URIAH HEEP - LIVE IN MOSCOW / CAM B MOCKBE - 12" LP Vinyl Album

Abominog is the 14th album for British rock group URIAH HEEP. It was the first album without keyboardist Ken Hensley. The album was critically acclaimed and fairly commercially successful album due, in part, to the band retooling and updating their sound to a contemporary heavy metal style.

The 1979 release "Best of Uriah Heep" on Bronze Records, catalog number 28 784 XOT, is a compilation spanning 1970-1976. Produced by Gerry Bron, it features the band's pinnacle tracks, showcasing their evolution. Sound engineer Peter Gallen ensures sonic fidelity. Distributed in Germany, the LP captures Uriah Heep's global appeal. LC 2313 highlights Bronze Records' role.

"Conquest" is an album by the English rock band Uriah Heep, released in 1980. It and marked a departure from their earlier, heavier sound towards a more polished and commercial style. The album features a mix of hard rock, progressive rock, and arena rock elements and includes songs such as "Heartless Land," "Imagination," and "Feelings."

Uriah Heep's 1974 album "Demons and Wizards," released on a 12" LP in Austria with a Roger Dean-designed gatefold cover (Island 86 185 IT), holds significance within the evolving rock music landscape. The collaboration between the iconic band and Dean resulted in a visually striking cover that complemented the album's fantasy themes. This Austrian release contributed to the global accessibility of Uriah Heep's music, marking a notable chapter in 1970s rock history.

Uriah Heep's "Demons and Wizards," a 1974 French release, remains a timeless classic. Produced by Gerry Bron, the album showcases the engineering prowess of Peter Gallen and Ashley Howe, recorded at Lansdowne Studios. The artistic collaboration of Roger Dean and photographers Dominy Hamilton and Roger Dean resulted in a visually captivating gatefold cover.

"Equator" is the 1985 album by the English rock band Uriah Heep. . It was recorded during a time of change and transition for the band, as they were exploring new sounds and directions. The album features a mix of hard rock, progressive rock, and arena rock elements, and includes songs such as "Rockarama," "Lonely Nights," and "The Other Side of Midnight."

"Fallen Angel" is the 12th album released by British rock band URIAH HEEP in 1978. The album cover for Uriah Heep's 1978 album "Fallen Angel" was indeed designed by artist Chris Achilleos. Chris Achilleos is a Cypriot-British painter and illustrator who has created cover art for many books, albums, and magazines. He is well known for his fantasy and science fiction artwork and his attention to detail, and has created many memorable and iconic images throughout his career.

Firefly is the tenth album released by British rock band URIAH HEEP. It was first album without David Byron, lead vocalist and a founder-member of the band, and the first of three albums with John Lawton.

The German release of "Firefly," the tenth album by British rock band URIAH HEEP, marked a transition as the first without founding member David Byron, featuring John Lawton as the new lead vocalist. Released on Bronze (28 520 XOT), this 12" Vinyl LP in a gatefold cover includes an original custom inner sleeve with detailed album information and complete song lyrics. The album holds significance in the band's evolving lineup during its release period.

Uriah Heep's "Firefly" 12" Vinyl LP Album, a UK release featuring a gatefold cover and custom inner sleeve, stands as a noteworthy contribution to the music scene. Released during a pivotal time period, it showcases the band's production prowess and musical evolution.

Uriah Heep's 1983 release, "Head First," marked their 15th studio album under Bronze Records. Produced by Ashley Howe, the album showcased the band's adaptability in the evolving music scene. Recorded at Manor Studios, it blended hard and progressive rock elements. In the context of 1983 Europe, the album reflected the era's musical trends and served as a sonic backdrop to the cultural shifts of the time.

Released in 1976 on Bronze Records, Uriah Heep's "High and Mighty" 12" LP marked a significant chapter in mid-'70s rock. Produced by the band and recorded at London's Roundhouse Studios, it showcased their distinctive blend of hard and progressive rock.

The 1979 East-German release of Uriah Heep's "Innocent Victim" on Amiga Records, featuring a distinctive band portrait on the cover, adds a captivating layer to the album's narrative. With liner notes by Ulrich Gnoth and the DDR catalog number AWA 8 55 671, it stands as a unique collector's item, providing a glimpse into the cultural and musical dynamics within the German Democratic Republic during that period.

Uriah Heep's 1977 album "Innocent Victim" marked a shift in their musical style. The cover, designed by David Shortt, features an iconic full-page snake head with a large red mouth and tongue, illustrated by John Holmes. This visual element, in tandem with the album's departure from the band's heavier sound, contributes to the album's significance in showcasing artistic evolution within the rock music landscape during its release period.

Uriah Heep's "Innocent Victim" Swiss release, marked by a distinctive +ML+ label, stands out as a rare find in vinyl collections. With limited quantities pressed due to Switzerland's smaller market size, this edition reflects historical import practices. The album, produced by Gerry Bron and Ken Hensley, showcases the band's musical prowess, complemented by David Shortt's cover design and John Holmes' snake illustration. The inclusion of a 12" insert with complete lyrics enhances its appeal for collectors.

Uriah Heep's "Live in Moscow," recorded during their historic 1987 concerts in the Soviet Union, marks a pivotal moment in rock diplomacy. Spearheaded by Laszlo Hegedus, the album showcases the band's musical prowess and captures the energy of the era. The gatefold cover and meticulous engineering by Janos Mihaly and Gabor Hegedus contribute to a sonic masterpiece.

"Uriah Heep's 'Live 1973' 2LP Album, subtitled 'Bronze Records and Peter Bowyer Present,' captures the essence of the band's musical prowess during its release period. Released on vinyl, the record reflects a moment in music history, showcasing Uriah Heep's live performances. Bronze Records and Peter Bowyer's collaboration contributes to preserving and presenting this iconic era of rock music for enthusiasts and collectors alike."

The USA release of Uriah Heep's 'Live 1973' 2LP Album, subtitled 'Bronze Records and Peter Bowyer Present,' introduced American audiences to the band's dynamic live performances. Distributed across the United States, the album resonated with rock enthusiasts, contributing to Uriah Heep's presence in the American music scene. The release marked a significant chapter in the band's international recognition during the early 1970s.

Uriah Heep's "Look At Yourself," released on Bronze Records in Germany, adds a distinctive chapter to the band's musical narrative. Produced by Gerry Bron and recorded at Lansdown Studios in 1971, this release encapsulates the essence of British hard rock. With a unique imprint on the German music scene, it stands as a testament to Uriah Heep's international resonance and diverse influence.

Uriah Heep's "Look at Yourself" 12" Vinyl LP, a German release on Island Records (Catalognr: 85 703 IT), produced by Gary Bron, made its mark during the early 1970s. Combining hard rock and progressive elements, the album reflected the era's musical diversity. The iconic cover featuring a distorted mirror added visual symbolism, contributing to the band's significant role in shaping the evolving landscape of rock music.

Uriah Heep's "Look At Yourself" 12" LP, released in Great Britain, marks a pivotal moment in the band's musical trajectory. Produced by Gerry Bron and recorded at Lansdown Studios in 1971, it epitomizes the evolving hard rock sound of the era. The album's unique features, including a thick inner sleeve and the "Made in Great Britain" label, contribute to its distinct identity, leaving an enduring impact on the global rock music scene.

Uriah Heep's "Look At Yourself" 12" LP, a 1971 Netherlands release, epitomizes the band's venture into hard rock. Produced by Gerry Bron at Lansdown Studios, London, it reflects the diverse musical landscape of the era. Cataloged as Bronze 28 765 / LC 2313, its "Made in Netherlands" stamp signifies global influence. The album cover, featuring a "mirror", adds a visual dimension to the band's impactful contribution to the 1971 music scene.

Uriah Heep's "The Magician's Birthday," a 1972 12" LP vinyl release, stands as a quintessential piece in the British rock scene. Featuring a gatefold sleeve designed by Roger Dean, the album combines Ken Hensley's storytelling with the band's musical prowess. Recorded at Landsdowne Studios, London, it presents a cohesive narrative with detailed liner notes. Produced by Gerry Bron, this timeless artifact encapsulates the essence of progressive rock during its release period.

Uriah Heep's "The Magician's Birthday" (1972 Italian release) encapsulates the band's musical prowess. The gatefold vinyl, designed by Roger Dean, features captivating cover photography by Fin Costello and houses printed lyrics. Produced by Gerry Bron with engineering by Peter Gallen, the album's international presence solidified Uriah Heep's status. A fusion of progressive and hard rock, it remains a timeless masterpiece, celebrated for its sonic and visual contributions.

Uriah Heep's "The Magician's Birthday," a quintessential British rock album, unveils a mystical narrative crafted by Ken Hensley in 1972. Rooted in a short story, the album's tracks weave a captivating tale of magic and time. With soaring vocals and intricate instrumentation, it transcends its era, leaving an enduring mark on rock history. A testament to Uriah Heep's musical prowess, it continues to enchant listeners with its timeless allure.

Uriah Heep's 1975 release, "Return to Fantasy," showcased a harmonious blend of production mastery by Gerry Bron and recording finesse at London's Lansdowne and Morgan Studios. The visual allure, courtesy of Dave Field's design and Joe Gaffney's photography, complemented the musical journey. Released on Bronze Records as a 12" vinyl LP, the album's inner sleeve with complete lyrics added a personal touch, contributing to its significance in the diverse musical landscape of 1975.

Uriah Heep's 1975 release, "Return to Fantasy," showcased a harmonious blend of production mastery by Gerry Bron and recording finesse at London's Lansdowne and Morgan Studios. The visual allure, courtesy of Dave Field's design and Joe Gaffney's photography, complemented the musical journey. Released on Bronze Records as a 12" vinyl LP, the album's inner sleeve with complete lyrics added a personal touch, contributing to its significance in the diverse musical landscape of 1975.

Released in 1970, URIAH HEEP's "Salisbury" 12" LP Vinyl Album, French Release (Catalog Nr: Bronze BRO 2006) stands as a musical gem. With its distinctive gatefold album cover, this French edition adds a touch of elegance to the band's iconic sound. A testament to the era, the release encapsulates the spirit of the '70s music scene, making it a prized collector's item for enthusiasts of the period.

Uriah Heep's 1971 release, "Salisbury," epitomizes the band's prowess in the progressive rock realm. This second studio album, marked by a fusion of hard rock, progressive elements, and heavy metal, stands as a classic. The 15-minute title track showcases the band's intricate songwriting, while hits like "Bird of Prey" and "Lady in Black" highlight their ability to blend experimentation with memorable hooks. "Salisbury" solidified Uriah Heep's status as a pioneering force in 1970s hard rock.

Released in 1973 by Bronze Records, Uriah Heep's "Sweet Freedom" marked the band's sixth studio album. The 12" LP, cataloged as Bronze 28 777 XOT, showcased the British rock band's musical prowess during a dynamic period in the music industry. With its blend of rock and progressive elements, the album contributed significantly to the band's artistic evolution, leaving an indelible mark on the music scene of 1970s Germany.

Uriah Heep's 1973 release, 'Sweet Freedom,' stands as a hallmark in the progressive rock era. The German edition, distributed by Island Records, solidified the band's global influence. Produced by Gerry Bron and recorded in France, the album's sonic blend of rock and blues, coupled with Fin Costello's visual artistry on the gatefold cover, leaves an enduring legacy. A harmonious fusion of musical and visual elements, 'Sweet Freedom' remains a timeless gem in the annals of '70s music.

The Austrian release of Uriah Heep's debut album, "Very 'eavy... Very 'umble," on Island C 85 690/Bronze/Austro Mechana, offers a regional perspective on the band's impact. With a distinct catalog number, this version maintains the album's original charm, featuring a gatefold-sleeve and insert with band photos. The Austrian release contributes to the broader European dissemination of Uriah Heep's influential hard rock sound during the early 1970s.

Uriah Heep's debut album, "Very 'eavy... Very 'umble," released on German vinyl in 1970, marked a significant chapter in the evolution of British hard rock. Produced by Gerry Bron for Hit Productions LTD, the album's gatefold-sleeve featured distinctive artwork and an insert with band photos and tour dates. This release contributed to the dynamic musical landscape of the early 1970s, showcasing Uriah Heep's unique sound and leaving an enduring impact on rock music.

Uriah Heep's debut album, "Very 'Eavy Very 'Umble," released in 1970 on Vertigo Records (Catalog number: 6360 006), played a pivotal role in shaping the rock music landscape. Produced by Gerry Bron, its fusion of hard and progressive rock marked a significant contribution to the evolving musical scene of the time.

"Wonderworld," the 1974 studio album by English rock band Uriah Heep, showcases a blend of hard rock, progressive rock, and blues-inspired elements. Featuring tracks like "The Wizard," "Suicidal Man," and "So Tired," the album marked a shift towards a more straightforward and commercial style, departing from the band's experimental sound. Despite mixed reviews, it proved commercially successful, solidifying Uriah Heep as a prominent hard rock band in the 1970s, with its tight production and memorable performances earning it a lasting place in the band's live repertoire.