- Blackened Records 180 Gram vinyl
"Ride the Lightning" is the successor of the "Kill Them All" Metallica album and was released in 1984. It was the last album to feature songwriting contributions from former lead guitarist Dave Mustaine ( Megadeth ).
This is the 2006 Released pressed on audiophile 180grams vinyl LP
Metallica's 1984 album "Ride the Lightning" was a pivotal moment in heavy metal history. The album solidified the band's transition from thrash trailblazers to musical heavyweights. Fans and critics alike hail it as one of the group's finest, with its complex song structures, thought-provoking lyrics, and a relentless onslaught of iconic riffs. Now, audiophiles and diehard Metallica fans can experience this electrifying masterpiece in its full sonic glory with the Blackened Records 180-gram vinyl release.
Evolution and Refinement
Building upon the raw aggression of their debut "Kill 'Em All," Metallica brought greater focus and maturity to "Ride the Lightning." The thundering opener, "Fight Fire With Fire," sets the album's blistering pace, while epics like the haunting "Fade to Black" and the war-themed "For Whom the Bell Tolls" showcase their dynamic evolution. The album also boasts the frenetic fan-favorite "Creeping Death," drawing inspiration from the biblical plagues of Egypt.
The Vinyl Difference
The 180-gram vinyl pressing of "Ride the Lightning" delivers the album's power and nuance in a way digital formats simply can't replicate. The heavier vinyl provides warmer sound, deeper bass, and less surface noise than standard pressings. This allows the intricate guitar interplay between James Hetfield and Kirk Hammett, Lars Ulrich's thundering drums, and the late Cliff Burton's intricate basslines to shine through with incredible clarity.
Thrash Metal
Blackened Recordings – 00602547885241
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
2006 United Kingdom ( UK ) / Europe
This album comes with the black and yellow custom inner sleeve with on one side photos of the Metallica band and on the other side: lyrics of all the songs on "Ride The Lightning"
Metallica - Producer
Flemming Rasmussen - Assistent Producer
Danish maestro Flemming Rasmussen shaped the sound of heavy metal. Metallica's thunderous albums? His work. Founder of legendary Sweet Silence Studios, he's produced icons across genres.
Mark Whitaker - Assistent Producer
Mark Whitaker Mark Whitaker, a luminary in the realm of music production and sound engineering, was born in 1965, in London, United Kingdom. His journey into the intricate world of audio craftsmanship commenced in the mid-1980s when the heavy metal scene was burgeoning with raw energy and unbridled creativity.
In the late 1980s, Whitaker made a decisive leap into the competitive music industry. His breakthrough came when he was enlisted as a sound engineer for the legendary thrash metal band Exodus. The collaboration proved to be a pivotal moment in Whitaker's career, as he contributed his technical prowess to shape the band's sonic identity.
Whitaker's fascination with the technical aspects of sound production blossomed during his formative years, drawing inspiration from the revolutionary works of iconic European producers. This passion led him to pursue formal education in audio engineering at the renowned Abbey Road Institute in London, where he honed his skills under the guidance of seasoned mentors.
The heavy metal landscape was undergoing a seismic shift, and Whitaker found himself at the forefront of this sonic revolution. His adept handling of complex recording techniques and nuanced understanding of heavy metal dynamics caught the attention of Metallica, one of the genre's defining acts. Whitaker's collaboration with Metallica on seminal albums such as "Master of Puppets" and "And Justice for All" solidified his reputation as a maestro in the studio.
As Whitaker's portfolio expanded, so did his influence on the heavy metal genre. His work extended beyond the confines of established acts, as he lent his expertise to emerging bands like Laaz Rockit, contributing to the shaping of their sonic landscapes.
Greg Fidelman - Re-issues Executive Producer
Flemming Rasmussen - Sound Engineer
Greg Fidelman - Audio Fixes
Kent Matcke - Audio Fixes
Lindsay Chase - Mastering Coordinator
Howie Weinberg - Mastering Engineer
Howie Weinberg is a highly renowned and respected mastering engineer in the music industry. With a career spanning over four decades, he has played an instrumental role in shaping the sound and quality of numerous iconic albums. Born on 14 September 14, 1953, in New York City, Howie's passion for music began at a young age.
In the early 1970s, Weinberg embarked on his journey into the music industry, starting as an assistant engineer at Masterdisk, a leading mastering studio in New York City. Under the guidance of accomplished engineers like Bob Ludwig and Greg Calbi, Howie honed his skills and gained invaluable experience working with a diverse range of artists and genres.
Throughout the 1980s, Weinberg emerged as a prominent figure in the industry, known for his meticulous attention to detail and innovative approach to mastering. His ability to enhance the sonic qualities of recordings and optimize their playback on various formats made him highly sought after by both established and emerging artists.
One of the pivotal moments in Howie Weinberg's career came when he collaborated with renowned producer Rick Rubin on the Beastie Boys' groundbreaking album "Licensed to Ill" in 1986. The success of the album further solidified Howie's reputation as an exceptional mastering engineer. This led to a fruitful partnership with Rubin, and they worked together on a string of influential albums, including releases by Slayer, Public Enemy, and Johnny Cash.
Weinberg's remarkable talent for mastering became evident in his ability to capture the essence of an artist's vision while adding his expertise to create a polished and dynamic final product. His work on Nirvana's iconic album "Nevermind" in 1991 is a testament to his ability to bring out the best in a recording, with his mastering contributing to the album's raw energy and sonic impact.
Over the years, Howie Weinberg has collaborated with a wide array of artists and bands from various genres, including U2, The White Stripes, Smashing Pumpkins, Red Hot Chili Peppers, and many others. His discography boasts an extensive list of critically acclaimed and commercially successful albums, solidifying his position as one of the most influential mastering engineers of his time.
In 1995, Howie Weinberg opened his own mastering studio, Howie Weinberg Mastering, in Los Angeles. Equipped with state-of-the-art technology and a deep understanding of the mastering process, the studio became a go-to destination for artists seeking the highest level of audio quality for their projects.
Throughout his career, Weinberg has been recognized with numerous accolades, including several Grammy nominations and wins for his exceptional contributions to the music industry. He is highly respected by his peers and has been a mentor to many aspiring mastering engineers, passing on his knowledge and expertise to the next generation.
Howie Weinberg's unwavering dedication to his craft and his ability to elevate the sonic experience of countless albums have solidified his position as a true master of his art. His meticulous attention to detail, technical expertise, and passion for music continue to shape the industry and inspire generations of mastering engineers to strive for excellence.
This album "Ride The Lightning" was recorded at Sweet Silence Studios in Copenhagen, Denmark during Spring 1984
Remastered at Weinberg Mastering, Los Angeles, California
Vinyl Masters by Chris Bellman at Bernie Grundman Mastering, Los Angeles, California
Metallica - Album Cover Concept
Ad Artists - Cover Design
Peter Cronin - Photography
Rick Brackett - Photography
Harold O - Photography
Fin Costello ( Black and White Photos on inner sleeve ) - Photography
Fin Costello is a renowned pop and rock photographer who has made a significant impact on the music industry with his captivating images of numerous bands and artists. Known for his work in the Hard Rock and Heavy Metal scene, Costello has captured iconic moments and immortalized the essence of some of the most influential bands in history.
Born with a passion for photography, Fin Costello developed a keen eye for capturing the raw energy and emotion of live performances. His journey in the world of music photography began in the late 1960s when he started photographing emerging rock bands and artists in his hometown. With dedication and a genuine love for the music, he quickly established himself as a sought-after photographer.
Costello's breakthrough came in the 1970s when he started working with some of the biggest names in rock and metal. His unique ability to capture the intensity and personality of the musicians made him a trusted photographer among bands and their management. His portfolio grew rapidly, and he became known for his exceptional talent in capturing dynamic live performances and intimate behind-the-scenes moments.
Among the notable bands and artists Costello has photographed, the Hard Rock and Heavy Metal genre holds a special place in his career. His collaborations with bands like Deep Purple, Ozzy Osbourne, Rainbow, and King Diamond have resulted in some of his most iconic and widely recognized images. Through his lens, he has managed to capture the essence of these artists, immortalizing their stage presence and capturing the spirit of their music.
Over the years, Fin Costello's work has been featured in numerous music magazines, album covers, and promotional materials, establishing him as one of the most respected photographers in the industry. His images have graced the pages of publications such as Rolling Stone, Kerrang!, and Metal Hammer, among others, contributing to his widespread recognition and acclaim.
Beyond his work in the music industry, Costello's passion for photography extends to other genres as well. He has explored various styles and subjects, showcasing his versatility as a photographer. However, it is his contributions to the rock and metal scene that have left an indelible mark on music history.
Throughout his career, Fin Costello's photographs have not only captured the moments that defined an era but also preserved the spirit and energy of the artists who have shaped the landscape of popular music. His dedication, artistic vision, and technical prowess have made him an influential figure in the world of music photography.
Today, Fin Costello's photographs continue to inspire and resonate with music enthusiasts and artists alike. His body of work stands as a testament to the power of visual storytelling and the enduring impact of rock and metal music. Whether it is a high-energy live performance or an intimate portrait, Costello's photographs serve as a window into the soul of the musicians he has captured with his lens, immortalizing their artistry for generations to come.
Anthony D. Sommella ( Live photos ) - Photography
Robert Hoetink ( Dressing Room Photos ) - Photography
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
This section shows the complete Metallica discography ordered by album-title. Several titles are International and have been listed with the country of release
This release on "Blackened Records" label, is the 2018 audiophile re-issue of ""...And Justice for All" the first album released by Metallica after the death of Cliff Burton. It is also the first album with Jason Newsted on Bass guitar.
- ..And Justice For All (Blackened Records) - ..And Justice for All (1988, Netherlands)
Creeping Death by the American Thrash Metal band "Metallica" is a 12" EP Vinyl record from 1984. Un-official versions from France (with different labels) have been released in the colors: Blue, Green, Red, White and Yellow Vinyl.
- Creeping Death Blue Vinyl (1984, France) - Creeping Death Green Vinyl (1984, France) - Creeping Death Red Vinyl (1984, France) - Creeping Death White Vinyl (1984, France) - Creeping Death Yellow Vinyl (1984, France)
This is the audiophile re-release of "Death Magnetic" the 2009 album released by the American Thrash Metal band "Metallica". This re-release comes in a gatefold album cover and two audiophile quality 180grams records.
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Issued as a limited edition 12" vinyl LP, "Hamburg Colorline 12 May 2009" has become a coveted collector's item. Its raw, unfiltered energy transports listeners back to the heart of that explosive concert.
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"Hardwired to Self Destruct" is the 2016 double album released by the American Speed / Thrash Metal band "Metallica". It was released 8 years after their previous album "Death Magnetic"
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The A-side explodes with the relentless energy of "Harvester of Sorrow." This track, a centerpiece of their landmark album "...And Justice For All," exemplifies Metallica's progressive thrash metal sound.
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"Jump in the Fire" is a single derived from Metallica's debut studio album, "Kill 'em All", released in 1983.
- Jump in the Fire (1983, England) - Jump in the Fire (1983, Holland)
The cover art for "Jump In The Fire" is as iconic as the track itself. Created by artist Les Edwards, the image features a demon-like creature surrounded by flames, inviting the listener to literally "jump in the fire."
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"Kill 'Em All" showcases the raw talent and relentless musicianship of the band's original lineup: James Hetfield on vocals and rhythm guitar, Lars Ulrich on drums, Dave Mustaine on lead guitar, and Cliff Burton on bass.
- Kill 'Em All ( Blackened Records ) - Kill 'em All 2LP (1983, England) - Kill 'Em All (1983, France) - Kill 'Em All (1983, Holland) - Kill 'Em All (1983, UK)
Before the polished production of "Kill 'Em All," Metallica's sound was a volatile beast, unleashed in the cramped confines of a garage. "The Legendary Garage Tapes" serve as a time capsule, showcasing the thrash metal titans
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This 500-copy limited edition is a treasure trove for devotees of Metallica's raw, uncompromising roots. The setlist reads like a greatest hits collection of their early years.
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Metallica's "Load" is a sonic journey capturing the band's evolution. Released in 1996, the controversial album's vinyl edition enriches the listening experience, offering warmth and authenticity.
METALLICA - Load ( 2LP Blackened Records ) - Load (1996,E/M Ventures Elektra )
Metallica's 1986 album "Master of Puppets" stands as a towering achievement in heavy metal history. Its complex compositions, blistering aggression, and socially conscious themes cemented the band's reputation as leaders
- Master of Puppets (1986, England) - Master of Puppets 2LP DMM audiophile (England)
The METALLICA "Master of Puppets" 12" Vinyl Picture Disc, a 1986 UK 1st ISSUE with no barcode, is a rare gem for collectors. This limited edition features unique artwork on the vinyl picture disc, adding to its allure.
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This the high-end audiophile release pressed on two 12" vinyl records each on 180 gram vinyl of the self-titled Metallica album and because of the black front and back cover, it is also known as "The Black Album".
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Recorded at the Kopi Arena, this album transports listeners back in time to a pivotal moment in Metallica's career. The band was riding high on the success of their album *Death Magnetic*
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Metallica's "Ride the Lightning" 12" Vinyl LP is a collector's gem. This iconic album marked a turning point in metal history, blending thrash metal and intricate compositions.
- Ride The Lightning (1984, England). - Ride the Lightning (Roadrunner, 1984, Holland) - Ride The Lightning (Vertigo, 1984, Netherlands) - Ride The Lightning (Blackened Records, 2006)
This is METALLICA's ninth album, recorded live with the San Francisco Symphony on April 21-22 of 1999. The set list contains songs from Ride the Lightning through ReLoad, as well as two new songs: "- Human" and "No Leaf Clover".
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St. Anger is the eighth studio album by American heavy metal band Metallica, released on 5 June 2003. The album was originally to be released on June 10, 2003, but because of fears of extended music piracy over filesharing network
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Following the tragic death of bassist Cliff Burton in 1986, Metallica found themselves with a significant void to fill. With Newsted taking over bass duties, the band opted to record Garage Days
- The 5.98 EP Garage Days Re-Revisited (1987, Holland) - The 5.98 Garage Days Re-Revisited (1987, UK)
This limited edition album "Until It Sleeps" is the first single and the fourth song from Metallica's 1996 album Load. This version is pressed on Red Vinyl and comes in a transparent sleeve.
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