This album "Hungry Years Digital Remix" is a compilation album with digital remixes of selected tracks from their 2nd, 3rd and 4th albums
The music industry has witnessed numerous bands and artists who have left an indelible mark on the scene. Among them, ACCEPT stands as a legendary German heavy metal band known for their powerful sound and energetic performances. Their album "Hungry Years Digital Remix" is a compilation of digitally remixed tracks from their 2nd, 3rd, and 4th albums. Produced by Ian Taylor and Dirk Steffens, with Didi Zill as the photographer and Manfred Schoedsack as the artwork designer, this album showcases the band's evolution and musical prowess. In this essay, we will explore the tracklisting and discuss the impact of ACCEPT's music on the heavy metal genre.
Tracklisting Side One:
1. Fast as a Shark: "Fast as a Shark" kicks off Side One with a thunderous introduction. The digital remix enhances the already electrifying energy of the original version, capturing the band's raw power and speed. This track exemplifies ACCEPT's ability to deliver lightning-fast guitar riffs and driving rhythms, solidifying their place as pioneers of speed metal.
2. Burning: The second track, "Burning", maintains the intensity set by its predecessor. The digital remix adds a layer of sonic depth, intensifying the fiery guitar solos and the commanding vocals of Udo Dirkschneider. The song's infectious melody and anthemic chorus make it an unforgettable addition to the album.
3. Son of a Bitch: With its aggressive guitar-driven sound, "Son of a Bitch" showcases ACCEPT's rebellious spirit. The digital remix emphasizes the track's rebellious nature, making it even more potent and in-your-face. It serves as a reminder of the band's refusal to conform to musical norms, solidifying their reputation as trailblazers in the heavy metal genre.
4. Princes of the Dawn: Closing Side One, "Princes of the Dawn" exhibits a more melodic side of ACCEPT's music. The digital remix enriches the atmospheric elements of the track, allowing the listener to fully immerse themselves in its captivating ambiance. This song demonstrates the band's ability to seamlessly blend melody and power, further showcasing their musical versatility.
Tracklisting Side Two:
1. I'm a Rebel: Opening Side Two, "I'm a Rebel" presents a change in musical direction, exploring a more hard rock-oriented sound. The digital remix adds a modern touch to the song, highlighting its infectious groove and memorable chorus. This track is a testament to ACCEPT's willingness to experiment with different styles while maintaining their signature sound.
2. Breaker: "Breaker" epitomizes ACCEPT's ability to create headbanging anthems. The digital remix injects new life into this classic track, elevating its heaviness and aggression. With its thunderous drums and blistering guitar work, this song solidifies ACCEPT's status as masters of heavy metal.
3. Restless and Wild: "Restless and Wild" exemplifies the band's musical evolution, blending elements of traditional heavy metal with a more melodic approach. The digital remix enhances the song's dynamic range, emphasizing its captivating melodies and powerful choruses. This track serves as a testament to ACCEPT's growth and maturity as musicians.
4. The King: "The King" showcases ACCEPT's storytelling ability, delivering a powerful narrative within a heavy metal framework. The digital remix heightens the song's dramatic impact, enhancing its epic atmosphere and intricate guitar work. This track stands as a testament to the band's songwriting prowess and their ability to create engaging musical journeys.
5. Midnight Highway: Closing the album, "Midnight Highway" takes listeners on a thrilling ride through ACCEPT's musical landscape. The digital remix accentuates the track's energetic rhythm section and captivating guitar solos, immersing the audience in a sonic adventure. This song leaves a lasting impression and serves as a fitting conclusion to a remarkable compilation album.
Metronome Music GmbH 831 077-1 , 1977 , Made in Uk ( United Kingdom )
This album "Hungry Years Digital Remix" is a compilation album with digital remixes of selected tracks from their 2nd, 3rd and 4th albums
Learn moreHeavy Metal ( Germany )
Metronome Music GmbH 831 077-1
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1987 Made in UK ( United Kingdom )
Accept - Producers
Ian Taylor - Producer
Ian Taylor is a music producer, sound and mixing engineer from the USA, during the 1980s he has been working with bands like: Accept, Ministry, Saxon and others.
Dirk Steffens - Producer
Dirk Steffens is a notable figure in the German music industry as a record producer. He has worked with several prominent bands and artists, particularly in the hard rock and heavy metal genres. Here are some details about Dirk Steffens and the artists and recordings he has produced.
Ian Taylor - Digital Remix Engineer
Recorded and mixed at Dierks Studio
"Dieter Dierks Studios" is a legendary German recording facility known for shaping the sound of iconic rock bands like the Scorpions. Founded by visionary producer Dieter Dierks, it's a place where rock history was made and continues to be created. Learn more
Manfred Schoedsack - Design
Didi Zill - Photography
BRAIN 0060.188 , 1979 , Germany
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Learn moreMetronome Music GmbH 831 077-1 , 1977 , Made in Uk ( United Kingdom )
This album "Hungry Years Digital Remix" is a compilation album with digital remixes of selected tracks from their 2nd, 3rd and 4th albums
Learn moreBRAIN 0060.389 , 1980 , Made in Germany
"I'm a Rebel" is the second album by the heavy metal band Accept, recorded in 1979 and released in 1980 It was the first of three consecutive Accept records to utilize Dirk Steffens as producer.
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This is the GERMAN release of "Restless and Wild" by the German Heavy Metal band "ACCEPT" and has been released on the Venus records
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"Staying a Life" is a double live album by Accept. It was recorded in Osaka, Japan in 1985. It was released in 1990, shortly after the band's first breakup. It was mixed by Uli Baronowsky at Dierks Studios
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