Welcome to the Vinyl Records Gallery , a web-site dedicated to all Music Fans and especially to all music released during the 1960, 70 and 1980s on vinyl. Here you will find my perspnal collection of vinyl records, collected over decades. Each record is described in full details and where appropriate with detailed collector details as well with large high quality photos.
Crack open this gatefold and you’re greeted by the smell of burning amps and blasphemy. “Beyond the Gates” is Possessed throwing dynamite into the coffin of restraint. Guitars scream like jet engines over a ritual drumbeat that doesn’t end—it detonates. The apocalypse here isn’t prophecy—it’s performance.
Railway's "Railway II" LP is a hard-hitting slice of 80s German heavy metal, featuring aggressive guitar riffs, pounding drums, and unpolished vocals. Released in 1985, it captures the band’s uncompromising style and DIY ethos, delivering a raw, high-energy sound that resonates with fans of classic metal.
Blurring the borders between blues, theatre, and noise, “Swordfishtrombones” turned 1983 into a sonic carnival. Tom Waits reshaped his world with growling horns, odd marimbas by Victor Feldman, and street-corner poetry—an unforgettable experiment that split fans and critics alike.
"Dirty Blonde's 'Passion' on 12" LP Vinyl Album delivers an electrifying sonic journey. The musical prowess showcased in 'Passion' is nothing short of captivating, with each track on the album resonating with energy and emotion. Outpost Records has curated a masterpiece that seamlessly blends genres, creating an unforgettable listening experience. This LP stands as a testament to Dirty Blonde's artistry and the enduring power of passion in music."
With searing guitars, pounding drums, and unrelenting attitude, "Metal on Metal" captures Anvil at full power. Vocalist and guitarist Lips leads the charge with raw energy and unapologetic grit. Each track bursts with adrenaline, laying down the iron foundation that would shape heavy metal’s next generation.
In September of 1974, Bad Company embarked on a journey to create their sophomore album, "Straight Shooter". What makes this album even more intriguing is the location where it all came to life - Gloucestershire Castle.
- Straight Shooter (1975, Island Records) - Straight Shooter ( 1975, Swan Song Records)Johnny Winter’s The First Album roars with the raw power of late-1960s blues rock. Originally released in 1969 and later reissued on Blue Sky Records, it captures Winter’s blistering guitar work and soulful vocals at full throttle. Tracks like “Be Careful with a Fool” and “Leland Mississippi Blues” showcase a master redefining electric blues for a new generation.
Released in 1973, “The Joker” transformed Steve Miller Band from cult blues-rockers into chart-topping icons. Mixing humor, swagger, and irresistible melodies, this LP radiates California cool and 70s freedom. The title track became a worldwide anthem, its playful lyrics and slide guitar defining a generation of rock radio classics.
"Revelations," Killing Joke's third album, released in 1982 amid the post-punk era's zenith, is a sonic manifesto that defies conventions. Produced by Conny Plank, its tracks like "Empire Song" and "Chop-Chop" showcase the band's fusion of tribal rhythms and angular guitars. A cult classic, "Revelations" remains a testament to Killing Joke's influential sound and its enduring impact on alternative music.
Ted Nugent’s Anthology roars through his wildest years, 1975–1980, with 22 tracks of pure guitar-driven chaos. Released by Castle Communications’ Raw Power label, this double LP captures the Motor City Madman in full flight — shredding through hits like Stranglehold and Cat Scratch Fever with unrelenting energy, swagger, and unapologetic rock fury.
The 1988 debut solo album by guitar virtuoso Marty Friedman, released on Roadrunner Records. A landmark in instrumental rock and neoclassical metal, produced by Friedman with Mike Varney and engineered by Dino Alden. Featuring Jason Becker’s guest solos and standout tracks “Dragon Mistress” and “Thunder March,” it defined late-80s shred guitar excellence.
When Venom dropped “Warhead,” Europe wasn’t ready — and that’s exactly why it exploded. Issued by RoadrunneR Productions, this unholy slab of vinyl turned clubs into war zones and terrified record execs. Cronos growled like a demon in heat, Mantas unleashed riffs that could saw steel, and within weeks the underground was on fire. Hear the single that changed metal forever.
A fan favorite since its 1982 release, Mechanix stands as one of UFO’s most enduring records. Combining raw hard rock drive with melodic precision, it bridges the energy of the 1970s with the sleek sound of the new decade. The standout track “The Writer” captures the band’s confident and electrifying spirit.
Released in 1974, Starless and Bible Black captures King Crimson’s most daring blend of live improvisation and studio craft. Recorded at AIR Studios, its dark satire and raw experimentation showcase Robert Fripp, John Wetton, Bill Bruford, and David Cross at their creative peak — progressive rock both cerebral and savage.
The Italian edition of “Hey Joe – Successo: Rock Giants Vol. 1” is a collector’s gem. It brings together Jimi Hendrix’s groundbreaking hits from the Experience era in a striking red-and-black design. With its rich sound and Italian liner notes, this LP celebrates Hendrix’s lasting influence on psychedelic and blues-rock history.
Issued in 1970, Future Blues is Canned Heat at their creative peak — raw, inventive, and defiantly alive. Alan Wilson’s slide guitar work and Bob Hite’s commanding vocals turn classic blues roots into something electrifying. The album’s mix of grit and groove, led by “Let’s Work Together,” makes it a cornerstone of modern blues rock.
"In The Army Now" became one of Status Quo’s biggest 80s hits, topping charts across Europe. Combining catchy riffs and driving twin guitars from Rossi and Parfitt, the album brought a fresh wave of success and introduced the band’s timeless rock spirit to a new generation of listeners and collectors.
The 1970 German pressing of Sweet Smoke’s “Just a Poke” captures a unique fusion of psychedelic rock and jazz freedom. Its two epic compositions, “Baby Night” and “Silly Sally,” unfold like living improvisations — meditative, trippy, and timeless. Recorded with producer Rosie Schmitz and engineer Conny Plank, this LP remains a Krautrock masterpiece.
Released in 1983, “Allies” stands as both a live document and a studio statement from Crosby, Stills & Nash. Their harmonies shine across impassioned performances recorded in California and Texas, while the studio tracks deliver sharp production and emotional weight, marking one of CSN’s last great moments of unity and creativity.
“Once Upon a Time: The Singles” stands as a dark, elegant summary of Siouxsie & The Banshees’ early years. From the sharp urgency of “Playground Twist” to the hypnotic allure of “Arabian Knights,” this 1981 compilation captures the group’s fearless innovation and their ability to turn gothic tension into timeless pop art.
Released in 1987, "Taking Over" was Overkill's second studio album and their major label debut on Atlantic Records. The album arrived during the peak of thrash metal's popularity, with bands like Metallica and Slayer dominating the scene.
- Taking Over (1987, Canada) - Taking Over (1987, Germany) - Taking Over (1987, USA)NAZARETH’s 1975 classic Hair of the Dog defines 1970s hard rock: a fierce blend of swagger, grit, and blues-soaked power. Produced by Manny Charlton at Escape Studios, it pairs raw guitar riffs with Dan McCafferty’s unmistakable vocals. The result — part heavy, part melodic — remains a timeless vinyl staple of the UK and German rock scene.
- Hair of the Dog German Release 12" Vinyl LP - Hair of the Dog Gt Britain Release 12" Vinyl LPA landmark in music history, this 1969 masterpiece by King Crimson unleashed a new era of progressive rock. Its cinematic sound, Mellotron grandeur, and poetic intensity made it unforgettable. From the explosive “Schizoid Man” to the majestic title track, this album remains a collector’s holy grail of innovation.
Beauty and the Beat is the 1981 debut LP by the Californian all-female group the Go-Go’s. A landmark in pop and New Wave, it fused sharp songwriting with irresistible energy, propelling the band to stardom. The album went double platinum and became the first by an all-female band to top the charts, thanks to unforgettable singles and its enduring influence on rock history.
"Triumph and Agony" is Warlock’s fourth and final studio album, a 1987 West German pressing that became a collector’s treasure. Featuring striking artwork, custom inner sleeves, and the iconic Vertigo swirl label, it combines sonic firepower with strong visual identity, making it both a musical milestone and a highly prized vinyl artifact.
- Triumph and Agony (1987, Holland)Released in 1987 through Geffen Records, Y&T's "Contagious" is a seminal hard rock/heavy metal album that marks a transition in the band's lineup. With Jimmy DeGrasso on drums, the album captures the essence of the late '80s rock scene, featuring a diverse array of tracks that showcase Y&T's musical prowess. From the powerful title track to the emotive "I'll Cry for You," "Contagious" remains a standout in the band's catalog.
Whitesnake’s 1979 album "Lovehunter" roars with raw hard rock energy and blues-soaked swagger. Produced by Martin (P.C.) Birch, it delivers Coverdale’s powerhouse vocals and fiery guitar duels from Micky Moody and Bernie Marsden. Beyond the riffs, the Chris Achilleos cover art—provocative and unforgettable—made this record a true lightning rod of rock culture.