal band at full throttle.
The second inner sleeve of “Strike” by Attentat Rock contrasts cool elegance with bold rock attitude. The upper half is dominated by a monochrome image tinted in icy blue, showing a woman with tousled hair, dark sunglasses, and fishnet gloves—her pose both mysterious and defiant. The soft-focus photograph forms a backdrop for the printed production notes and acknowledgements aligned to the right.
The text lists detailed recording information: sessions held at Maunoir Studio in Geneva between November 1984 and January 1985, production by Elie Benali, mastering by Fabrice Forgeau, and photography by Lionel Bertin. The credit layout, in crisp blue type, anchors the upper portion of the sleeve with an air of precision and gratitude typical of mid-’80s European rock releases.
Along the bottom runs a wide strip of individual portraits showing each of the five musicians. From left to right: Marc Quee with dark curls and an intense gaze; Pierre Brémond with blonde hair styled in sharp layers; Hervé Raynal with a cascade of dark curls and a confident smirk; Thierry Gaulme with straight blond hair and a headband; and Fabrice Fourgeau with a wilder, unkempt mane. Each image is sharp, vibrant, and lit against a white background, emphasizing individuality within a cohesive band identity. Together, this design serves as both documentation and tribute — a visual finale to the record’s sound and spirit.
This close-up of the record label from Attentat Rock’s 1985 album “Strike” reveals the clean and iconic design typical of Virgin Records pressings from the mid-1980s. The entire label surface is a bright lime green, featuring the unmistakable white Virgin script logo diagonally across the lower right quadrant, contrasting vividly against the black vinyl edge.
Printed in crisp black text at the top is the band’s name, ATTENTAT ROCK, followed by the album title Strike. Below, six song titles are listed: “Ouverture,” “Forces of the Dark,” “Open Your Eyes,” “Sandy,” “Lord Tell Me,” and “On the Highway,” alongside songwriting credits indicating contributions from Hervé Raynal, Marc Quee, Pierre Brémond, and Elie Benali. The credit line confirms the album was produced by Elie Benali for Riff Records in 1985.
On the right side, the technical details are precisely laid out: SIDE ONE, 33 RPM, and STEREO appear above the bold catalog number 207 198, with the matrix code DM 207 198 A printed directly beneath it. To the left, a small rectangular box encloses the copyright and rights societies’ symbols — GEMA, STEMRA, and BIEM — representing licensing and royalty collection agencies covering Germany, the Netherlands, and international rights respectively. The circular ST 33 symbol denotes that the record is a 33⅓ RPM stereo long play, while the LC 3098 (Label Code) identifies Virgin Records under the standardized European recording label system.
Around the label’s outer rim, fine white print asserts copyright protection and bans unauthorized duplication or lending, a common legal warning on European vinyl releases of the era. The design is minimalist yet functional, perfectly blending technical clarity with Virgin’s sleek brand aesthetic. It stands as both a collector’s detail and a hallmark of 1980s vinyl craftsmanship.
The Devil's Records 12" LP Vinyl Album titled "ATTENTAT ROCK - Le Gang Des Saigneurs" holds a significant place in the history of rock music, particularly within the European rock scene. To understand the creation history of this iconic album, one must delve into the roots of the band
“Strike” hits hard — a swaggering cocktail of heavy metal bravado and 1980s French flair. The album tears through ten tracks of riff-driven energy, fierce attitude, and unapologetic stage-show spirit. Marc Quee leads with magnetic confidence, channeling equal parts grit and melody. It’s not just another LP — it’s a loud declaration that French metal could punch, pose, and shine with the best of them.